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Pure Land

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Journal Article
Archives of Asian Art (2009) 59 (1): 105–133.
Published: 01 April 2009
...Sunkyung Kim Copyright © Asia Society 2009 Contesting the Lost Land, New Land, and Pure Land: Buddhist Steles of Seventh-Century Korea sunkyung kim University of Southern...
Image
Published: 01 April 2019
Figure 11. Jigoku gokurakuzu byōbu 地獄極楽図屏風 ( Hell and Pure Land Screens ), Japan, fourteenth century. Set of two folding screens, ink and color on silk, each 101 × 84 cm. Konkaikōmyōji, Kyoto. More
Image
Published: 01 April 2019
Figure 18. Illustration of a Pure Land with Dizang and the Ten Kings , China, tenth century. Ink and color on hemp cloth, 127 × 69 cm. Musée des Arts Asiatiques-Guimet. Photograph: RMN-Grand Palais/Art Resource, NY. More
Journal Article
Archives of Asian Art (2007) 57 (1): 121–150.
Published: 01 April 2007
...John D. Szostak Copyright © Asia Society 2006 Two Paths to the Pure Land: The Niga-byakudo¯ Theme and the Modernist Buddhist Art of Hada Teruo john d. szostak...
Journal Article
Archives of Asian Art (2021) 71 (1): 1–36.
Published: 01 April 2021
...Anne N. Feng Abstract This paper reconsiders how and why the representation of landscape became an increasingly central component of Pure Land art in the Tang dynasty. Focusing on the seventh-century Cave 209, I examine the first set of mountain panels at Dunhuang, arguing that those polychrome...
FIGURES | View All (30)
Image
Published: 01 April 2021
Figure 1. Western Pure Land Transformation Tableau, Cave 172, north wall, Mogao Caves, Dunhuang, mid-eighth century. ( Left ) Ajātaśatru Narrative; ( right ) Sixteen Meditations; ( middle ) Amitabha’s Paradise. Dunhuang Academy. More
Image
Published: 01 April 2021
Figure 6. Layout of the Pure Land scenes in Cave 431, Mogao Caves, Dunhuang. Diagram: Zhou Zhenru. More
Image
Published: 01 April 2021
Figure 26. Back of stela showing a Pure Land above and Lotus Sutra scenes below. Wanfosi, Sichuan, Chengdu, first half of the sixth century. Red sandstone, h. 119 cm, w. 65.4 cm, d. 24.8 cm. Sichuan Museum. From Zhongguo meishu quanji, weijin nanbeichao diaosu juan , pl. 63. More
Image
Published: 01 April 2021
Figure 16. Detail from Panel 2 in Figure 12 , showing Lady Vaidehī following Amitabha’s entourage into the Pure Land. More
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Published: 01 April 2021
Figure 17. The Buddha assuring Lady Vaidehī and her five hundred female attendants that they will be reborn in the Western Pure Land, Cave 431, south wall, Mogao Caves, Dunhuang, constructed ca. 525–545, repainted after 642 ce . Dunhuang Academy. More
Journal Article
Archives of Asian Art (2005) 55 (1): 1–15.
Published: 01 April 2005
... the three-quarter compositions, this essay will turn to discuss the functions of frontal compositions within the devo- tional practices of Pure Land Buddhism in the late Kory6 dynasty. Rather than asking what moments these pictures represent, I shall seek to discover how the frontal images served...
Journal Article
Archives of Asian Art (2019) 69 (1): 21–53.
Published: 01 April 2019
...Figure 11. Jigoku gokurakuzu byōbu 地獄極楽図屏風 ( Hell and Pure Land Screens ), Japan, fourteenth century. Set of two folding screens, ink and color on silk, each 101 × 84 cm. Konkaikōmyōji, Kyoto. ...
FIGURES | View All (28)
Journal Article
Archives of Asian Art (2016) 66 (1): 81–105.
Published: 01 April 2016
... of the Thousand-armed Man˜ jus´ rı¯ is Heng’an 恆安 traveled to Mt. Wutai and included the supreme enlightenment (wushang dao rather than sutra in his scriptural catalogue of 945.42 Given the rebirth in a pure land specifically, the great vows of salvific nature of the cult of Man˜ jus´rı¯ on Mt. Wutai, Man˜ jus...
Journal Article
Archives of Asian Art (2010) 60 (1): 161.
Published: 01 April 2010
... Copyright © Asia Society 2010 ERRATA Archives of Asian Art, Vol. 59 (2009) Please note the following corrections to the Sunkyung Kim article ‘‘Contesting the Lost Land, New Land, and Pure Land: Buddhist Steles...
Journal Article
Archives of Asian Art (2006) 56 (1): 61–80.
Published: 01 April 2006
... patriarch imagery was such an important component of the iconographic program. Iconographically, the Pure Land movement may help to Fig. 9. Carvings of Ananda and .11/1a11,Tkapa in Kanjingsi Cave...
Journal Article
Archives of Asian Art (2021) 71 (2): 171–190.
Published: 01 October 2021
.../Zen Buddhism . 1991; 1st Princeton paperback printing, with corrections. Princeton, NJ : Princeton University Press , 1994 . Feng, Anne . “ Water, Ice, Lapis Lazuli: The Metamorphosis of Pure Land Art in Tang China .” PhD diss., University of Chicago , 2018 . Forte, Antonino...
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Journal Article
Archives of Asian Art (2007) 57 (1): 51–94.
Published: 01 April 2007
... and Miaogao Shan, is known to enly Kings (Sitianwang). Similar groups of anomalous have formed a Pure Land society in about 1131.37 fierce martial deities are found among the Song images Members of this or a comparable local group could of several Dazu sites, such as the Fowan on Mt. Bei. well have been...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 25–56.
Published: 01 October 2015
...) in con­junc­tion with his Pure Land teach­ing as he easily­ dis­tinguished­ from the main ac­tion, which is vis­ited the sacred­ sites with which they were asso­ ­ci­at­ed.2 ­portrayed through fluid van­tage points and high­lighted According to sur­viv­ing ac­counts, his pass­ing and pre­ through...
Journal Article
Archives of Asian Art (2006) 56 (1): 81–104.
Published: 01 April 2006
... Buddha. . . ." the owner of the tomb was probably a Pure Land( )44 Buddhist devotee. But he seems to have been familiar with traditional Chinese funeral customs as well, because the last part of the inscription contains allusions to Confucianism, such as "Confucius( chose the day, `N...
Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
... almost a Amitabha is the Buddha of the Western Pure Land, the thousand years ago; as dynasties changed, the garden, land of ultimate bliss, which reinforces the symbolic too, went through constant reconstruction. To fore- meaning of the site as a paradise.26 ground the discussion of Li Keran’s...