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Qianlong court art

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Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
... (1736–1795), the painting is a rare example of Qing court art that reveals how Qianlong furthered his father's artistic vision while formulating his own in the first fifteen years of his long tenure as ruler. This vision involved how to reinterpret and reinvent the Chinese painting tradition through...
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 139–179.
Published: 01 October 2015
... the only art histor­ ­i­cal study to pay at­ fes­ta­tions of Mañjuśrī’s mil­len­ni­um-old vi­sion cult from ten­tion to Qianlong’s ap­pro­pri­a­tion of the vi­sion cult of Chi­nese, Ti­bet­an, and Mon­go­lian sources and tra­di­tions Wutai Shan. In her study of Qianlong’s and his court art­...
Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
...觀 [ Qianlong's connoisseurship of ceramics ]. Gugong xueshujikan 故宮學術季刊 21 , no. 2 ( 2003 ): 1 – 38 . Huang, Ellen . “ From the Imperial Court to the International Art Market: Jingdezhen Porcelain Production as Global Visual Culture .” In “Global China.” Special issue, Journal of World...
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Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... of the same each work after the poem. No other Qianlong court composition, the material plurality of One or Two not composition is known to exist in so many manifesta- only amplifies its message, but also provides a useful tions, which attests to its personal meaning for the em- methodology for approaching...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 117–137.
Published: 01 October 2015
.... A pa­per slip mounted on silk, bear­ing the la­bel Sections 1, 2, and 9 have no seals across their from Qianlong’s court: “Wang Xizhi Xingrang­ seams; Sections 3 to 8 are all­ connected by seals on tie zhenji” (Genuine traces of their seams. This shows that Zhang’s (and any...
Journal Article
Archives of Asian Art (2021) 71 (1): 123–129.
Published: 01 April 2021
... on the Yongzheng and Qianlong Emperors' involvement in the production of the court version of the 1737 Qingming Shanghe tu 1 is timely and welcome, particularly as regards Qianlong's early interest in the work of the artisans in the court workshops, an interest which he was to sustain for the whole of his...
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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
..., the Qianlong emperor thoroughly immersed himself in the arts, recruiting Jiangnan artists to the court and diligently studying the imperial collection. He was both familiar with the history of Chinese art and distrustful of the Jiangnan scholars who typically circulated among artists and poets. Like other...
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Journal Article
Archives of Asian Art (2022) 72 (1): 97–127.
Published: 01 April 2022
... of identity to appeal to different cultures within the Qing protectorate. For example, the Qianlong emperor presented himself with the attributes of the bodhisattva Mañjuśrī in a Tibetan-style thangka (a hanging scroll format for Buddhist painting), which the court sent to the newly discovered Eighth Dalai...
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Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
... the shores of Kuming Lake. John Finlay, e-mail (The art of the court paintings during the Emperors message to author, February 2, 2014. Kangxi, Yongzheng, and Qianlong period of the Qing YAN GENG A New Earthly Paradise...
Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... department and imperial tutors to begin inventorying the art collections. It is likely that Puyi's Xuantong seal was impressed during this process on the artworks, positioned typically below the seal of the Qianlong emperor's son and successor, the Jiaqing emperor (r. 1796–1820), since few of the intervening...
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Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
... Museum of 15. The painting is also mentioned in Shiqu baoji Art in Arts of Korea (New York: Metropolitan Museum (1745), the catalogue of Qianlong’s collection, but in no of Art, 1998), pp. 380–381. other Chinese source. Fu Shen investigated the scroll for 4...
Journal Article
Archives of Asian Art (2014) 64 (1): 3–32.
Published: 01 April 2014
... in ‘‘curios’’ that sparkle from top to bottom. To the Emperor Qianlong’s Study (Fig. 2). Beginning in the north stands a table. And on the table [is] a vase eighteenth century, the Qing court installed these curio containing a bouquet of pheasant’s feathers. A 6 ARCHIVES OF ASIAN ART...
Journal Article
Archives of Asian Art (2008) 58 (1): 1–42.
Published: 01 April 2008
... miles) directly north for the other three. A Qianlong-period (1736–1795) TRACY MILLER The Eleventh-century Daxiongbaodian 31 Fig. 35. Zishengsi tower at southern end of complex. No date. Photograph by author. 32 ARCHIVES OF ASIAN...
Journal Article
Archives of Asian Art (2006) 56 (1): 61–80.
Published: 01 April 2006
... to the cave until the Qianlong reign-period (1736-1796) .3 Previous scholarship has focused largely on interpreting the emptiness of the cave, and has given scant consideration Fig. I. Exterior...
Journal Article
Archives of Asian Art (2016) 66 (1): 25–49.
Published: 01 April 2016
... seals Little is known about Zhao Yan (active early 14th c A on it, and subsequently that of Emperor Qianlong 乾隆 contemporary source indicates that he once served at (r. 1735–1796). The painting remained in the imperial the court of the Mongol princess Sengge Ragi (ca. collection...
Journal Article
Archives of Asian Art (2018) 68 (2): 157–190.
Published: 01 October 2018
..., Hangzhou : Zhejiang renmin meishu chubanshe , 2013 . Wu Weiping 吳偉蘋 . “Qianlong huangdi yu yu banzhi” 乾隆皇帝與玉板指 [ The Qianlong emperor and jade finger rings ]. Gugong wenwu yuekan 故宮文物月刊 / The National Palace Museum Monthly of Chinese Art 367 ( October 2013 ): 94 – 109 . Xi'an shi...
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Journal Article
Archives of Asian Art (2001) 52 (1): 11–43.
Published: 01 April 2001
..., The Elegant Brush: Chinese Painting under the Qianlong Wheelwright, p. 76 and n. 19). In another pair in the Idemitsu Museum Emperor, 1735-1795, exhib. cat. (Phoenix: Phoenix Art Museum, 1985), of Art, by Gakuo Zokyo (act. late fifteenth–early sixteenth c the Peach cat. 27; the latter has translations...
Journal Article
Archives of Asian Art (2023) 73 (1): 1–23.
Published: 01 April 2023
... . 122.   G. Zhu, Yongchuang xiaopin , juan 2 . 123.   Brook, Confusions of Pleasure Commerce , 114 ; H. Chen and Shen, Qianlong Zhenze xianzhi , juan 25 . 124.   Z. Shen, Shitian shixuan , juan 10 . 125.   Q. Yang, Wuli lun . 126.   Bray, Technology and Gender...
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Journal Article
Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
... of the second ninth lunar month to the seventh day of the tenth lunar lunar month) King Jeongjo, accompanied by his mother, month of 1791. See Seungjeong-won ilgi, Qianlong fifty- Lady Hyegyeong, made a visit to Hyeollung-won sixth year, ninth lunar month, twenty-second day and the mausoleum...
Journal Article
Archives of Asian Art (2014) 64 (1): 59–73.
Published: 01 April 2014
... for the Qianlong Emperor’s Fori Lou Tem- 25. Jackson, The Nepalese Legacy, 199. ple in the Forbidden City in ca. 1772; see Patricia Berger, 26. The numbering here is in contrast to the apparent ‘‘Religion in China: The Three Emperors, 1662–1795, lack of such notes on the other paintings...