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buddha

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Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 87–115.
Published: 01 October 2015
... Fifteenth-Century Sino-Tibetan Buddha Hall at the Lu Family Tusi     89 thatmany these other “id tem­i­o­ples­syn­cra in ­sies”the area were and ac can­tu­ally thus shared be said with to...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 63–82.
Published: 01 April 2001
...Janice Leoshko Copyright © Asia Society 2001 About Looking at Buddha Images in Eastern India* JANICE LEOSHKO UNIVERSITY OF TEXAS AT AUSTIN Although Buddha images have not lacked for study,' we can enhance our understanding of them by an approach that may seem old-fashioned...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 43–85.
Published: 01 April 2008
...Juhyung Rhi Copyright © Asia Society 2008 Identifying Several Visual Types in Gandha¯ran Buddha Images juhyung rhi Seoul National University Visual Types who were...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81–90.
Published: 01 April 2012
... Founda- Munthe’s Sculpture Collection in Gifts (Bergen 2012). tion, Emily Rauh Pulitzer, as well as special exhibitions [stanley.abe@duke.edu] such as ‘‘Urban Alchemy: Gordon Matta-Clark ‘‘Sty- lus: A Project by Ann Hamilton ‘‘Dreamscapes and now ‘‘Reflections of the Buddha For the...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 99–100.
Published: 01 April 2012
... scheduled events. art and architecture, and regardless of the extent to A defining characteristic of the ‘‘Reflections of the which the architecture provocatively invites us to view Buddha’’ exhibition was that it self-consciously forced the objects in new ways, the building is the dominant a viewer with...
Image
Published: 01 October 2017
Figure 9. Upper palace of Akaniṣṭha Heaven with crowned Buddha (detail of Figure 8 ). Photograph: author. Figure 9. Upper palace of Akaniṣṭha Heaven with crowned Buddha (detail of Figure 8). Photograph: author. More
Image
Published: 01 October 2017
Figure 39. Flower tucked above the ear of the uncrowned Buddha making the bodhyaṅgīmudrā (detail of Figure 50 ). Photograph: author. Figure 39. Flower tucked above the ear of the uncrowned Buddha making the bodhyaṅgīmudrā (detail of Figure 50). Photograph: author. More
Image
Published: 01 October 2017
Figure 42. Śākyamuni Buddha, slightly west of center on north wall of Akaniṣṭha Shrine (3.18), first half of seventeenth century. Photograph: author. Figure 42. Śākyamuni Buddha, slightly west of center on north wall of Akaniṣṭha Shrine (3.18), first half of seventeenth century. Photograph More
Image
Published: 01 October 2017
37. Buddha , South India, Telangana (Andhradesa), probably Nagarjunakonda, Ikshvaku period (ca. 225– ca. 320), third century. Limestone, 76.2 × 27.9 × 11.4 cm. The Metropolitan Museum of Art, 2016.700. Purchase, the Vincent Astor Foundation Gift, Brooke Russell Astor Bequest, the Miriam and Ira More
Image
Published: 01 October 2017
38. Buddha Preaching, a section from the Illustrated Sutra of Past and Present Karma (Kako genzai inga kyo emaki) , Nara period (710–794), mid-eighth century. Hanging scroll; handscroll section mounted as a hanging scroll; ink and color on paper, image 25.7 × 27.3 cm. The Metropolitan Museum of More
Image
Published: 01 April 2018
Figure 6. Buddha triad and kneeling bodhisattva, Baodingshan cave 29 (Cave of Perfect Enlightenment), Dazu County, Chongqing Municipality, China, Song dynasty, late twelfth–mid-thirteenth century. From Chongqing Dazu shike yishu bowuguan and Chongqing chubanshe, Dazu shike diaosu quanji , vol More
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Published: 01 October 2018
Buddha with Hand in Gesture of Teaching (Vitarkamudra) , Thailand, Dvaravati period, eighth century. Bronze, 52 × 15.1 × 12.4 cm. Art Institute of Chicago, 2016.433. Gift of Marilynn B. Alsdorf. Buddha with Hand in Gesture of Teaching (Vitarkamudra), Thailand, Dvaravati period, eighth century More
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 111–142.
Published: 01 April 2017
... span of about 150 years. The narrative episode from the life of the Buddha Śākyamuni in which his mother presents him as a newborn to the deity of a tree-shrine is featured as a key example of this phenomenon. While the sculpted image depicts the spirit of a tree venerating the infant, the caption...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 21–53.
Published: 01 April 2019
... benefits and even directed prayers for salvation. In addition, this essay shows that the architectural and spatial settings in which Enma was placed influenced the understanding of his varied functions, and ultimately enabled his refiguration as a salvific deity who had the power to grant birth in a Buddha...
Image
Published: 01 October 2017
Figure 24. Buddhas surrounded by nāga s in Yumchenmo khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph: author. Figure 24. Buddhas surrounded by nāgas in Yumchenmo khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph More
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Published: 01 October 2017
Figure 50. Uncrowned Buddhas making the bodhyaṅgīmudrā (Vairocana? Left [3.10]) and dhyānamudrā (right [3.11]) with red Bodhisattva Samantabhadra between them and below depicted episodes from the Life of the Buddha, south side of west wall, first half of seventeenth century. Photograph More
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Published: 01 October 2017
Figure 15. Episode in Life Story series, depicting Dream of Queen Māyā, conception of Buddha, east end of south wall of Akaniṣṭha Shrine (3. b ), first half of seventeenth century. Photograph: author. Figure 15. Episode in Life Story series, depicting Dream of Queen Māyā, conception of Buddha More
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Published: 01 October 2017
Figure 2. Detail, narratives of second-floor courtyard of Takden Phuntsokling Monastery, depicting devotees in Singhala, an episode in the Muktalātā story of the Buddha's life, seventeenth century. Photograph: courtesy of Andrew Quintman and Kurtis Schaeffer. Figure 2. Detail, narratives of More
Image
Published: 01 October 2017
Figure 3. Iconographic layout of Akaniṣṭha Shrine. Numbers indicate main themes, letters indicate Life of the Buddha episodes. Drawing by Mel Keiser. For a detailed identification of the numbers and letters, see appendix . Figure 3. Iconographic layout of Akaniṣṭha Shrine. Numbers indicate More
Image
Published: 01 October 2018
Munakata Shikō (Japanese, 1903–75), Maudgalyāyana, Master of Supernatural Forces, from the series Ten Great Disciples of Buddha , Japan, Shōwa period (1926–89), 1939/1948 (blocks carved), 1960 (printed). Woodblock print; ink on paper, sheet 106 × 47.6 cm. The Metropolitan Museum of Art, 2017.245.9 More