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Song iconography

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Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
... China Double Fifth fashion Song iconography Chinese imperial workshops Boating by a Willow Bank ( Figure 1 ) is an exquisite and evocative summer landscape from thirteenth-century China that offers the modern viewer a small portal into the delightful charm of the Southern Song–dynasty (1127...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 11–43.
Published: 01 April 2001
... solitude, nightfall, and ascribed by other distinguished contemporary scholars to death—embodies a haunting sense of restlessness and long- the Southern Song academy, to aYuan professional painter, ing. and to Ming court circles. But most publications in...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 44–62.
Published: 01 April 2001
...Elizabeth Brotherton Copyright © Asia Society 2001 Two Farewell Handscrolls of the Late Northern Song* ELIZABETH BROTHERTON STATE UNIVERSITY OF NEW YORK, NEW PALTZ In the autumn of 1122 the artist Hu Shunchen made a farewell poem with a farewell painting may likewise have...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 87–109.
Published: 01 April 2018
... program of the Southern Song–dynasty Cave of Perfect Enlightenment (Yuanjuedong) at Baodingshan, Dazu. It argues that the cave serves not as an arena for ritual practice per se but instead presents an idealized representation of such a site. In particular, this essay focuses on the conceptual function of...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 51–94.
Published: 01 April 2007
... development in this the history of Chinese art.3 To these can be added the area did not reach its qualitative and quantitative peak many splendid Buddhist and Daoist cliff-sculpture sites until the twelfth century, during the Song dynasty. Be- throughout the region, often clustered adjacent to cur- cause...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
..., loyalism among Han artists in late-seventeenth- through eighteenth-century Jiangnan was masked by a tradition of lyrical imagery that dated to the Song dynasty (960–1279). 9 Ideal for evoking personal sentiments, lyrical imagery drew on indirect comparisons, such as the sensual features of an object...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 39–52.
Published: 01 April 2005
... "step by step history of claims to "dispel" any such narrowness by proclaiming a early Chinese painting," pre-Tang through Song, a history broader interest, one that considers stylistic change along that reveals "intelligible patterns of change over long stretches with other criteria and concerns...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 3–36.
Published: 01 April 2011
... place for the dead into a simultaneously frame buildings. These unusual efforts to construct an realistic and illusionistic space of experience. Fig.1. Female figure standing in a half- open door. 1099 ce. Polychromed brick. Northern wall of Tomb 1, Baisha, Henan Prov. From Su Bai, Baisha Song...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
... collection and was thus able to Even though one might argue that An Gyeon’s choice shape his antiquarian style after Song and Yuan originals. of perspective and his preference for a two-dimensional Prince Anpyeong’s collection contained 171 paint- representation of mountain surfaces is owing to Yuan ings...
Journal Article
Archives of Asian Art (1 April 2007) 57 (1): 23–49.
Published: 01 April 2007
... funerary art marks distinct ethnic or cul- side of the mortuary realm? The complex admixture of tural ties, overestimating the coherence of traditions traditional iconography and expanded compositions and ignoring the extent to which ethnic markers are positioned in the passageway presses us to...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 71–104.
Published: 01 April 2003
...- worked in the courtly traditions of fine-style flower-and- ern Song.2 But we still have not come to terms with these bird painting purposefully distanced themselves from the works of art as works of art. objective images that they made: the painter made himself Fig. T...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 103–120.
Published: 01 April 2019
... earliest rendering of the theme, that by Qian Xuan. That painting, in turn, was believed to be based on the original formulation of the iconography by Li Gonglin. To add cachet to this, Song Luo had selected it as frontispiece for his annotated edition ( Figure 9 ), and had replicated it on an inkstone...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
..., the mural paintings from nearly five little-studied Thousand-armed Man˜ jus´rı¯ appeared in the hundred cave shrines are joined by more than fifty thou- Mogao cave shrines only from the Tang (618–907) sand manuscripts and portable paintings recovered in to Song dynasties (960–1279).2 Commonly...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 107–151.
Published: 01 April 2016
... (1558–1639) in 1620 subjects, artists of the late sixteenth and early seven- and Dong Qichang (1555–1636) in 1621. The teenth centuries enjoyed much greater liberty than their album’s history from 1621 to the first half of the predecessors of the Song (960–1279) and Yuan (1279– eighteenth...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 121–127.
Published: 01 April 2001
.... 54-74. Bromberger, Edward. Foreword, vol. i (1945-1946), pp. 9-1o. Chung, Saehyang P. Hsing-ch'ing Kung. Some New Findings on the Brotherton, Elizabeth. Two Farewell Handscrolls of the Late Northern Plan of Emperor Hsuan-tsung's Private Palace, vol. 44 (1991), pp. Song, vol. 52...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 1–15.
Published: 01 April 2005
..., there is nothing to provide narrative context for this depicted moment. Such sparing iconography has spawned much discussion of the thematic identity of Kory6 Amitabha paintings. In the Amitabha Triad in Senjuji, Japan, the same con- figuration of divinities, holding the same attributes...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 90–99.
Published: 01 April 2012
...- Phillip Bloom is a PhD candidate in the Department of noon sun. Windows run along the lower half of the wall History of Art and Architecture at Harvard University. looking out to the reflecting pool. Because the natural He is currently completing a dissertation on Song- light precludes showing light...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 27–58.
Published: 01 April 2013
... The three kha¯ kas in question picture standard Ra¯ ga- of Art and the San Diego Museum of Art.7 The collec- ma¯ la¯ iconography: one, Hindola Ra¯ ga, depicts a man on tion can only be what it is purported to be: the accu- a swing surrounded by attendants˙ ˙ (Fig. 1); the second, mulated workshop...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 1–25.
Published: 01 April 2013
... community, not punishment of them. spotted in a later local exorcism, yet this time heavily Although the iconography of the Judges and Kings of imbued with the images of the judgment in hell. In Hell was still widely recognized and promoted within a poem by the Southern Song literatus Liu Tang 劉鏜 the...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 105–133.
Published: 01 April 2009
... visual format of the steles and their vent the stele form, but adopted it from the long tra- new iconography. The stele was a fairly novel form of dition of using a stele for commemorative purposes, monument in the history of Korean Buddhist art.6 It 2 which...