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Journal Article
Archives of Asian Art (2022) 72 (2): 276–280.
Published: 01 October 2022
...Sarah E. Fraser sarah.fraser@zo.uni-heidelberg.de Dora C. Y. Ching , ed. Visualizing Dunhuang: The Lo Archive Photographs of the Mogao and Yulin Caves . Princeton, NJ : P.Y. and Kinmay W. Tang Center for East Asian Art, Princeton University, and Princeton University Press , 2021...
Journal Article
Archives of Asian Art (2012) 62 (1): iv.
Published: 01 April 2012
...Stanley K. Abe Copyright © Asia Society 2012 Archives of
Asian Art
Dear Reader,
I would like to update you on some developments for Archives of Asian Art:
e this volume is the last to benefit from the inimitable...
Journal Article
Archives of Asian Art (2001) 52 (1): 121–127.
Published: 01 April 2001
... Copyright © Asia Society 2001 Index
Archives of Asian Art 1-52 (1945-2001)
Trubner Stele, vol. 19 (1965), pp. 26-32; Pre-Angkor Period Bronzes
AUTHORS AND TITLES...
Journal Article
Archives of Asian Art (2010) 60 (1): 161.
Published: 01 April 2010
... Copyright © Asia Society 2010 ERRATA
Archives of Asian Art, Vol. 59 (2009)
Please note the following corrections to the Sunkyung Kim article ‘‘Contesting the Lost Land, New Land,
and Pure Land: Buddhist Steles...
Journal Article
Archives of Asian Art (2012) 62 (1): 1–3.
Published: 01 April 2012
...Marsha Haufler; John M. Rosenfield Copyright © Asia Society 2012 Behind the Scenes at Archives: an Appreciation of Naomi Noble Richard
he management of Archives is hardly arcane, but it invoked in various languages. Email subject lines like
Tmay not be wholly transparent...
Journal Article
Archives of Asian Art (2022) 72 (2): 151–153.
Published: 01 October 2022
... Noble Richard, editor extraordinaire of Archives of Asian Art from 1997 to 2012, had passed away in Denver. She was eighty-eight years old. Naomi's expertise in the arts of Asia, her exceptional eye for detail, attention to the course of an argument, and constructive engagement with her charges...
FIGURES
Image
Published: 01 April 2017
Figure 20. Attributed to Pannalal and Chhaganlal, Maharana Bhupal Singh Celebrating the Gangaur Festival at Gangaur Ghat, Udaipur , detail, Udaipur, ca. 1935. Opaque watercolor and gold on paper ( wasili ). Museum Archives of the Maharanas of Mewar, 2012.19.0019. Photograph: courtesy of Museum
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in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai
> Archives of Asian Art
Published: 01 April 2022
Figure 2. Qiu Ti, Fruit , 1935. Oil on canvas, 37×43.5cm. Private collection. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation.
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in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai
> Archives of Asian Art
Published: 01 April 2022
Figure 6. Qiu Ti dressed in a fashionable qipao in 1935. From Pang, Schudy , 74. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation.
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in “We Were Looking for Our Violins”: The Bombay Painters and Poets, ca. 1965–76
> Archives of Asian Art
Published: 01 October 2018
Figure 1. Bhupen Khakhar, Paan Shop , 1965. Oil on board. Artwork: © Trustees of Bhupen Khakhar Estate. Photograph: courtesy of the Chemould Prescott Gallery and Archive, Mumbai.
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in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai
> Archives of Asian Art
Published: 01 April 2022
Figure 1. Qiu Ti (Chinese, 1906–1958), Still Life , 1935. Oil on canvas, 53×44cm. Private collection. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation.
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in The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
> Archives of Asian Art
Published: 01 April 2020
Figure 2. Chen Shu, Album of Flowers, dated 1681. Leaf 8 of an album of ten leaves. Collection of SOAS Library, R. F. Johnston bequest (Archives and Special Collections, MS 62612).
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in The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
> Archives of Asian Art
Published: 01 April 2020
Figure 3. Chen Shu, Album of Flowers , dated 1681. Leaf 10 of an album of ten leaves. Collection of SOAS Library, R. F. Johnston bequest (Archives and Special Collections, MS 62612).
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in The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
> Archives of Asian Art
Published: 01 April 2020
Figure 4. Chen Shu, Album of Flowers , dated 1681. Leaf 1 of an album of ten leaves. Collection of SOAS Library, R. F. Johnston bequest (Archives and Special Collections, MS 62612).
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in The Flight of the Dragon: Modernism in China and Art at the Last Emperor's Court-in-Exile
> Archives of Asian Art
Published: 01 April 2020
Figure 5. Chen Shu, Album of Flowers , dated 1681. Leaf 9 of an album of ten leaves. Collection of SOAS Library, R. F. Johnston bequest (Archives and Special Collections, MS 62612).
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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 14. Kuroda Seiki (Japanese, 1866–1924), Reading ( Dokusho-zu 読書図), 1891. Oil on canvas, 98.2 × 78.8 cm. Tokyo National Museum. Photograph: TNM Image Archives.
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in Qiu Ti's Still Life and the Clash of Commodity, Domesticity, and Patriotism in 1930s Shanghai
> Archives of Asian Art
Published: 01 April 2022
Figure 4. Qiu Ti, Flower , 1933. Lost and presumed destroyed. From Pang, Storm Society and Post-Storm Art Phenomenon , 35. Courtesy of the Schudy Archives at The Li Ching Cultural and Educational Foundation.
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in Snakes and Gutters: Nāga Imagery, Water Management, and Buddhist Rainmaking Rituals in Early South Asia
> Archives of Asian Art
Published: 01 April 2019
Figure 28. Nāga sculpture below Ajanta Cave 16, Aurangabad District, India, fifth century ce . Photograph: John C. Huntington, courtesy of the Huntington Photographic Archive of Buddhist and Asian Art, 1970.
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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 1. Yan Zhenqing (Chinese, 709–785), Record of the Altar of the Immortal of Mount Magu (detail), rubbing of a stele dated 771. Ink on paper, 26.5 × 15.5 cm. Tokyo National Museum. Photograph: TNM Image Archives.
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in Imagined Selves: Mediating Desires and Subject Positions in the Japanese Literati Art of Okuhara Seiko (1837–1913)
> Archives of Asian Art
Published: 01 October 2020
Figure 15. Watanabe Kazan (Japanese, 1793–1841), Courtesan , 1838. Hanging scroll; ink and colors on silk, 110.2 × 42.5 cm. Seikadō Bunko Art Museum. Photograph: Seikadō Bunko Art Museum Image Archives/DNPartcom.
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