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Published: 01 April 2022
Figure 13. Skanda Kills Mahiṣa, Mohammed Zai (near Peshawar), third–fourth century. Schist. 19.5 × 12 × 3.5 cm. From Gandhāra—The Buddhist Heritage of Pakistan. Legends, Monasteries, and Paradise. (Mainz, 2008), no. 111. Reproduced by permission from Peshawar University.
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Image
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 2. Skanda from Gajendra Ghat, ca. sixth century. Bhopal State Museum. Photograph: Elizabeth A. Cecil.
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Image
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 9. Skanda from Gajendra Ghat, ca. sixth century. Bhopal State Museum. Photograph: Elizabeth A. Cecil.
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Image
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 10. Skanda from Gajendra Ghat (detailed view), ca. sixth century. Bhopal State Museum. Photograph: Elizabeth A. Cecil.
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Image
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 11. Skanda, rock-cut relief carving in Cave 3, ca. late fourth–early fifth century, Udayagiri. Photograph: Elizabeth A. Cecil.
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Image
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 12. Skanda, standing sculpture in Mathura stone, ca. third century. State Museum Lucknow. Photograph: Elizabeth A. Cecil.
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Image
in A Forgotten Family Portrait: Irenic Śaivism in the Art of Ancient Daśapura
> Archives of Asian Art
Published: 01 October 2022
Figure 27. The “Forgotten Family Portrait”; from left: Skanda, Śiva, and Pārvatī from Gajendra Ghat. Photograph: Elizabeth A. Cecil.
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Journal Article
Archives of Asian Art (2022) 72 (2): 155–180.
Published: 01 October 2022
...Figure 2. Skanda from Gajendra Ghat, ca. sixth century. Bhopal State Museum. Photograph: Elizabeth A. Cecil. ...
FIGURES
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Journal Article
Archives of Asian Art (2022) 72 (1): 55–74.
Published: 01 April 2022
...Figure 13. Skanda Kills Mahiṣa, Mohammed Zai (near Peshawar), third–fourth century. Schist. 19.5 × 12 × 3.5 cm. From Gandhāra—The Buddhist Heritage of Pakistan. Legends, Monasteries, and Paradise. (Mainz, 2008), no. 111. Reproduced by permission from Peshawar University. ...
FIGURES
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Journal Article
Archives of Asian Art (2010) 60 (1): 1–18.
Published: 01 April 2010
...-cut˙ monuments˙ are S´aiva and house both
in one instance even to the eradication of shrine walls, a Soma¯skanda (S´iva accompanied by wife Pa¯rvatı¯ and
apparently with the intention of deflecting and rerouting son Skanda) panel carved into the shrine’s rear wall
sectarian affiliation in favor...
Journal Article
Archives of Asian Art (2013) 63 (2): 133–154.
Published: 01 October 2013
..., branch-like limbs khalin˙gas, shelters, temples, and cremation grounds.
bearing a heavy trident and a snake (Fig. 12). Ganes´a S´iva’s five faces personified the mantras of the Yajur
˙
sits on Nates´a’s left, and to his right is Skanda on a Veda that Pas´upatas...
Journal Article
Archives of Asian Art (2022) 72 (2): 273–275.
Published: 01 October 2022
..., and a husband and father. Chapter 3 is entitled “Looking East and West, With and Without Sons, Deities, Royalty, Family, and Lineage.” The most frequent depiction in the complex is Shiva seated with his wife, Uma, and their son, Skanda, appearing thirty-one times on the east and west sides...
Journal Article
Archives of Asian Art (2008) 58 (1): 87–111.
Published: 01 April 2008
...’’ interpretation. Skanda Pura¯ na (VII.1.276.13) to emphasize the ‘‘union of
˙
57. Kramrisch, Manifestations of Shiva, p. 58, no. 49. Uma¯ with the body of S´iva’’ (A.B.L. Awasthi, Brahmanical
58. Pal, Indian...
