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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... [themselves] King. — shen deqian 沈德潛 (1673–1769), excerpt from “Ode to the Black Peony” Qing dynasty literary inquisition Ming loyalism peony flower painting art under Manchu rule Yun Shouping Hua Yan Jin Nong Copyright © 2017 Asia Society 2017 ...
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Journal Article
Archives of Asian Art (2014) 64 (1): 1–2.
Published: 01 April 2014
... scholarly re-
Ming and early Qing dynasties. An engraved portrait serve, it became an appropriate metaphor for a recently
of the Shunzhi emperor’s Jesuit advisor Adam Schall urbanized tribal people determined to—and surprisingly
von Bell in Manchu court robes, circa 1660, demon- capable of—rule over...
View articletitled, From Studiolo to Chaekgeori , A Transcultural Journey: An Introduction to Sunglim Kim's “ Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea”
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for article titled, From Studiolo to Chaekgeori , A Transcultural Journey: An Introduction to Sunglim Kim's “ Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea”
Journal Article
Archives of Asian Art (2015) 65 (1-2): 237–242.
Published: 01 October 2015
... the For the recently-installed Manchus, the bookshelf
deerskin mantle that had belonged to Chief Powhattan, portrait was a means by which to demonstrate their abil-
father of Pocahontas. Later acquired (some say by deceit) ity to Sinicize and inculcate scholarly Chinese culture.
from John Tradescant...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 139–179.
Published: 01 October 2015
...Wen-Shing Chou Abstract This essay reconsiders the Qing imperial appropriation of the sacred mountain range of Wutai Shan through a study of three Manchu monasteries, Baodi Si, Baoxiang Si, and Shuxiang Si, built at the court of the Qianlong emperor between 1750 and 1775. Qianlong's consuming...
Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... with the tainted afterlife of the Manchu Qing dynasty (1644–1911) in the era of modernism, or the Jazz Age, under the new Republic of China (1912–). Two of the artworks were parting gifts: an early Qing album by Chen Shu 陳舒 (active ca. 1649–ca. 1687; Figures 1 – 5 ) and a farewell fan ( Figure 6 ), given in 1926...
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View articletitled, The Flight of the Dragon: Modernism in China and <span class="search-highlight">Art</span> at the Last Emperor's Court-in-Exile
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for article titled, The Flight of the Dragon: Modernism in China and <span class="search-highlight">Art</span> at the Last Emperor's Court-in-Exile
Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... the majority of Beijing's rickshaw pullers were men of the lower reaches of the working class, as David Strand suggests, they are not impoverished and sometimes enjoyed moderately decent living. It is not unusual to find former Manchu bannermen, schoolteachers, government clerks pulling rickshaws to supplement...
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Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
... paintings harbor similar pictorial goals that bear witness to Yongzheng's cultural enterprise, for they reinterpret time-honored themes, illuminating how the Yongzheng court reinvigorated and transformed the tradition of Han Chinese painting. 24 Even though the Manchu ruling class had adopted many Han...
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Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... and handiwork involved, this vase exemplifies Qing collage work, a method premised upon the juxtaposition and combination of visual languages used by the Manchu rulers to negotiate cultural and linguistic differences. Many scholars of the New Qing history have emphasized the polyglot nature of the Qing dynasty...
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Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... surfaces seem to are characteristic of his Manchu ethnicity, but more
tilt upward toward the viewer rather than receding closely resemble the Han Chinese scholar-officials he
back into space; and furniture floats above the ground strove to emulate in his intellectual pursuits. Through
plane rather than...
Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
...-
period. Yuan and early Qing painting, especially that of age by Fu Shen, Chiang I-han, and Marsha Weidner,78
anti-Mongol and anti-Manchu loyalists, were raised to which make a mockery of Arthur Waley's famously witty
new heights of popularity. A young generation of scholars statement...
View articletitled, The Evolution of a “Revolution”: Unsettled Reflections On the Chinese <span class="search-highlight">Art</span>-Historical Mission
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for article titled, The Evolution of a “Revolution”: Unsettled Reflections On the Chinese <span class="search-highlight">Art</span>-Historical Mission
Journal Article
Archives of Asian Art (2006) 56 (1): 31–60.
Published: 01 April 2006
... both the Han people and the Manchu emperor at Indeed, it was neither Kim Chong-hili alone nor Kim
a time when China was under attack from outsiders, it was with the other scholars who "created" Sehando. Yi was the
a cold season and one in which they were politically mastermind or "artistic director...
Journal Article
Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
... above scholars, the Manchu rule was firmly established. The
and accompanying text), Yin Kuis ‘‘Jue ju’’ (Couplet), early Qing court adopted a policy of employing the Han
Qingzhai ji juan 8; Wang Mian ‘‘Panche tu scholar-officials, who in turn devoted their interest in
in Zhuzhai ji vol. 2, see...
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
... collections
immediately recognized as a symbol of the Manchu of plants, animals, and rocks in the imperial garden
domination of China, as it rose higher than the dagoba were not preserved, and buildings were redesigned for
of Miaoying Monastery built by the last non-Chinese different social and political...
Journal Article
Archives of Asian Art (2005) 55 (1): 17–33.
Published: 01 April 2005
... with others, joining and separating
constantly. In the mid-i65os Hongren rediscovered the Fig. 6. Ni Zan (1301-13'74). Landscape with Houses. Dated to 1352.
Large album leaf; ink on paper. Formerly Manchu Household
Northern Song monumental landscape...
Journal Article
Archives of Asian Art (2014) 64 (2): 165–190.
Published: 01 October 2014
... quiddity to the lions published record of a foreign zoo. In the autumn of
and bears, and to the wild places in which they are 1868, while posted to London as part of the so-called
depicted. This sense of being there, in nature, outside ‘‘Burlingame Mission the Manchu bannerman Zhigang
the social order...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 87–115.
Published: 01 October 2015
... of Tibetans in Gansu) (Beijing: Minzu chubanshe, supposedly gave a tablet inscribed with “Long live the
2003), 229–30. reigning emperor” in Tibetan, Chi
16. See Schram, The Monguors of the Kansu-Tibetan nese, Manchu, and Mongolian...
Journal Article
Archives of Asian Art (2018) 68 (2): 157–190.
Published: 01 October 2018
... Rui mu,” 52 , fig. 18.3. For more about Mu Rui and other objects in his burial, see He L. and Knight, Power and Glory , 47–51 . Archer's thumb rings ( she ) became popular among the Manchus, see Wu W., “Qianlong huangdi yu yu banzhi.” 62. Fangshi mopu 4.7b (bottom); Chengshi moyuan 2上...
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Journal Article
Archives of Asian Art (2023) 73 (2): 145–199.
Published: 01 October 2023
... Vase of Nanking's Porcelain Tower” shows the remaining cupola of the famous pagoda ( Appendix 41 ; Figure 30 ). Plates illustrating the so-called Tartar city show the monumental walls of the old Ming palace, which had housed the city's Manchu garrisons since the beginning of the Qing dynasty...
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