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Shen Yuan

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Journal Article
Archives of Asian Art (2021) 71 (1): 123–129.
Published: 01 April 2021
...Roderick Whitfield Abstract This paper discusses the roles of Shen Yuan, an artist at the Yongzheng court, who produced the monochrome cartoon of Qingming shanghe tu , and of the five court artists who produced the final version in colors on silk. Their respective contributions show that Shen Yuan...
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Published: 01 April 2021
Figure 1. Shen Yuan 沈源 (active early–mid-eighteenth c.), Qingming shanghe , detail of fenben . Collection of the National Palace Museum, Taipei. Figure 1. Shen Yuan 沈源 (active early–mid-eighteenth c.), Qingming shanghe, detail of fenben. Collection of the National Palace Museum, Taipei. More
Image
Published: 01 April 2021
Figure 5. Shen Yuan, Qingming shanghe , detail of fenben . Collection of the National Palace Museum, Taipei. Figure 5. Shen Yuan, Qingming shanghe, detail of fenben. Collection of the National Palace Museum, Taipei. More
Image
Published: 01 April 2021
Figure 6. Shen Yuan, Qingming shanghe , detail of fenben . Collection of the National Palace Museum, Taipei. Figure 6. Shen Yuan, Qingming shanghe, detail of fenben. Collection of the National Palace Museum, Taipei. More
Image
Published: 01 April 2020
Figure 18. Shen Yuan 沈源 (Chinese, active early–mid-eighteenth c.), Qingming shanghe , late 1720s–1730s. Handscroll; ink and color on paper, 34.8 × 1185.9 cm. National Palace Museum, Taipei. Artwork in the public domain. Photograph: National Palace Museum. Figure 18. Shen Yuan 沈源 (Chinese More
Image
Published: 01 April 2020
Figure 20a and b. Tangdai 唐岱, Sun Hu 孫祜, Shen Yuan 沈源, Ding Guanpeng 丁觀鵬, Wang Youxue 王幼學, Zhou Kun 周鯤, and Wu Gui 吳桂 (all Chinese, early–mid-eighteenth c.), The New Feng City ( Xinfeng tu 新豐圖), 1744. Hanging scroll; ink and color on silk, 203.8 × 96.4 cm. National Palace Museum, Taipei More
Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
...Figure 18. Shen Yuan 沈源 (Chinese, active early–mid-eighteenth c.), Qingming shanghe , late 1720s–1730s. Handscroll; ink and color on paper, 34.8 × 1185.9 cm. National Palace Museum, Taipei. Artwork in the public domain. Photograph: National Palace Museum. Figure 18. Shen Yuan 沈源 (Chinese...
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Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
...–1748), Mountain Villa to Escape the Heat, 1713. Hanging scroll, color on silk, 254.8 Â 172 cm. Palace Museum, Beijing. (Magical Place within a Square Vessel) (Fig. 9) that the court artists Tang Dai 唐岱 and Shen Yuan 沈源 painted, one of the album leaves in the series Yuan- mingyuan sishijing...
Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
... thirteenth and early fourteenth centuries, with attention given to the aesthetic, political, and social nostalgia of the Song-Yuan transition, which continues to flavor the reception of these images down to the present day. Figure 26. Anonymous painter, formerly attributed to Yi Yuanji (Chinese, d. 1066...
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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
.... Works attributed to Qian Xuan have been reattributed to Changzhou School artists, as discussed by Saehyang P. Chung, indicating their extensive study of this Yuan dynasty artist. Chung, “Introduction to the Changzhou School of Painting.” For Qian Xuan's well-known painting of melons in reference...
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Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
... collection and was thus able to Even though one might argue that An Gyeon’s choice shape his antiquarian style after Song and Yuan originals. of perspective and his preference for a two-dimensional Prince Anpyeong’s collection contained 171 paint- representation of mountain surfaces is owing to Yuan ings...
Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
... social status. In 1615 the celebrated painter Wu Bin 吳彬 (1573–1620) presented his bosom friend and patron Mi Wanzhong with a handscroll depicting Mi's garden. 2 Painting of the Mi Family Ladle Garden ( Mishi Shao yuan tu 米氏勺園圖) ( Figure 1 ) illustrates in a meticulous hand the larger-than-life...
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Journal Article
Archives of Asian Art (2019) 69 (1): 103–120.
Published: 01 April 2019
... Liangji ji , 2:479, 540–41 . 37. Zhao Huaiyu, Shou'an nianpu , 1469:169 . 38. Qian Yong, Luyuan conghua , 2:611 . 39. Shen Jin, Weng Fanggang nianpu , 407 . The quality of the poetry was a main concern for Weng Fanggang, who in a letter complained about the increasingly weak...
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Journal Article
Archives of Asian Art (2013) 63 (1): 1–25.
Published: 01 April 2013
...., ‘‘Guang- less, the tangible connection between the Cui pan’guan dong Haikang Yuan mu chutu de yinxian ke zhuan Kaoguxue jikan 1982.2: 176. and Cui Ziyu alludes to a remarkable status of the pan’guan: the particular form...
Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
... was not in attendance at them, Yuan did invite her participation in this elite, predominantly male culture in other ways. For example, he requested from her a tihuashi for a painting by Wu Xingzeng 吳省曾 (fl. mid-18th c.) that commemorated a 1765 gathering of Yuan, his male friends Shen Deqian 沈德潛 (1673–1769) and Jiang...
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Journal Article
Archives of Asian Art (2012) 62 (1): 7–24.
Published: 01 April 2012
... myth. But whether or school artists adopting the same elements of Yuan lite- not this interpretation of the paintings proves to be the rati styles that were taken up and developed by Liu Jue correct one, this kind of interpretation, based on group- (1410–1472), Shen Zhou (1427–1509), and other Wu...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... Guiyuan concentrated his efforts after evacuating to Chengdu in 1938 on founding the Chinese Craft Society (Zhonghua gongyi she 中華工藝社), along with Shen Fuwen 沈福文 (1906–2000), Wang Manshuo 王曼碩 (1905–1985), Tan Danjiong 譚旦囧 (1906–1996), Li Youxing, and Pang Xunqin, who did not join until 1940. 28 In some...
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Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
... from the “gongyang” commentaries to make his accusations against Heshen after the death of the Qianlong Emperor. See Elman, Classicism, Politics, and Kinship , 284–90 ; Elman, “Imperial Politics and Confucian Societies in Late Imperial China” ; and Nivison, “Ho-Shen and His Accusers.” 18...
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Journal Article
Archives of Asian Art (2007) 57 (1): 95–120.
Published: 01 April 2007
... of endurance, longev- of late Ming private gardens in Jiangnan.82 In the ity, and moral virtue (i.e., unchanging no matter what Zhuozheng yuan (Garden of the Unsuccessful Politi- 77 the circumstances) since the time of Confucius. Ac- cian), a private garden in Suzhuo...
Journal Article
Archives of Asian Art (2005) 55 (1): 17–33.
Published: 01 April 2005
... and museum collec- unfamiliar artistic tradition; and the habit of Yuan and tions assembled, and exhibitions and their catalogues and later Chinese artists of claiming, in inscriptions on their symposia making the fruits of our scholarship available to works, that they are "imitating" some old master...