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Zheng Chang ������

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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
..., for the court's inner circle, Puyi's dramatic escape from the Forbidden City amid the realities of a modern, Republican world. Copyright © 2020 Asia Society 2020 Puyi Pu Yi 溥儀 The Last Emperor 末代皇帝 Reginald F. Johnston [Zhuang Shidun] 莊士敦 Zheng Xiaoxu 鄭孝胥 Chen Baochen 陳寶琛 Zheng Chang 鄭昶 Zheng...
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Journal Article
Archives of Asian Art (2012) 62 (1): 7–24.
Published: 01 April 2012
... confident that the situation has changed. Most escaped publication until now, at least in English. Orig- young art historians will, I hope, have read Michael inally intended as my contribution to a festschrift volume Baxandall, who points out somewhere (I quote from for a colleague that was never...
Journal Article
Archives of Asian Art (2022) 72 (1): 129–150.
Published: 01 April 2022
...) held its fourth, and what was to be its final, exhibition. With the Second Sino-Japanese War (1937–1945) on the horizon, the Republican-period (1911–1949) avant-garde painting organization dedicated to the promotion of free expression and radical change in the Chinese art world was fighting its own...
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Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... Wuchang 鄭午昌 (Zheng Chang 鄭昶, 1894–1952) narrowly inserted an inscription next to the camel painting. Zheng had authored one of the first surveys of Chinese art, The Complete History of Chinese Painting ( Zhongguo huaxue quanshi 中國畫學全史), published in 1929. This work built upon Chen Shizeng's claim...
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Journal Article
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
... identifies the sarcophagus as imitating a rectangular burial chamber. Its depiction changes the orientation of access: whereas a wood coffin invariably opens from above, this entryway is depicted as if to open from the side (see Figure 5 ). Figure 11. Layer 2 (middle layer), the simulated “burial...
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Journal Article
Archives of Asian Art (2007) 57 (1): 23–49.
Published: 01 April 2007
..., the murals Even more scholars have noted affinities between in this tomb herald a decisive visual change. Her tomb the princess’ murals and Han models, asserting that be- presents the earliest known long, sloping passageway cause of her youth the princess was adaptable to Han decorated with life-size...
Journal Article
Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
.... The surrounding land- Northern Song had collapsed and the geographic and scapes very often appear to be winter scenes, with bare military circumstances had changed. trees and rocks sometimes covered by snow. Similarities Human activities and landscapes are both promi- among these paintings suggest...
Journal Article
Archives of Asian Art (2006) 56 (1): 31–60.
Published: 01 April 2006
... are extant, and those are limited sent the essence of Kim Chong-hui. to orchids and landscapes. One of these is the masterpiece Kim Chang-hai's life had enormous ups and downs, that is now considered the "essence of Korean literati paint- mostly resulting from the standing of his family and the ing...
Journal Article
Archives of Asian Art (2013) 63 (2): 155–163.
Published: 01 October 2013
... and their activities in traditional society, in which of court painters (Guo chao hua zheng lu) by personal lineage is more important than any external Zhang Geng 張庚 (1685–1750). However, Cho was references, is the basis of all other knowledge. eventually forced to give up because he found it difficult Ku...
Journal Article
Archives of Asian Art (2021) 71 (1): 63–91.
Published: 01 April 2021
... to another image of a monstrous being with zoomorphized face and body uncovered in the Beizhai stone-slab tomb and initially identified by Zheng Dekun as Chiyou ( Figure 19 ). 68 Both are half-animal, half-human beings, but their differences are significant. Whereas the Shaogou creature clasps in its arms...
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Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
... calligraphy and painting circa 1800. It goes on to suggest that Huang Yi's choice of shuanggou outlines, while firmly rooted in an epigraphic obsession with the material past, also marked the horizon of a changing attitude toward brushwork, and had more in common with modern methods of visualizing the world...
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Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... of the art academies did not wholly truncate those efforts. Instead, the changed conditions of local reference in turn inflected the development of design and craft. In January 1938 the Hangzhou academy moved to Guixi, Changsha, then Yuanling, where it merged with the National Beiping Art Academy; during...
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Journal Article
Archives of Asian Art (2014) 64 (2): 97–118.
Published: 01 October 2014
... of the Du Fu lines, whose identity will be Huai, zi Duanheng 端衡 and a possible candidate to be discussed below. the second of two sons, the recipient of this joint handscroll. I have spelled this out because Joseph Chang...
Journal Article
Archives of Asian Art (2022) 72 (1): 75–95.
Published: 01 April 2022
...), whose seals appear on the scroll, as do a couple belonging to the prominent mid-Ming collector Li Tingxiang 李廷相 (1481–1544). The last documentation to appear on the scroll is an inscription of 1614 by the scholar and official Guo Chang 郭淐 (1563–1622), followed by two seals (see Figure 5 ). The studio...
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Journal Article
Archives of Asian Art (2004) 54 (1): 23–33.
Published: 01 April 2004
... (East 4. Kenneth M. Swope, Jr., "The Three Great Campaigns of the Wanli Lansing: Michigan State Univ. Pr., 1975); and Zheng Liangsheng, ed., Emperor, 1562-1600: Court, Military, and Society in Late Sixteenth Mingdai Wo Kou Shiliao, 5 vols, (Taipei:Wenshizhe Chubanshe, 1987). Century China...
Journal Article
Archives of Asian Art (2019) 69 (1): 103–120.
Published: 01 April 2019
... for sharing their insight on Su Shi, to Jodie Hoyoung Moon for assisting me with Korean sources, and to Chang Chin Sung for offering invaluable help to track down images in Korea. An earlier version of this essay was completed while I was Andrew W. Mellon Member at the Institute for Advanced Study...
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Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... a flat standing screen, thereby studied version of the painting (Fig. 12) includes several becoming both an art object to be viewed independently revelatory revisions to the composition. These changes and a painted backdrop for the real emperor himself. reposition previous assessments of the imperial...
Journal Article
Archives of Asian Art (2020) 70 (2): 119–149.
Published: 01 October 2020
...; Zheng Sixiao 鄭思肖 (1241–1318), orchids; and the monk Zhongren 仲仁 (ca. 1051–1123), plums. Conversely, some literati were characterized as much by their dislikes as by their passions. For example, Wang Yan 王衍 (256–311) abhorred money, Ouyang Xiu hated mosquitoes, and Su Shi disliked chess. Kazan indicates...
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Journal Article
Archives of Asian Art (2016) 66 (1): 25–49.
Published: 01 April 2016
... ‘‘portraiture was made for change. Perhaps inspired by dingxiang the portraits everyone at the Puming Temple’s monk residence’’ 皆圖 of abbots used in Buddhist memorial services, portraits 33 He did not specify whether the ‘‘portrai- became widely used in family rituals in the Northern ture’’ consisted...
Journal Article
Archives of Asian Art (2013) 63 (1): 1–25.
Published: 01 April 2013
... of focus and depth ing changes in the degree of popularity of exorcists in previous studies of distinctive subjects. For example, aboveground.8 In light of such a trend in representation, images of the deceased, which occupied a central place an unusual depiction of an exorcism in a middle-period...