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art collecting in China

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Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
... of fakes and forgeries in the late-Ming art market. As Craig Clunas has rightly pointed out, “The history of faking in China is largely a history of the incorporation of different classes of goods within the discourse of art and art collecting. . . . The audience makes a fake.” 107 In the case of...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 237–256.
Published: 01 October 2017
.../Collection/CollectionOnline/SpecialCollectionItem/18713 . Crossman, Carl L. The Decorative Arts of the China Trade: Paintings, Furnishings, and Exotic Curiosities . Woodbridge, Suffolk : Antique Collectors’ Club , 1991 . Dirlik, Arif . “ Born in Translation: ‘Chinain the Making of...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 191–214.
Published: 01 October 2018
... also provided a classification scheme for private and public collections at the time. 12 Given these circumstances, it is unlikely that Bushell's Chinese Art was simply a straightforward reporting of what he had learned from his local informants in China. Surprisingly, few scholars have ever...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 215–232.
Published: 01 October 2018
..., Robert H. “ Art in the Dark: The Ritual Context of Buddhist Caves in Western China .” In Art of Merit: Studies of Buddhist Art and Its Conservation , edited by David Park , Kuenga Wangmo , and Sharon Cather , 38 – 65 . Proceedings of the Buddhist Art Forum 2012 at the Courtauld Institute of...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 89–94.
Published: 01 April 2010
... symposium ‘‘Art and Practice: by Willow Weilan Hai Chang, from 20 September Buddhism in China from the 5th–9th Centuries’’ organ- through 8 December 2007. The guest curator was the ized by Juliano and France Pepper, Director of Arts well-respected scholar Annette L. Juliano, whose pre- and Culture...
Image
Published: 01 April 2017
Figure 15. Attributed to Guan Daosheng (China, 1262–1319), A Bamboo Grove in Mist , late 13th–14th century. Handscroll, ink on paper, 14.9 × 112.4 cm. Yale University Art Gallery, Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore. Artwork in the public domain More
Image
Published: 01 April 2019
Figure 28. Anonymous painter, Egrets in Water Reeds , China, late twelfth century. Fan mounted as an album leaf, ink and color on silk, 25.2 × 26.2 cm. Metropolitan Museum of Art, Collection of A. W. Bahr, Purchase, Fletcher Fund, 47.18.77. Artwork in public domain. Photograph More
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 133–156.
Published: 01 October 2018
... relation to the evolving history of Buddhism in imperial China, and the literary presence of supernatural entities such as ghosts, as demonstrative of an interest in boundary crossing in the late Ming to early Qing. 9 At the same time, scholarship in Chinese art history has revealed a general ethos of...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 3–36.
Published: 01 April 2011
... Carolina at Chapel Hill ombs in ancient China have been the chief sources ‘‘underground wooden architecture in brick as it will Tfor the study of Chinese art because of the wealth be called in this paper, contrast significantly with older of burial goods, furnishings, figurines, murals, etc. in...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
... empire under the Manchu. We return to the contested image of the King of Flowers in Qing dynasty China, perhaps with more questions than answers. Was the peony a seditious interloper or a captive subject? Although loyalism had become a fashionable theme in Jiangnan literature and art by the...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 257–276.
Published: 01 October 2017
... Warring States Period .” In Falkenhausen , Lloyd Cotsen Study Collection of Chinese Bronze Mirrors , 2 : 50 – 73 . Nakano, Tōru . “ Ancient Chinese Bronze Mirrors .” In Bronze Mirrors from Ancient China: Donald H. Graham Jr. Collection , edited by Nakano , Tseng Yu Ho Ecke , and...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 43–78.
Published: 01 April 2010
... in fact be found in the earliest Buddhist the region. literature in both Ma¯ha¯yana and Hinaya¯na canons.40 Overall, the inscribed texts at Fangshan collectively Yet the prophecy of decline as it came to be known in espouse a form of Buddhism that stresses the realization China was not fully...
Image
Published: 01 October 2018
Figure 3. Jun plate, China, Jin/Yuan dynasty, twelfth–thirteenth century. Stoneware with copper-infused glaze, diam. 17.7 cm. The Metropolitan Museum of Art, Robert Lehman Collection, 1975.1.1661. Artwork in public domain. Photograph: www.metmuseum.org . Figure 3. Jun plate, China, Jin/Yuan More
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 43–57.
Published: 01 April 2014
... and inform our understanding of the larger body of cicada plaques in collections in China, Japan, Europe, and the United States. First, we will...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 51–94.
Published: 01 April 2007
... mountain ranges, making it a frequent refuge during Sichuan has been known since the Han dynasty (206 times of political and military upheaval. Although iso- bce–220 ce) as the ‘‘Land of Heaven’s Repository’’ lated from the main political centers of China, it was (tianfu zhiguo). In recent decades...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 79–87.
Published: 01 April 2010
... Japan via China, Nara-period art certain property remains immutable and constitutes was the best in Japanese history because Greek art was beauty’s true and essential nature.25 Ko was intent on thought to be the highest among Western traditions. identifying such a property within works of art. Ko...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 57–86.
Published: 01 October 2015
... history­ in a new light. n writing­ about Jain manu­ ­script paintings­ in the Mu- I find Coomaraswamy’s remark­ cited above insight­ ­ Iseum of Fine Arts Collection, Ananda Coomara­ ful, not nec­essar­ ily­ for the value of connecting...
Image
Published: 01 October 2017
F. Worcester Collection Fund. 2. Altar Set, China, Qing dynasty (1644–1911), Jiaqing reign mark and period. Porcelain painted in overglaze enamels (famille rose), (a) 27 × 15.2 cm; (b) 27 × 15.2 cm; (c) 27.3 × 27.9 cm; (d) 9.2 × 16.8 cm; (e) 27 × 15.2 cm. Art Institute of Chicago, 2016.47a–e More
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Published: 01 April 2019
Figure 1. Anonymous painter, Boating by a Willow Bank , China, thirteenth century. Fan mounted as an album leaf; ink and color on silk, 23.3 × 24.9 cm. Metropolitan Museum of Art, Collection of A. W. Bahr, Purchase, Fletcher Fund, 47.18.137. Artwork in public domain. Photograph More
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Published: 01 October 2017
25. Branch of Fruiting Grapes , China, Ming dynasty (1368–1644), fifteenth–sixteenth century. Hanging scroll; ink on paper, painting proper 123.2 × 36.4 cm; mounting, including cord and bottom roller, 241.6 × 54 cm. Harvard Art Museums/Arthur M. Sackler Museum, the Chu-tsing Li Collection More