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Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
...Molly Emma Aitken Abstract Nineteenth-century court painters in India's princely states reconfigured traditional portraiture to address British, Indian courtly and local values and conventions. At Bikaner, a father and son, Rahim and Chotu, experimented with a number of different styles and...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 1–24.
Published: 01 April 2017
... closely to the reception of other formats. Studying the “Chishakuin group”—a canonical group of paintings for elites depicting two battles in the Heike monogatari —and analyzing in particular the pair of screens in the British Museum, I will bring to light some intended functions of a social, political...
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Published: 01 April 2017
Figure 24. Māyā presents the infant Śākyamuni , 2nd century ce . Amaravati, Andhra Pradesh. British Museum, London, detail of 1880.7.9.44. Photograph: © The Trustees of the British Museum. All rights reserved. Figure 24. Māyā presents the infant Śākyamuni, 2nd century ce. Amaravati, Andhra More
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Published: 01 April 2017
Figure 9. Detail of Figure 4 a , Yoshitsune’s army capturing a Taira messenger. Photograph: © Trustees of the British Museum. Figure 9. Detail of Figure 4a, Yoshitsune’s army capturing a Taira messenger. Photograph: © Trustees of the British Museum. More
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Published: 01 April 2017
Figure 1. Attributed to Kanō painter, Battle of Ichinotani , early seventeenth century. Right side of a pair of six-panel screens. Ink, color, and gold leaf on paper, 155.4 × 373.8 cm. British Museum, London (1950,1111,0.23). Photographs: © Trustees of the British Museum. Figure 1. Attributed More
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Published: 01 April 2017
Figure 3. Attributed to Kanō painter, Battle of Yashima , early seventeenth century. Left side of a pair of six-panel screens. Ink, color, and gold leaf on paper, 155.4 × 373.8 cm. British Museum, London (1950,1111,0.22). Photographs: © Trustees of the British Museum. Figure 3. Attributed to More
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Published: 01 October 2018
Figure 19. Incense burner, Qing dynasty (1700–1773), inscribed on base by the Qianlong emperor in 1773. Glazed stoneware, h. 6.5 cm, diam. 10.9 cm. British Museum, PDF.64, on loan from Sir Percival David Foundation of Chinese Art. Photograph: British Museum. Figure 19. Incense burner, Qing More
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Published: 01 April 2017
Figure 6. Details of Figure 2 a , Kawara brothers; Figure 2 b , Kagetoki’s son surrounded by enemies, and Kagetoki rushing to rescue him. Photograph: © Trustees of the British Museum. Figure 6. Details of Figure 2a, Kawara brothers; Figure 2b, Kagetoki’s son surrounded by enemies, and More
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Published: 01 April 2017
Figure 8. Details of Figure 2 h , Shigehira’s attempted suicide; Figure 2 i , Tomomori’s flight; Figure 2 g , the beheaded Tadanori. Photograph: © Trustees of the British Museum. Figure 8. Details of Figure 2h, Shigehira’s attempted suicide; Figure 2i, Tomomori’s flight; Figure 2g, the More
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Published: 01 April 2017
Figure 10. Details of Figure 4 b , Tsugunobu’s death; Figure 4 d (left half), Yoichi shooting an arrow; Figure 4 c , Kagekiyo and Mihonoya. Photograph: © Trustees of the British Museum. Figure 10. Details of Figure 4b, Tsugunobu’s death; Figure 4d (left half), Yoichi shooting an arrow More
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Published: 01 April 2017
Figure 11. Detail of Figure 4 d (right half), Yoichi shooting an arrow; Figure 4 e , Yoshitsune’s retrieval of bow. Photograph: © Trustees of the British Museum. Figure 11. Detail of Figure 4d (right half), Yoichi shooting an arrow; Figure 4e, Yoshitsune’s retrieval of bow. Photograph More
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Published: 01 October 2018
Figure 18. Vase in the shape of ancient gu form, Jingdezhen, Kangxi period (1662–1722). Porcelain with copper-red glaze, h. 19 cm. British Museum, PDF A546, on loan from Sir Percival David Foundation of Chinese Art. Photograph: Andy Zhou. Figure 18. Vase in the shape of ancient gu form More
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Published: 01 April 2017
Figure 7. Details of Figure 2 e , Tsuchiya brothers; Figure 2 d , Michimori deserted by his last retainer; Figure 2 f , Naozane and his son fighting; Figure 2 c , Moritsugu’s retreat. Photograph: © Trustees of the British Museum. Figure 7. Details of Figure 2e, Tsuchiya brothers More
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 53–63.
Published: 01 April 2005
... has the Golghar illustrates the power of the British in the late thus explored both large-scale commissions such as the eighteenth century, a time when they sorely needed to Government House in Calcutta (1799-1803) and, more consolidate that power. As it aged, narratives about the recently...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 108–110.
Published: 01 April 2003
... Painted with Geese and Reeds home institution in Tokyo in 1993 and at the British Yamato Bunka 26 (1958). Museum in 1998. In addition to his ongoing Rinpa projects, "Hyoden Ogata Karin—Sono Shogai to Geijutsu" ("A Yamane was able realize other interests, including a reassess- Critical Biography of...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 43–85.
Published: 01 April 2008
... objects and 46 ARCHIVES OF ASIAN ART Fig. 6. Detail of Fig. 5. Fig.5. Buddha. Takht-i-Ba¯h H. 92 cm. British Museum. Courtesy British Museum. five types are designated I to V, but these...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 54–70.
Published: 01 April 2003
..., Zurich. Inscription names the two rulers (Chambyal Mian RaguncTth Singh, Kastwaria Mian Sirdirr Singh). Reproduced by kind permission of the Rietberg Museum, Zurich. unlikely. The Jats were baiting the Marathas, and the Farzana, who became his concubine,5 or begam,6 as she British were trying to...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 191–214.
Published: 01 October 2018
... British Legation in Peking (Beijing) from 1868 to 1900. 1 Although not trained in Oriental studies, he nevertheless acquired impressive proficiency in Chinese and developed an interest in Chinese artifacts, eventually making his name as an expert in that area. Later in his life he was commissioned to...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 133–156.
Published: 01 October 2018
...Figure 19. Incense burner, Qing dynasty (1700–1773), inscribed on base by the Qianlong emperor in 1773. Glazed stoneware, h. 6.5 cm, diam. 10.9 cm. British Museum, PDF.64, on loan from Sir Percival David Foundation of Chinese Art. Photograph: British Museum. Figure 19. Incense burner, Qing...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 91–106.
Published: 01 April 2011
... until 1818, when the Mara¯tha¯s, Rajputs, and Mughals allied with the British East Indian˙ Company, which curtailed the Mara¯tha¯s’ political and...