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Image
Published: 01 October 2018
Figure 3. Gieve Patel, Folk Festival , 1968. Oil on canvas. Artwork: © the artist. Photograph: courtesy of Mirchandani + Steinruecke Gallery, Mumbai. Figure 3. Gieve Patel, Folk Festival, 1968. Oil on canvas. Artwork: © the artist. Photograph: courtesy of Mirchandani + Steinruecke Gallery More
Image
Published: 01 October 2018
Unidentified artist, Paragons of Filial Piety , Japan, Edo period (1615–1868), late eighteenth century. Handscroll; ink and color on silk, overall 33.7 × 116.7 cm. Cincinnati Art Museum, 2017.69. Gift of Stuart and Philip Golder in honor of Sylvan & Faith Golder. Unidentified artist More
Image
Published: 01 October 2018
Unidentified artist, Dog with Orange Bib , Japan, late Edo period (1615–1868), mid-nineteenth century. Paulownia wood, gofun (ground shell white), silk, and pigments, 19.69 × 13.34 × 18.42 cm. Los Angeles County Museum of Art, M.2017.41. Gift of Mrs. Charlene S. Kornblum and Dr. S. Sanford More
Image
Published: 01 October 2018
Sin Hakgwon (artist name: Doam) (Korean, 1785–1866), General View of Inner Geumgang , Korea, Joseon dynasty (1392–1910), mid-nineteenth century. Six sheets of paper mounted as a single panel; ink and light color on paper, 47.3 × 235 cm. The Metropolitan Museum of Art, 2017.185. Purchase, Friends More
Image
Published: 01 April 2017
Figure 18. Unknown artist, Maharaja Ram Singh II of Jaipur [r. 1835–80] at Worship , Jaipur, ca. 1870. Opaque watercolor and gold on paper ( wasili ), 20.5 × 15.4 cm; framed 48.6 × 38.4 × 2.5 cm. Harvard Art Museums/Arthur M. Sackler Museum, Gift in gratitude to John Coolidge, Gift of Leslie More
Image
Published: 01 October 2017
Figure 5. Unknown artist after Damian Domingo, Coleccion de Trajes Manila , ca. 1820s–1830s. Gouache on pith, 22.6 × 15.6 cm. Ayala Museum Collection, FA-2001–530. Figure 5. Unknown artist after Damian Domingo, Coleccion de Trajes Manila, ca. 1820s–1830s. Gouache on pith, 22.6 × 15.6 cm More
Image
Published: 01 October 2017
Figure 9. Una Mestiza Mercadera de Manila , unknown artist after Damian Domingo, nineteenth century. Gouache on pith, 22.6 × 15.6 cm. Ayala Museum Collection, FA-2001–530. Figure 9. Una Mestiza Mercadera de Manila, unknown artist after Damian Domingo, nineteenth century. Gouache on pith, 22.6 More
Image
Published: 01 October 2017
Figure 15. Unknown artist, Un Yndio Natural , 1841–42. Watercolor on paper. The New York Public Library Collection, ID 1226151. Figure 15. Unknown artist, Un Yndio Natural, 1841–42. Watercolor on paper. The New York Public Library Collection, ID 1226151. More
Image
Published: 01 April 2019
Figure 1. Unidentified artist, Portraits of Su Shi and Weng Fanggang , 1812. Album leaf; ink on paper, 21.5 × 24.3 cm. Kansong [Gansong] Art Museum, Seoul. Figure 1. Unidentified artist, Portraits of Su Shi and Weng Fanggang, 1812. Album leaf; ink on paper, 21.5 × 24.3 cm. Kansong [Gansong More
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 81–104.
Published: 01 April 2006
...Ho-Tae Jeon (全兑) Copyright © Asia Society 2005 Artistic Creation, Borrowing, Adaptation, and Assimilation in KoguryO Tomb Murals of the Fourth to Seventh Century Ho-TAE JEON(±A) INTRODUCTION As is commonly known, Kogury6, even before its forma- tion as a...
Image
Published: 01 October 2018
Figure 20. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 7 from Album of Making Porcelain , album of twenty paired leaves and one explanatory text. Ink and color on silk. From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan (Chinese More
Image
Published: 01 October 2018
Figure 21. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 1 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 76, fig. 1. Figure 21. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by More
Image
Published: 01 October 2018
Figure 22. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 4 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 77, fig. 4. Figure 22. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by More
Image
Published: 01 October 2018
Figure 23. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 15 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 80, fig. 15. Figure 23. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations More
Image
Published: 01 October 2018
Figure 24. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations by Tang Ying (1682–1756), 1743. Leaf 20 from Album of Making Porcelain . From Zhonghua wen wu ji cui: Qing wan ya ji shou cang zhan , 82, fig. 20. Figure 24. Qing court artists, ca. 1738, Tao ye tu 陶冶圖 with annotations More
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 111–132.
Published: 01 October 2018
...Figure 3. Gieve Patel, Folk Festival , 1968. Oil on canvas. Artwork: © the artist. Photograph: courtesy of Mirchandani + Steinruecke Gallery, Mumbai. Figure 3. Gieve Patel, Folk Festival, 1968. Oil on canvas. Artwork: © the artist. Photograph: courtesy of Mirchandani + Steinruecke Gallery...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 47–66.
Published: 01 April 2018
...Burglind Jungmann Abstract Facts about Sin Saimdang, the most famous female artist in Korean history, are scattered and none of the remaining works attributed to her can be confirmed as authentic. Since her death every century has contributed new ideas about the painter and her oeuvre. By...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 55–72.
Published: 01 April 2019
...Jung-Ah Woo Abstract This article analyzes the various practices of the WAWA Project as a case study of community-based art after the Great East Japan Earthquake on 11 March 2011 (“3.11”). Organized by Masato Nakamura (b. 1963), the Tokyo-based artist, college professor, and director of an artist...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
...Figure 18. Unknown artist, Maharaja Ram Singh II of Jaipur [r. 1835–80] at Worship , Jaipur, ca. 1870. Opaque watercolor and gold on paper ( wasili ), 20.5 × 15.4 cm; framed 48.6 × 38.4 × 2.5 cm. Harvard Art Museums/Arthur M. Sackler Museum, Gift in gratitude to John Coolidge, Gift of Leslie...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
...Kristen Chiem Abstract From the conquest of the Ming dynasty in 1644 by the Manchurians through the literary inquisitions of the eighteenth century, seemingly innocuous paintings of peony flowers kept alive a discourse of Ming loyalism among Chinese artists and poets. While the peony's appearance...