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Venice Biennale

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Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
...Ignacio Adriasola Abstract This essay addresses three key moments in the history of Japan's representation at the Venice Biennale: the introduction of “Japanese art” in the early stages of the exposition's development, in the late nineteenth century; Japan's official participation in the postwar...
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Published: 01 October 2017
Figure 9. View of Japanese pavilion gallery, Thirty-Fourth Venice Biennale, 1968. Courtesy of Bijutsu Shuppansha. Figure 9. View of Japanese pavilion gallery, Thirty-Fourth Venice Biennale, 1968. Courtesy of Bijutsu Shuppansha. More
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Published: 01 October 2017
Figure 10. View of Japanese pavilion gallery, Thirty-Fourth Venice Biennale, 1968. Courtesy of Bijutsu Shuppansha. Figure 10. View of Japanese pavilion gallery, Thirty-Fourth Venice Biennale, 1968. Courtesy of Bijutsu Shuppansha. More
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Published: 01 October 2017
Figure 5. View of Japanese gallery, Twenty-Sixth Venice Biennale, 1952. Miwa Harumi 三輪晴美, ed. Venechia Biennāre: Nihon sanka no yonjūnen ヴェネチア. ビエンナーレ : 日本参加の40年 [The Venice Biennale: Forty years of Japanese participation]. Tokyo: Mainichi Shinbunsha and the Japan Foundation, 1995. Figure 5 More
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Published: 01 October 2017
Figure 8. Spread featuring works by Miki Tomio, catalog for the Japanese pavilion, Thirty-Fourth Venice Biennale, 1968. Figure 8. Spread featuring works by Miki Tomio, catalog for the Japanese pavilion, Thirty-Fourth Venice Biennale, 1968. More
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Published: 01 October 2017
Figure 14. Enokura Kōji (1942–1995), Untitled No. 12 , 1978. Installation at Thirty-Eighth Venice Biennale, 1978. Photograph by Enokura Kōji, courtesy of the artist’s estate. Figure 14. Enokura Kōji (1942–1995), Untitled No. 12, 1978. Installation at Thirty-Eighth Venice Biennale, 1978 More
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Published: 01 October 2017
Figure 13. Suga Kishio (b. 1944), An Aspect as a Whole , 1978. Installation at Thirty-Eighth Venice Biennale, 1978. Photograph: courtesy of the artist, © Suga Kishio. Figure 13. Suga Kishio (b. 1944), An Aspect as a Whole, 1978. Installation at Thirty-Eighth Venice Biennale, 1978. Photograph More
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Published: 01 October 2017
Figure 12. Sekine Nobuo (b. 1942), Phase of Nothingness , 1969/1970. Marble, stainless steel, 450 × 420 × 130 cm. Installation view, Japanese Pavilion, Thirty-Fifth Venice Biennale, 1970. Photograph by Sekine Nobuo, courtesy of the artist. Figure 12. Sekine Nobuo (b. 1942), Phase of More
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Published: 01 October 2017
Figure 1. Tanaka Kōki (b. 1975), Abstract Speaking—Sharing Uncertainty and Collective Acts , Fifty-Fifth Venice Biennale, 2013. Photograph: courtesy of the artist; Vitamin Creative Space, Guangzhou; and Aoyama Meguro, Tokyo. The neon sign on the facade of the Japanese pavilion indicates the More
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Published: 01 April 2019
Figure 1. Masato Nakamura (Japanese, b. 1963), QSC+mV/V.V , 2001. Installation view at the Japanese Pavilion, Forty-ninth Venice Biennale, ® McDonald’s Corporation. Photograph: © Masato Nakamura. Figure 1. Masato Nakamura (Japanese, b. 1963), QSC+mV/V.V, 2001. Installation view at the Japanese More
Journal Article
Archives of Asian Art (2019) 69 (1): 55–72.
Published: 01 April 2019
...Figure 1. Masato Nakamura (Japanese, b. 1963), QSC+mV/V.V , 2001. Installation view at the Japanese Pavilion, Forty-ninth Venice Biennale, ® McDonald’s Corporation. Photograph: © Masato Nakamura. Figure 1. Masato Nakamura (Japanese, b. 1963), QSC+mV/V.V, 2001. Installation view at the Japanese...
Journal Article
Archives of Asian Art (2013) 63 (1): 103–129.
Published: 01 April 2013
... order to recast Giacometti, which were particularly well known in tradition in a history that would read as avant-garde Korean artistic circles after the latter won the grand to Korean audiences. Consider how Lee incorporates prize for sculpture at the 1962 Venice Biennale. Giaco- earthenware at a...