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Journal Article
Gendun Chopel: Tibet's First Modern Artist
Available to Purchase
Archives of Asian Art (2022) 72 (2): 281–284.
Published: 01 October 2022
... a dearth of scholarly publications focused on Tibet's early- to mid-twentieth-century art world. One important exception is Tsewang Tashi's A History of Art in Twentieth Century Tibet (2018), based on his doctoral dissertation, Modernism in Tibetan Art: The Creative Journey of Four Artists (2014...
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Published: 01 April 2017
Figure 18. Unknown artist, Maharaja Ram Singh II of Jaipur [r. 1835–80] at Worship , Jaipur, ca. 1870. Opaque watercolor and gold on paper ( wasili ), 20.5 × 15.4 cm; framed 48.6 × 38.4 × 2.5 cm. Harvard Art Museums/Arthur M. Sackler Museum, Gift in gratitude to John Coolidge, Gift of Leslie
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in Trophies of Trade: Collecting Nineteenth-Century Sino-Filipino Export Paintings
> Archives of Asian Art
Published: 01 October 2017
Figure 5. Unknown artist after Damian Domingo, Coleccion de Trajes Manila , ca. 1820s–1830s. Gouache on pith, 22.6 × 15.6 cm. Ayala Museum Collection, FA-2001–530.
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Una Mestiza Mercadera de Manila , unknown artist after Damian Domingo, nine...
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in Trophies of Trade: Collecting Nineteenth-Century Sino-Filipino Export Paintings
> Archives of Asian Art
Published: 01 October 2017
Figure 9. Una Mestiza Mercadera de Manila , unknown artist after Damian Domingo, nineteenth century. Gouache on pith, 22.6 × 15.6 cm. Ayala Museum Collection, FA-2001–530.
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in Trophies of Trade: Collecting Nineteenth-Century Sino-Filipino Export Paintings
> Archives of Asian Art
Published: 01 October 2017
Figure 15. Unknown artist, Un Yndio Natural , 1841–42. Watercolor on paper. The New York Public Library Collection, ID 1226151.
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in “We Were Looking for Our Violins”: The Bombay Painters and Poets, ca. 1965–76
> Archives of Asian Art
Published: 01 October 2018
Figure 3. Gieve Patel, Folk Festival , 1968. Oil on canvas. Artwork: © the artist. Photograph: courtesy of Mirchandani + Steinruecke Gallery, Mumbai.
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Published: 01 October 2018
Unidentified artist, Paragons of Filial Piety , Japan, Edo period (1615–1868), late eighteenth century. Handscroll; ink and color on silk, overall 33.7 × 116.7 cm. Cincinnati Art Museum, 2017.69. Gift of Stuart and Philip Golder in honor of Sylvan & Faith Golder.
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Published: 01 October 2018
Unidentified artist, Dog with Orange Bib , Japan, late Edo period (1615–1868), mid-nineteenth century. Paulownia wood, gofun (ground shell white), silk, and pigments, 19.69 × 13.34 × 18.42 cm. Los Angeles County Museum of Art, M.2017.41. Gift of Mrs. Charlene S. Kornblum and Dr. S. Sanford
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Image
Published: 01 October 2018
Sin Hakgwon (artist name: Doam) (Korean, 1785–1866), General View of Inner Geumgang , Korea, Joseon dynasty (1392–1910), mid-nineteenth century. Six sheets of paper mounted as a single panel; ink and light color on paper, 47.3 × 235 cm. The Metropolitan Museum of Art, 2017.185. Purchase, Friends
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in The Aesthetics of Scholarship: Weng Fanggang and the Cult of Su Shi in Late-Eighteenth-Century Beijing
> Archives of Asian Art
Published: 01 April 2019
Figure 1. Unidentified artist, Portraits of Su Shi and Weng Fanggang , 1812. Album leaf; ink on paper, 21.5 × 24.3 cm. Kansong [Gansong] Art Museum, Seoul.
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in One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737
> Archives of Asian Art
Published: 01 April 2020
Figure 15. Unknown artist (Chinese, early eighteenth c.), Activities of the Twelve Months ( Shi'er yueling tu 十二月令圖), the first month, early eighteenth century. Hanging scroll; ink and color on silk, 187.5 × 102 cm. Palace Museum, Beijing. Photograph: © The Palace Museum.
