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Renaissance
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Journal Article
Archives of Asian Art (2020) 70 (1): 1–21.
Published: 01 April 2020
... of “self-transcendence” in order to achieve “connection with the divine and the ultimate real.” 15 The three authors of Symbols of Substance clearly wanted to evoke the notion of a South Indian renaissance, one that was quite different from that of Europe but which did have certain similarities...
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Journal Article
A Response to Professor Cahill's “Some Thoughts on the History and Post-History of Chinese Painting”
Archives of Asian Art (2005) 55 (1): 35–37.
Published: 01 April 2005
... and technical innovations that had shaped under-
clear, developmental sequences over long stretches of time standing of art from the Renaissance through the nineteenth
that could be shaped into the kind of compelling narrative century. Instead of a grand succession of dialectically related
that art...
Journal Article
Archives of Asian Art (2014) 64 (1): 1–2.
Published: 01 April 2014
... of a small side room
itself, but its family history reveals a widespread range that serves as bird cage.
of cultural transmission stretching from Renaissance As Europe extended its reach through imperial
Europe through far eastern Asia at the end of the dynastic conquest, in German-speaking central...
Journal Article
Archives of Asian Art (2013) 63 (2): 209–210.
Published: 01 October 2013
... Renaissance art history to Chu-tsing Li, who
Michael Sullivan was born in 1916 in Toronto of a later taught the subject at the University of Iowa before
Canadian father and American mother, but he was reared his decades of teaching Chinese art at the University of
in England from the age of three. He...
Journal Article
Archives of Asian Art (2004) 54 (1): 63–93.
Published: 01 April 2004
... on the Italian Renaissance), when shaped our thinking about style; that is, authorship has
66
almost automatically been associated with dynasties. This
dynastic terminology has thus precluded a more careful
consideration of the nature of style—where, how, through
whom, under what circumstances...
Journal Article
Archives of Asian Art (2022) 72 (2): 281–284.
Published: 01 October 2022
... to some misinformation. For example, he notes that European conventions that were developed in the Renaissance—“two-point perspective, the vanishing point, and the use of shading to depict light and shadow—are absent from traditional Tibetan painting” (59). In fact, artists working in Tibet have long...
Journal Article
Archives of Asian Art (2018) 68 (1): 1–32.
Published: 01 April 2018
... unparalleled since the Renaissance.” 2 Well into the twenty-first century, however, this daring appraisal begins to seem modest. Given the predominance of North Atlantic modernity within “global” late capitalism, the repercussions of collage now extend well beyond the medium of painting and far outside...
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Journal Article
Archives of Asian Art (2017) 67 (1): 25–59.
Published: 01 April 2017
... in the princely states in tandem with developments in British India in order to urge a more expansive perspective on colonial-period arts. In the early 1900s E. B. Havell, the British principal of the Government School of Arts in Calcutta, instigated a renaissance of India's traditional arts. He removed...
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Journal Article
Archives of Asian Art (2013) 63 (1): 59–86.
Published: 01 April 2013
... Colling-
and State in Tibetan Buddhism: The Foundations of Author- wood’s; Erwin Panofsky, ‘‘Iconography and Iconology:
ity in Gelukpa Monasticism (London: Routledge Curzon, An Introduction to the Study of Renaissance Art in
86 ARCHIVES OF ASIAN ART
Meaning in the Visual Arts: Papers...
Journal Article
Archives of Asian Art (2005) 55 (1): 17–33.
Published: 01 April 2005
... in Western art that compares tic shifts like those the old art historians defined for
with this conception of painting," which he characterizes as European painting—from Medieval to early, high, and late
a "combination of traditionalism and respect for the unique- Renaissance, from Baroque to Rococo...
Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
.... 9. Although Kim Hongnam acknowledges that both
2. The two paintings are illustrated side by side in paintings have a pedigree of Chinese seals, colophons, or
Soyoung Lee’s catalogue Art of the Korean Renaissance, records dating from the Ming and Qing dynasties, she
1400–1600 (New York...
Journal Article
Archives of Asian Art (2003) 53 (1): 26–53.
Published: 01 April 2003
... patronage as a means of resisting and
Picturing Women in Renaissance and Baroque Italy, ed. Geraldine A. Johnson appropriating male authority: see Alexandra Carpino, "Margaret of
and Sara F. Matthews Greico (New York: Cambridge Univ. Pr., 1997), Austria's Funerary Complex at Brou: Conjugal Love...
Journal Article
Archives of Asian Art (2010) 60 (1): 79–87.
Published: 01 April 2010
....
developed during the period of Silla’s stability. Ko went Like Sekino, Ko Yu-seop also believed that Joseon cul-
on to compare this period with the Italian Renaissance, ture became manneristic, conservative, narrow-minded,
Greece under Pericles (ca. 495–429 bce), India under and uncreative due to its...
Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
... with tixi lacquer handle” from a tomb in Huanghuan City, Fujian, in Tsai, Dynastic Renaissance , 106 . 47. Powers, “Qing zhi jing,” 66–69 . 48. Hay, “Chinese Fan Paintings,” 105–06 . 49. Edwards, World around the Chinese Artist , 52 . 50. Lu Yuanming, Suishi shenji...
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Journal Article
Archives of Asian Art (2011) 61 (1): 37–60.
Published: 01 April 2011
... reproductions,
painters dating from the Renaissance to the early 20th these masterpieces would be best introduced in copies
century, including El Greco, Rubens, Rembrandt, Ingres, made by artists which should therefore be taken into
MAKI KANEKO Mukai...
Journal Article
Archives of Asian Art (2023) 73 (1): 55–77.
Published: 01 April 2023
... Buddhist, Hindu, Jewish, Mughal, and Renaissance traditions of sacred architecture. 24 Architecture historian Kazi Ashraf also traces various formal precedents in the centralized plan, including the forms of the mandala and the organization of the nine-square grid. 25 Multiple writings reflect those...
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Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
... the technique of untrammelled strokes. these later historians provided Chinese painting history
Besides these there are linear-executed landscapes, paintings with
a preference for [including] architecture which refer to the North. with some equivalent to the European Renaissance,
Shaping...
Journal Article
Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
.... Marguerye) that “to appreciate Chinese painting properly the westerner must forget his own mental preconceptions, and must throw over his artistic education, every critical tradition, and all the aesthetic baggage that has accumulated from the Renaissance.” 37 Consequently, when Bushell remarks...
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Journal Article
Archives of Asian Art (2020) 70 (2): 173–197.
Published: 01 October 2020
... if the caturmukhaliṅga is dated correctly—patronage of Muṇḍeśvarī Hill was interrupted and the temples fell into disrepair or were destroyed. I propose that during the sixteenth or seventeenth century the site experienced a renaissance, and a period of relative stability and prosperity allowed the custodians...
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Journal Article
Archives of Asian Art (2022) 72 (1): 1–53.
Published: 01 April 2022
... Bronze Age of China,” 235 . 47. Ibid. 48. Kuwayama, “Cultural Renaissance of the Late Zhou,” 57–61 . 49. For an English-language discussion of the turquoise workshops at Erlitou and other sites in the Luoyang Basin, see M. Li, Social Memory and State Formation in Early China...
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