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Journal Article
Archives of Asian Art (2012) 62 (1): 5.
Published: 01 April 2012
...Jerome Silbergeld Copyright © Asia Society 2012 Foreword to James Cahill article
t is not often that a journal decides to accept for decades. (A few important exceptions could be noted.2)
Ipublication a twenty-year-old manuscript. Archives Publication here...
Journal Article
A Response to Professor Cahill's “Some Thoughts on the History and Post-History of Chinese Painting”
Archives of Asian Art (2005) 55 (1): 35–37.
Published: 01 April 2005
...Robert E. Harrist, Jr. Copyright © Asia Society 2005 A Response to Professor Cahill's
"Some Thoughts on the History and Post-History
of Chinese Painting"
ROBERT E. HARRIST, JR.
COLUMBIA UNIVERSITY
Within the rhetorical framework of his essay, Professor in painting...
View articletitled, A Response to Professor <span class="search-highlight">Cahill's</span> “Some Thoughts on the History and Post-History of Chinese Painting”
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Journal Article
Archives of Asian Art (2012) 62 (1): 7–24.
Published: 01 April 2012
...James Cahill Copyright © Asia Society 2012 Xieyi in the Zhe School? Some Thoughts on the Huai’an Tomb Paintings
james cahill, emeritus
University of California, Berkeley
Preface...
Journal Article
Archives of Asian Art (2005) 55 (1): 17–33.
Published: 01 April 2005
...James Cahill Copyright © Asia Society 2005 Some Thoughts on the History and Post-History
of Chinese Painting
JAMES CAHILL
EMERITUS, UNIVERSITY OF CALIFORNIA AT BERKELEY
(Note:This is a shortened form of the Haley Lecture deliv- paintings, to mean that Chinese painting underwent...
Journal Article
Archives of Asian Art (2004) 54 (1): 95–96.
Published: 01 April 2004
...James Cahill Copyright © Asia Society 2004 Wang Chi-ch'ien (1907-2003)
Wang Chi-ch'ien, best known as C. C. Wang, a leading ly, through them, at the same attribution. Then C. C.Wang
painter, collector, connoisseur, and scholar-teacher, died on came in, glanced at the painting across...
Image
Published: 01 October 2017
15. Sun Junze (Chinese, active 14th c.), Landscape with Buildings , China, Yuan dynasty (1279–1368), early fourteenth century. Hanging scroll; ink and color on silk, 185.2 × 112.4 cm. University of California, Berkeley Art Museum and Pacific Film Archive, 2016.4. Gift of Sarah Cahill, in memory
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Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
... inherited in the West) that
scarcely unique to modernWestern culture."Cut down a tree equates painting style with social personality, except insofar
and you get a big cudgel," goes a Chinese proverb. "Raise a (according to Cahill) as it conforms to social expectations
son and you've brought big...
Journal Article
Archives of Asian Art (2001) 52 (1): 121–127.
Published: 01 April 2001
..., Frances K. (review) The Julius Levy Memorial Gallery at the Cahill, James. Ch'ien Hsuan and His Figure Paintings, vol. 12 (1958), pp.
Baltimore Museum of Art, vol. 39 (1986), P. 74. I1-29; The Return of the Absent Servants: Chou Fang's Double Sixes
Ashmead, Ann Harnwell...
Journal Article
Archives of Asian Art (2004) 54 (1): 3–4.
Published: 01 April 2004
...Vishakha N. Desai Copyright © Asia Society 2004 Editorial Board
Marsha Weidner, Chair
Frederick Asher
Robert L. Brown
James Cahill
Donald F. McCallum
Jerome Silbergeld
Stuart Cary Welch
Joanna Williams
Wu Hung
Yi Song-mi
Emeritus
Richard Barnhart...
Journal Article
Archives of Asian Art (2011) 61 (1): 1–2.
Published: 01 April 2011
... accordingly. Similarly,
members, James Cahill, Helmut Brinker, Yoshiaki Shi- Southeast Asian and Himalayan art were not represented;
mizu, and Joanna Williams, and the six members who now the board includes experts on both. Melissa Chiu,
joined the board with volume 52, Fredrick Asher, Robert Museum...
Journal Article
Archives of Asian Art (2023) 73 (2): 201–232.
Published: 01 October 2023
.... Photograph: Leiden University Libraries. The manipulation of book structure that uses leaves to divide the book content into what Burkus-Chasson has called “semiotic units” coincided with painters’ prolific experimentation with the album format in the first half of the seventeenth century. James Cahill...
FIGURES
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Journal Article
Archives of Asian Art (2014) 64 (2): 1–2.
Published: 01 October 2014
... bring us to the persuasive judgment that 3. See, in Archives of Asian Art 55 (2004–5): James
this is a very special early work of art. Cahill, “Some Thoughts on the History and Post-History
The poetry of this scroll’s “poetic ideas” origi- of Chinese Painting,” 17–33; Robert Harrist...
Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
...
Cahill recently posed this issue of priority, with regard to
Wax-Plum and Birds:
Did the emperor write out the quatrain and then do a thematically...
Journal Article
Archives of Asian Art (2001) 52 (1): 44–62.
Published: 01 April 2001
... come into vogue in
painting's very structure. Writing about farewell paintings the late eleventh century. In this way too the i 122 hand-
of the Ming period, James Cahill has described a compo- scroll adapts imagery developed by earlier literati painters
sitional type that offers "a general...
Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
..., ‘‘Eight Views of the Hsiao and
tumn Mountains (illustrated in James Cahill, Hills Beyond Hsiang Rivers in Images of the Mind, ed. Wen Fong
a River: Chinese Painting of the Yuan Dynasty, 1279– et al. (Princeton, NJ: Princeton University Press, 1984),
1368 [New York: Weatherhill, 1976], p. 31). Yuan...
Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
... the marvel of nature and tried my hand at portraying its likeness” 舟中推蓬取興, 敢與溪山寫真 [appearing here with slight emendations]. 60 Xie describes a creative process that draws directly from his immediate surroundings, bringing into question James Cahill's assertion that “the Chinese were never plein-air...
FIGURES
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 237–242.
Published: 01 October 2015
... bring us to the persuasive judgment that 3. See, in Archives of Asian Art 55 (2004–5): James
this is a very special early work of art. Cahill, “Some Thoughts on the History and Post-History
The poetry of this scroll’s “poetic ideas” origi- of Chinese Painting,” 17–33; Robert Harrist...
Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
... Xiang's 冒襄 concubines—Dong Bai 董白, Cai Han 蔡含, and Jin Yue 金玥—in Weidner, Laing, and Lo, Views from Jade Terrace , 98–99, 112–17. James Cahill references passages about paintings in the women's quarters in The Dream of the Red Chamber in his Paintings for Use and Pleasure , 161–65 . More generally...
FIGURES
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Journal Article
Archives of Asian Art (2013) 63 (2): 179–187.
Published: 01 October 2013
... Museum
only expanded the Minzhe 閩浙 dominated Ming court of Art, 1993), 3; and James Cahill, Parting at the Shore:
painting but also established an entirely new trend in Chinese Painting of the Early and Middle Ming Dynasty
Chinese Daoist figure painting. 1368–1580...
Journal Article
Archives of Asian Art (2024) 74 (1): 65–78.
Published: 01 April 2024
... an iconographic study of Autumn Colors on the Qiao and Hua Mountains , as art historians Li Chu-Tsing and James Cahill, among others, have done admirable work in this regard. 18 I am more interested in studying the variation of Autumn Colors on the Qiao and Hua Mountains in The Character of Characters...
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