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Tibet

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Published: 01 October 2018
Chakrasamvara and Consort Vajravarahi , Central Tibet, Sakya Order, 1450–1500. Tangka; distemper on cotton cloth; image 40.6 × 33.7 cm. The Metropolitan Museum of Art, 2017.371. Zimmerman Family Collection, Purchase, the Vincent Astor Foundation and the Zimmerman Family Gifts, 2017. Chakrasamvara More
Image
Published: 01 October 2018
Avalokiteshvara , Tibet, thirteenth century. Bronze with later turquoise inlay, 57.2 (incl. base) × 20.3 × 10.2 cm. The Metropolitan Museum of Art, 2016.752. Gift of Ann and Gilbert Kinney. Avalokiteshvara, Tibet, thirteenth century. Bronze with later turquoise inlay, 57.2 (incl. base) × 20.3 More
Image
Published: 01 October 2017
Figure 47. Tārā of the Auspicious Light (Maṅgalāloka Tārā) , eastern Tibet, ca. eighteenth century. Colors on cloth, 62 × 43 cm. Photograph: courtesy Solomon Family Collection. Figure 47. Tārā of the Auspicious Light (Maṅgalāloka Tārā), eastern Tibet, ca. eighteenth century. Colors on cloth More
Image
Published: 01 October 2017
61. Sonam Peljor of Tsedong (Sakya Monastery, Tsang Province, Central Tibet, active 18th c.), Illuminated Manuscript of the White Beryl , eighteenth century. Pigments on cloth and lacquered wood covers, object 5.7 × 60.6 × 10.8 cm, with original box 9.2 × 64.5 × 14.3 cm, page size 10.5 × 59.7 More
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 87–115.
Published: 01 October 2015
... . Miaoyinsi's main hall is unusual architecturally because while it is primarily a traditional Chinese structure, a narrow corridor wraps around three sides of the building, a feature more commonly associated with the architecture of Tibet. This hybrid building type exists in several other temples within this...
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 143–187.
Published: 01 October 2017
...Figure 47. Tārā of the Auspicious Light (Maṅgalāloka Tārā) , eastern Tibet, ca. eighteenth century. Colors on cloth, 62 × 43 cm. Photograph: courtesy Solomon Family Collection. Figure 47. Tārā of the Auspicious Light (Maṅgalāloka Tārā), eastern Tibet, ca. eighteenth century. Colors on cloth...
Image
Published: 01 October 2017
Figure 23. Mural illustrating jātaka tales in main khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph: author. Figure 23. Mural illustrating jātaka tales in main khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph More
Image
Published: 01 October 2017
Figure 24. Buddhas surrounded by nāga s in Yumchenmo khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph: author. Figure 24. Buddhas surrounded by nāgas in Yumchenmo khorlam at Shalu, Tsang, central Tibet, second quarter of fourteenth century. Photograph More
Image
Published: 01 October 2017
Figure 26. Six Mahāsiddhas, including both Saraha (upper center) and Śavaripa (upper right), in Gyantse Palkhor Chode Lamdre Lhakang, Tsang, central Tibet, fifteenth century. Photograph: author, 2005. Figure 26. Six Mahāsiddhas, including both Saraha (upper center) and Śavaripa (upper right More
Image
Published: 01 October 2017
Figure 27. Mahāsiddha inscribed “Ka gi la la na mo,” in Gyantse Palkhor Chode Lamdre Lhakang, Tsang, central Tibet, fifteenth century. Photograph: author, 2005. Figure 27. Mahāsiddha inscribed “Ka gi la la na mo,” in Gyantse Palkhor Chode Lamdre Lhakang, Tsang, central Tibet, fifteenth century More
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Published: 01 October 2017
Figure 28. Section of murals near doorway in main courtyard of Nechung Monastery, near Lhasa, central Tibet, ca. second half of seventeenth century. Photograph: author. Figure 28. Section of murals near doorway in main courtyard of Nechung Monastery, near Lhasa, central Tibet, ca. second half More
Image
Published: 01 October 2017
Figure 29. Mantradharin-wizard inscribed “sngags pa phur thogs,” in main courtyard of Nechung Monastery, near Lhasa, central Tibet, ca. second half of seventeenth century. Photograph: author. Figure 29. Mantradharin-wizard inscribed “sngags pa phur thogs,” in main courtyard of Nechung More
Image
Published: 01 October 2017
Figure 30. Mural depicting consecration of restored Samye complex, in covered porch of Jokhang shrine in Lhasa, central Tibet, ca. second half of seventeenth century. Photograph: author. Figure 30. Mural depicting consecration of restored Samye complex, in covered porch of Jokhang shrine in More
Image
Published: 01 October 2017
Figure 33. Three-headed, six-armed Maitreya Bodhisattva, in Tuṣita Shrine of Gyantse Kumbum, Tsang, central Tibet, ca. 1442. Photograph: author. Figure 33. Three-headed, six-armed Maitreya Bodhisattva, in Tuṣita Shrine of Gyantse Kumbum, Tsang, central Tibet, ca. 1442. Photograph: author. More
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 1–10.
Published: 01 April 2006
... are shown side by side, which usually connotes succession nephew Mangalaguru. The unlikelihood that the hoard came from Taklung or was found in the vicinity of that monastery will become evident as will the provenance of that group of paintings: Riwoche Monastery in East Tibet, an offshoot...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 59–86.
Published: 01 April 2013
... well as monastic curricula and rituals, in Western in time for the first unrolling and public viewing of a Tibet began to be increasingly determined by advanced special new applique´ thangka (painted or sewn scroll circles in Central Tibet, or by their transplanted, exilic with cloth mountings...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 127–162.
Published: 01 April 2011
... unknown. Folio from a sutra. Western Tibet, Guge. 11th or 12th c. Manuscript; opaque watercolors, lacquer and ink on paper; 18.3 Â 62.2 cm. Herbert F. Johnson Museum of Art, Cornell University, 2009.017.002. Acquired through the George and Mary Rockwell Fund. Photograph courtesy of the Herbert F...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 105–120.
Published: 01 April 2001
... Fig. 8. / Four Mandalas of the Vajravali Series (ca. 1429-56) Tibet. Tangka; gouache on cotton; 89 x 73.7 cm. AP 2000.01. Photography by Michael Bodycomb...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 111–125.
Published: 01 April 2003
... NEWARK, NEW JERSEY The Newark Museum Valrae Reynolds, Curator of the Asian Collections Fig. 3i. / Healing Buddha (15th century). Tibet. Applique...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 139–179.
Published: 01 October 2015
... Shuxiang Si at Chengde. Tibet and Mongolia at Wutai Shan’s var­i­ous monas­ ­ter­ They would also clarify­ Qianlong’s choice and appro­­ ies.25 Although the posi­ ­tion of jasagh lamas­ was also pri­a­tion of Pusa Ding. Among Wutai Shan’s more than cre­ated at the capi­­tal in Beijing, Mukden, Hohhot...