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Qing dynasty painting

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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... be manipulated to make gendered references to Jiangnan history and Han ethnicity in the Qing dynasty, which positioned the peony along with perennial loyalist symbols such as the lotus and orchid flowers. In the early Qing, however, the production and viewing of these paintings was part of a larger project...
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Image
Published: 01 October 2018
Large Censer , China, Qing dynasty (1644–1911), dated 1673. Porcelain painted in underglaze blue and overglaze enamels ( wucai ), 17.5 × 32.1 × 32.1 cm. Art Institute of Chicago, 2017.89. Harry B. and Bessie K. Braude Memorial Fund. More
Journal Article
Archives of Asian Art (2017) 67 (1): 61–82.
Published: 01 April 2017
...De-Nin D. Lee Abstract Whereas texts on painting by Chinese literati have had a profound impact on art history, women's writings are almost unknown. This article examines poems by the Qing-dynasty poet-painter Luo Qilan (b. 1755), using her as a case study to argue for a literatae tradition...
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Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
...Cheng-hua Wang Abstract This research focuses on one of the most famous paintings made at the court of the Qing dynasty (1644–1911)— Qingming shanghe (Up the River during Qingming). Commissioned by the Yongzheng emperor (r. 1723–1735) and completed in the second year of the Qianlong emperor's reign...
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Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... seen as a type of witchcraft, and thus the potters would immediately destroy them into fragments.” 30 Reports of yaobian that occurred without warning during ceramic production continued during the succeeding dynasties of the Ming (1368–1644) and Qing (1644–1911). They are scattered throughout...
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Journal Article
Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
... the real interest of these Qing artists. Although these paintings reveal more fantastic and dramatic features The involvement of merchants and the government in used by Qing dynasty Yangzhou painters, they are dis- transporting grains to the northern...
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
... of the painting itself, analyzing the artist’s pic- Emperor Wu’s convention.24 Particularly in its later torial reconstruction of the site; (3) an analysis of the design after the Ming dynasty, Beihai together with the painting’s references to the Qing court topographical Central Sea and the South Sea evokes...
Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
.... While the painting inscription describes the work as being done in the style of the Qing-dynasty painter Lu Fei 陸飛 (1719–after 1778), the brushwork also references the broken surfaces of the steles Huang Yi searched out, rubbed, and conveyed to the readers of Engraved Texts in shuanggou outlines...
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Journal Article
Archives of Asian Art (2008) 58 (1): 137–185.
Published: 01 April 2008
... UNIVERSITY ART MUSEUM 179 Princeton University Art Museum Princeton, New Jersey Cary Y. Liu, Curator of Asian Art 33. Wan Shanglin (1739–1813). Ink Prunus. China. Qing dynasty, 1808. Hanging scroll; finger- painted ink on paper; 135.3 Â 70.3 cm. Acc. no. 2006.31. Gift...
Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... of Heaven at Seventy Qianlong Emperor, 1735–1795 (Phoenix 1985); The 3. Screen painting, next to date, below: you ri zi zi 猶 Golden Exile: Pictorial Expressions of the School of West- Still diligent daily ern Missionaries’ Artworks of the Qing Dynasty...
Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... are honored. 64 Meanwhile, the year of the album, 1681, loops back from 1926 to the start of the Qing dynasty. For Puyi and his courtiers, his royal ancestry was core to his status and identity, something they reinforced whenever he or they impressed his Xuantong seal on old master paintings alongside...
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Journal Article
Archives of Asian Art (2023) 73 (1): 1–23.
Published: 01 April 2023
... unlikely to be the source of blue in Sun Ai's two paintings because smalts were not widely available and were primarily used as ceramic colorants. Furthermore, Zhu Yan 朱琰 (active eighteenth c.), a Qing-dynasty government official and specialist on pottery, held that suqing ceased to be used during...
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Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... renw@dickinson.edu © 2021 Asia Society 2021 Chen Shizeng modern ink painting figure painting fengsu hua manhua Republican Beijing Arriving in Beijing just two years after the fall of the Qing dynasty (1644–1911), Chen Shizeng 陳師曾 (Chen Hengke 陳衡恪, 1876–1923) expressed his...
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Journal Article
Archives of Asian Art (2010) 60 (1): 95–159.
Published: 01 April 2010
... and Modern) Laura Vigo, Curator of Asian Art 34. Artist unknown. Round Box with Cover. China. Qing dynasty, Guangxu period (1874–1908). Late 19th–early 20th c. Porcelain, painted decoration; 20.5 Â 33 cm. The Montreal Museum of Fine Arts, 2008.17.1–2. Gift of Dr. Sean B. Murphy in memory of his...
Journal Article
Archives of Asian Art (2019) 69 (2): 243–298.
Published: 01 October 2019
... Leaving the Bath, China, Qing dynasty (1644 1911), 1700s. Hanging scroll; ink, colors, and gold on silk, painting only 96.5 × 44.1 cm, overall with knobs 231.8 × 73 cm. The Cleveland Museum of Art, 2017.65. Gift of The MCH Foundation. 258 Archives of Asian Art 69:2 Oct­ ob­ er 2019 Munja-Chaekgeori Screen...
Journal Article
Archives of Asian Art (2022) 72 (1): 97–127.
Published: 01 April 2022
... Institute of Chicago , 1989 . Gugong Bowuyuan Cang: Qingdai Gongting Huihua 故宫博物院藏:清代宫廷绘画 [ The collection of the Palace Museum: Court painting of the Qing dynasty ]. Beijing : Wenwu chu ban she , 1992 . Hevia, James . English Lessons: The Pedagogy of Imperialism in Nineteenth-Century China...
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Journal Article
Archives of Asian Art (2016) 66 (1): 107–151.
Published: 01 April 2016
...-gates 119 Fig.4. Sculpture of the Yongzheng Emperor, China, Qing dynasty, 18th century. Sculpture, painted clay, H. 32 cm. Reprinted...
Journal Article
Archives of Asian Art (2019) 69 (2): 155–179.
Published: 01 October 2019
... of National Palace Museum, Taipei. Figure 17. Snuff Bottle with Agate Decoration of a Ferrying Boat (Manao duchuan tu yanhu 瑪瑙渡船圖鼻煙壺), Qing dynasty. Marbled jade and agate, 5.9 × 5.1 cm. The Collection of National Palace Museum, Taipei. Of the various categories of pleasure boats, the painting...
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Journal Article
Archives of Asian Art (2018) 68 (2): 233–262.
Published: 01 October 2018
...Large Censer , China, Qing dynasty (1644–1911), dated 1673. Porcelain painted in underglaze blue and overglaze enamels ( wucai ), 17.5 × 32.1 × 32.1 cm. Art Institute of Chicago, 2017.89. Harry B. and Bessie K. Braude Memorial Fund. ...
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Journal Article
Archives of Asian Art (2014) 64 (1): 3–32.
Published: 01 April 2014
... of the flourishing consumer culture of late Ming and Qing chaekgeori painting, as more and more Qing-period China and Edo Japan, nonetheless, and perhaps inevita- luxury consumer objects appeared in them. This process bly, Korea’s traditional, austere Confucian culture be- was facilitated and accelerated partly...