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The drawings and plan of Muṇḍeśvarī done by Buchanan's artist in 1812, firs...
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in The Curious Case of the Octagonal Temple: An Architectural Analysis and Revised History of the Temples of Muṇḍeśvarī Hill
> Archives of Asian Art
Published: 01 October 2020
Figure 14. The drawings and plan of Muṇḍeśvarī done by Buchanan's artist in 1812, first published in Martin, History, Antiquities, Topography, and Statistics of Eastern India , pl. V.
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in Curating the Christian Arts of Asia: Global Art Histories at the Asian Civilisations Museum
> Archives of Asian Art
Published: 01 October 2020
Figure 8. Unknown artist, Hanging Oratory , possibly Japan or Macao, seventeenth century. Lacquer and painted wood, 30.2 × 23. 5 × 4 cm. Collection of the Asian Civilisations Museum, 2016-00368.
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in Between Concealment and Revelation: Empress Dowager Cixi's Experiments with Representation
> Archives of Asian Art
Published: 01 April 2022
Figure 15. Unidentified artist, Twelve Beauties (Yongzheng era, Qing dynasty; originally made for the emperor's studio at Yuanmingyuan). Ink and color on silk, 184 × 98 cm. Gugong Palace Museum Collection, Beijing. Photograph provided by the Palace Museum, Beijing.
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in Between Concealment and Revelation: Empress Dowager Cixi's Experiments with Representation
> Archives of Asian Art
Published: 01 April 2022
Figure 18. Unidentified artist, Twelve Beauties , Yongzheng era, Qing dynasty (originally made for the emperor's studio at Yuanmingyuan). Ink and color on silk, 184 × 98 cm. Gugong Palace Museum Collection, Beijing. Photograph provided by the Palace Museum, Beijing.
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in The New Emperor's Clothes: Indigo and Allusion in Two Hongzhi Year One Paintings
> Archives of Asian Art
Published: 01 April 2023
Figure 10. Unknown artist, Sutra Cover , China, sixteenth–early seventeenth century. Sutra cover; twill damask with dragon, phoenix, and cloud; 36.3 × 12.8 cm. Philadelphia Museum of Art, 1940-4-245. Purchased with the John T. Morris Fund from the Carl Schuster Collection, 1940. Photograph
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Unidentified artist (Chinese), inscription by Zhiweng (active first half th...
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in Encounters with Chan: Tales of the Eight Eminent Monks 八高僧故事圖卷 Attributed to Liang Kai 梁楷
> Archives of Asian Art
Published: 01 April 2025
Figure 9. Unidentified artist (Chinese), inscription by Zhiweng (active first half thirteenth c.), painting d. before 1256, Li Ao's Encounter with Yaoshan 藥山李翺禪會圖. Handscroll; ink on paper, 31.8 × 84.5 cm. Edward Elliott Family Collection, Purchase, The Dillon Fund Gift, 1982. Metropolitan
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in Immersion and Absorption: Painting Sizes and Visual Experiences in Middle-Period China
> Archives of Asian Art
Published: 01 April 2025
Figure 4. Unidentified artist, Figures . Album leaf; ink and color on silk, 29 × 27.8 cm. The Collection of National Palace Museum.
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in Immersion and Absorption: Painting Sizes and Visual Experiences in Middle-Period China
> Archives of Asian Art
Published: 01 April 2025
Figure 16. Anonymous artist and Emperor Gaozong (Chinese, 1107–1187), Mooring by the Autumn River at Night , second half of the twelfth century. Album leaf; ink and color on silk, 24.5 × 23.7 cm. Provided by the Palace Museum.
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Journal Article
Artistic Creation, Borrowing, Adaptation, and Assimilation in Koguryǒ Tomb Murals of the Fourth to Seventh Century
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Archives of Asian Art (2006) 56 (1): 81–104.
Published: 01 April 2006
...Ho-Tae Jeon (全兑) Copyright © Asia Society 2005 Artistic Creation, Borrowing, Adaptation, and Assimilation
in KoguryO Tomb Murals of the Fourth to Seventh Century
Ho-TAE JEON(±A)
INTRODUCTION
As is commonly known, Kogury6, even before its forma-
tion...
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