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Sin Saimdang
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Journal Article
Archives of Asian Art (2018) 68 (1): 47–66.
Published: 01 April 2018
...Burglind Jungmann Abstract Facts about Sin Saimdang, the most famous female artist in Korean history, are scattered and none of the remaining works attributed to her can be confirmed as authentic. Since her death every century has contributed new ideas about the painter and her oeuvre...
FIGURES
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in Changing Notions of “Feminine Spaces” in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551)
> Archives of Asian Art
Published: 01 April 2018
Figure 7. Attributed to Sin Saimdang, Plants and Insects , before 1946. Tenfold screen, ink and colors on paper, each leaf 34 × 28.3 cm. The National Museum of Korea, Seoul. Photograph: courtesy of the National Museum of Korea.
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Image
in Changing Notions of “Feminine Spaces” in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551)
> Archives of Asian Art
Published: 01 April 2018
Figure 2. Postage stamp issued in 2000 by Korea Post with an imagined portrait of Sin Saimdang based on a painting by Kim Ŭnho (1892–1979). Photograph: courtesy of Korea Post.
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Image
in Changing Notions of “Feminine Spaces” in Chosŏn-Dynasty Korea: The Forged Image of Sin Saimdang (1504–1551)
> Archives of Asian Art
Published: 01 April 2018
Figure 1. 50,000-wŏn banknote issued June 2009 by the Bank of Korea, illustrated with an imagined portrait of Sin Saimdang based on a painting by Yi Chongsang (b. 1938). Photograph: Burglind Jungmann, 2017.
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Journal Article
Archives of Asian Art (2013) 63 (1): 103–129.
Published: 01 April 2013
... own concerns over tradition by the trappings of an enterprise by the 1970s. Certain his-
quickly turning from rough, slightly misshapen earthen- torical figures like the female painter Sin Saimdang and
ware casually assembled on a wall to freestanding struc- naval hero Yi Sun-shin were recuperated...
Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
... under the Mongols: The Yuan Dynasty (1279–1368) Korea, of whom the most important was the famous woman
(Cleveland: Cleveland Museum of Art, 1968), fig. 14, painter Sin Saimdang (1504–1551); see Roderick Whit-
p. 81. field, Fascination of Nature...
