Search Results for Xiang Shan

... the crafting of a distinct Manchu Imperial Buddhist identity centered on Qianlong himself as the apparition of Mañjuśrī at Wutai Shan. Copyright © Asia Society 2015 Manchu Buddhism the Qianlong emperor Wutai Shan Baodi Si Baoxiang Si Xiang Shan Shuxiang Si Chengde Mañjuśrī Tibetan Buddhism...

... generations of Yin masters (Yin Shan his son, Yin Xie and grandson, Yin Hong 8 and two generations of Hu masters (Hu Gang 胡剛 and son Zhang Jing was a painter from Shandong. His Hu Cong Others that I believe came from the Buddhist and Daoist figures captured the wonders same background include...

... by a lengthy series of inscribed colophons, all of which of mountain and water (shan and shui, 山 and 水) pre- attended by a large number of seals affixed to the paper sented in a mode of question and response. Secondly, surface of the scroll. No signatures or seals by the artists while the style...

... serving a legitimate purpose? We can begin to explore these questions by turning to the insider record left to us by Cai Tao (d. after 1147). THIS PAINTING BY WHOM? AUTHOR AND EXECUTANT In his Tiewei Shan Cong Tan a, m ill --11, (Collection of Talks from the Iron...

... 1 Inventory of numbered niches and caves at the Shimen Shan site. No. Content summary Size (in meters) Date Inscription(s) 1 Bhaisajyaguru and ten 1.64 Â 1.11 Â 1.53 Southern Song dynasty, 1151 See Appendix, no. 6 generals...

... to grotto shrines with wooden structures in front of them, and he identified traces of nine of those former structures in front of the caves. Su, “ ‘Da Jin Xi Wuzhou shan chongxiu da shiku si bei’ jiaozhu,” The identification of the caves is not without controversy. For example, Ishimatsu Hinako proposed...

.... Gift of Bei Shan Tang Foundation to the Art Museum, Chinese University Hong Kong (1994.0063). Photograph: courtesy of the Art Museum, Chinese University Hong Kong. Figure 26. Spring purification gathering at the Orchid Pavilion (detail), first section (with scene of Wang Xizhi watching geese), late...

..., is centered on the shan have been found in and around it. A dedication eastern fac¸ade wall. On either side of the entrance is a from 616 commemorating the insertion of Buddhist large window at ground level, with vertical stone bars relics into a pit in the middle of the structure is the closely set. Once...

... was said to have Wu Shan and his colleagues of the Ministry of Rites, in been filled with ziyun, xiangyun, and ruiqi or auspicious their response to the Jiajing emperor’s inquiry about the clouds and mist.56 Its misty environment lent the West- medicinal properties of the lingzhi. The response reads ern...

...- (Hermitage of the First Patriarch) at Shaolinsi tilever tips described in the Yingzao fashi (Fig. 20).33 (dated to 1125), on Song Shan, Henan, is surprisingly The similarities to the metropolitan style, and differ- different (Fig. 19). The Hermitage of the First Patriarch ences from the Shangdang style, do...

... Poems of the Xiao and Xiang. Japan, 1666. Hanging scroll; ink on paper; 123.5 x 54.5 cm. University of Michigan; 2002/1.170. Museum Purchase made possible...

..., however, all filial exemplars were past (dead) heroes ( gu 故). With a simple glance that travels not only through space but also across time, these ancients could become not only visual targets of admiring eyes, but contemporaries of the spectator as well. One eulogy dedicated to General Houmochen Xiang...

..., Han huaxiang zhi mei, 157. Tracing by Doris Yixuan Tang. Tiger heads, bovine horns, reptilian feet, and so on were conventions to divinize the third being, as early physiognomic discourse repeatedly associated divine beings with “strange appearance” ( qi xiang 奇象). Equating divine qualities...

... and Empire: Art and Politics in Tibetan Buddhism , edited by Karl Debreczeny , 19 – 52 . New York : Rubin Museum of Art , 2019 . Debreczeny, Karl . “ Wutai shan: Pilgrimage to Five-Peak Mountain .” Journal of the International Association of Tibetan Studies 6 ( December 2011 ): 1 – 133...

... in Snowy Mountains (Xue- of carts are countable which also emphasized jiehua shan yunliang tu by Zhu Rui. According to technique. the description of this painting, it shows two bullock 254 ARCHIVES OF ASIAN ART carts led by five people in a snowy landscape...

... in a recessed cave reminiscent of the bodhisattva's abode on Mt. Potalaka (Putuo shan 普陀山) ( Figure 7 ). 28 In rendering such otherwise ephemeral offerings in the immortal medium of stone, the pictorial programmers of the cave seem to suggest that the grotto as a whole is a representational space of eternal...

...). His observation is also Hou chibifu tujuan yanjiu 58–60, and Itakura Masaaki, applied to the study of the present painting. ‘‘Text and Images 425. For the later portrait, see Wang 21. For earlier examples of the literary reference, see Yaoting, ‘‘Tan Zhao Mengfu hua Su Shi xiang...

... to earn a reputation for painting, thereby paving the way for gentry women to practice that art. 21 In some instances, the courtesans actually became gentry women, as when Dong Bai became a concubine to the literatus Mao Xiang 冒襄 (1611–1693) and when Liu Shi 柳是 (1618–1664) married scholar-official Qian...

... himself, who can pluck tance, rising above a band of low-lying haze, the smoky chrysanthemums well enough but is blind to the mean- mass of a mountain range reveals itself, its three-peaked sil- ingful mountain that watches him. houette repeating the shape of the graph shan...

... gaoseng tu’ huihua tanjiu.” 3. These four are signed with the characters 梁楷 (Liang Kai). Liaoning Provincial Museum and Shanghai Museum, Shimao fengqing , 39 . 4. Discussion with Shan Guolin 單國霖, retired, and Ling Lizhong, 凌利中, curator and director of the Department of Painting...