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Journal Article
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
...Jie Shi Abstract Dated to 524 ce , the lavishly carved stone sarcophagus of the Northern Wei Prince Yuan Mi exemplifies an early Chinese method using a diagonal gaze as a visual device to construct a three-dimensional space. On the exterior faces of the sarcophagus, the anonymous artist simulated...
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View articletitled, Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince <span class="search-highlight">Yuan</span> <span class="search-highlight">Mi</span>
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for article titled, Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince <span class="search-highlight">Yuan</span> <span class="search-highlight">Mi</span>
Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 1. Stone sarcophagus of Yuan Mi, probably near Luoyang, Henan province, 524 ce . Artwork in the public domain. Photograph: Minneapolis Institute of Art, Minneapolis.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 24. “Indoor” and “outdoor” spaces in Yuan Mi's sarcophagus with figures behind windows, probably near Luoyang, Henan province, 524 ce . Dotted lines: second layer of space; solid lines: first layer of space. Diagram by Jie Shi.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 20. Filial paragons within range of the watching eyes on Yuan Mi's sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing, (a) east-side panel, (b) west-side panel. Made by Jie Shi, after Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 2. Stone epitaph tablet for Yuan Mi's sarcophagus, probably near Luoyang, Henan province, 524 ce . Artwork in the public domain. Photograph: Minneapolis Institute of Art, Minneapolis.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 8. Layer 1 (inner layer), the simulated “coffin,” Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Made by Jie Shi, with rubbing from Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 9. Detail of the zoomorphic mask on the east-side panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Photograph by Minneapolis Institute of Art, Minneapolis.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 3. East-side panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing. After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 4. West-side panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing. After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 5a–e. Front panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . (a) Lotus flower; (b) flying demigods; (c) supporting demigods; (d) warriors; (e) rocks and plants. Rubbing (except for [c], being a negative). After Okumura, “Mekki kōshiden sekkan no kokuga
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 5a–e. Front panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . (a) Lotus flower; (b) flying demigods; (c) supporting demigods; (d) warriors; (e) rocks and plants. Rubbing (except for [c], being a negative). After Okumura, “Mekki kōshiden sekkan no kokuga
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 6. Rear panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Rubbing. After Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” 370.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 23. All three layers put together in Yuan Mi's sarcophagus, probably near Luoyang, Henan province, 524 ce . Made by Jie Shi, based on Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 11. Layer 2 (middle layer), the simulated “burial chamber” (middle layer) of Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Made by Jie Shi with rubbing from Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration, unpaginated.
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 19. Layer 3 (outer layer), the simulated “natural and supernatural world” (outermost layer), of Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . Made by Jie Shi, with rubbing from Okumura, “Mekki kōshiden sekkan no kokuga ni tsuite,” folded illustration
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 7a–b. (a) Half-length figures within two concentric squares ornamented with a flower at each corner, and (b) a line drawing detail of the figures, east-side panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . (a) Photograph by Minneapolis Institute of Art
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 7a–b. (a) Half-length figures within two concentric squares ornamented with a flower at each corner, and (b) a line drawing detail of the figures, east-side panel, Yuan Mi's stone sarcophagus, probably near Luoyang, Henan province, 524 ce . (a) Photograph by Minneapolis Institute of Art
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Image
in Image, Body, and Simulation of the Afterlife in the Early Medieval Sarcophagus of Prince Yuan Mi
> Archives of Asian Art
Published: 01 October 2020
Figure 22. Comparison of scale between two types of figures. Front guardian engraved on the front panel of Yuan Mi's sarcophagus (524 ce ) versus half-length figure engraved on the side panel. Probably near Luoyang, Henan province. Made by Jie Shi, based on Okumura, “Mekki kōshiden sekkan
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Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
... Painting of the Mi Family Ladle Garden ( Mishi Shao yuan tu 米氏勺園圖) ( Figure 1 ) illustrates in a meticulous hand the larger-than-life painting-and-calligraphy boat that Mi so cherished ( Figure 2 ). 3 A squat, elongated table, furnished with the necessary paper and supplies for executing painting...
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Journal Article
Archives of Asian Art (2014) 64 (2): 1–2.
Published: 01 October 2014
...Jerome Silbergeld Copyright © Asia Society 2014 Bitter Songs and Poetic Images: An Introduction to Susan Bush’s “Mi
Youren’s and Sima Huai’s Joint Poetry Illustrations”
jerome silbergeld...
View articletitled, Bitter Songs and Poetic Images: An Introduction to Susan Bush's “<span class="search-highlight">Mi</span> Youren's and Sima Huai's Joint Poetry Illustrations”
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for article titled, Bitter Songs and Poetic Images: An Introduction to Susan Bush's “<span class="search-highlight">Mi</span> Youren's and Sima Huai's Joint Poetry Illustrations”
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