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Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81.
Published: 01 April 2012
... not familiar with this exhibition of Catherine Roche (University of Washington), Yueni Buddhist art or the Foundation and its Tadao Ando¯ – Zhong (University of California, Berkeley). Discussants designed headquarters and exhibition space opened in were Catherine Becker (University of Illinois at...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 102–103.
Published: 01 April 2012
... Ando’s hands, approaches we as scholars use in the study of Buddhist the opposition of minimalist sculpture to architecture art, we should also consider how the display of Buddhist and landscape is sublated in tranquil movements of objects might create new forms of Buddhist practice, new shadow and...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 100–102.
Published: 01 April 2012
... architecture of Tadao Ando¯, configuration of its robes. With help from a model the spare galleries lacked any wall text that might distract (one of the other workshop participants), Ha used from the contemplation of the objects and their environs. several scarves not only to demonstrate the precise Rather...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 81–90.
Published: 01 April 2012
... familiar with this exhibition of Catherine Roche (University of Washington), Yueni Buddhist art or the Foundation and its Tadao Ando¯ – Zhong (University of California, Berkeley). Discussants designed headquarters and exhibition space opened in were Catherine Becker (University of Illinois at Chicago...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 99–100.
Published: 01 April 2012
... ways, the building is the dominant a viewer with knowledge of Buddhist image-making voice in the conversation. The exhibition celebrates the to reconsider previously familiar objects in an uncon- tenth anniversary of the Tadao Ando¯ building, and is, ventional environment. The workshop attempted to...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
... singular sixth-century standing Buddha from China anchored Tadao Ando¯ building home to the Pulitzer Foundation the space. Jungmin Ha threw out the first ‘‘provoca- for the Arts, as the four sessions moved through the tion’’ by articulating what we can and cannot know four galleries in changing light...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 7–25.
Published: 01 April 2003
...- ond half belonged with the Nara style; and (c) Ando Kohei, who essentially followed Kanamori's- theory, although Ando divides the two phases specifically at 678...