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Pictorialism

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Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 25–59.
Published: 01 April 2017
...: first, by drawing out a critique from dispersed local studies to exert more forceful pressure on the discipline; second, by examining the pictorial strategies with which Chotu and Rahim addressed the cultural transformations of the late nineteenth century to test the field's frameworks against the...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 1–24.
Published: 01 October 2015
..., often considered to be unoriginal and conservative or utopian escapism removed from reality, has in fact engaged with the political and historical turmoil of the times. Copyright © Asia Society 2015 Lang Jingshan Pictorialism Chinese photography jijin composite photography landscape art...
Image
Published: 01 October 2018
Figure 9. Section from the Admonitions Scroll illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 16 and 17, SOAS Library; ( lower left ) Bushell, Chinese Art , 2: fig. 125. The Bodleian Library, University of Oxford; ( lower right ) Guocui xuebao More
Image
Published: 01 October 2018
Figure 9. Section from the Admonitions Scroll illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 16 and 17, SOAS Library; ( lower left ) Bushell, Chinese Art , 2: fig. 125. The Bodleian Library, University of Oxford; ( lower right ) Guocui xuebao More
Image
Published: 01 October 2018
Figure 9. Section from the Admonitions Scroll illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 16 and 17, SOAS Library; ( lower left ) Bushell, Chinese Art , 2: fig. 125. The Bodleian Library, University of Oxford; ( lower right ) Guocui xuebao More
Image
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
Image
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
Image
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 215–232.
Published: 01 October 2018
... entire northwestern region under the short-lived Northern Liang regime and later the northeast under the Northern Wei, Kucha contributed enormously to the development of Buddhist art and architecture across north China throughout the fifth century, as its unique pictorial style, iconography, and...
Journal Article
Archives of Asian Art (1 October 2018) 68 (2): 191–214.
Published: 01 October 2018
...Figure 9. Section from the Admonitions Scroll illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 16 and 17, SOAS Library; ( lower left ) Bushell, Chinese Art , 2: fig. 125. The Bodleian Library, University of Oxford; ( lower right ) Guocui xuebao...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 83–109.
Published: 01 April 2017
... literary atmosphere attracted not only poets, but also artists who were skilled in the pictorial history of the written word. 5 This essay explores the ways in which several artists and poets active in Jiangnan, including Yun Shouping 惲壽平 (1633–1690), Shitao 石濤 (1642–1707), Zhu Da 朱耷 (Bada Shanren 八大山人...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 1–32.
Published: 01 April 2018
.... Japan, early twelfth century. Brush and ink on various pasted papers” ( Figure 1 ). 6 Given that Wescher went on to reiterate the prevailing narrative of how “ the collage” emerged from the hallowed pictorial interchanges of Pablo Picasso (1881–1973) and Georges Braque (1882–1963), a medieval...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 75–92.
Published: 01 April 2014
... propaganda to mobilize and win the munist China. With their works, they transformed nian- support of the peasants (Fig. 2).3 Pointing to these early hua into a type of visual art that amalgamated a variety Communist works as a model, Shen Yanbing in his of pictorial languages, including traditional folk...
Journal Article
Archives of Asian Art (1 April 2003) 53 (1): 105–107.
Published: 01 April 2003
... research on gold and silver finds in under Alexander C. Soper at Bryn Mawr College, writing China (1983), on Bronze Age cultures of China's border- her dissertation of 1961 on early Chinese pictorial art lands (1985), and on Eurasian short swords (1988). And she from the Han through the Six Dynasties...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 35–37.
Published: 01 April 2005
....' unamenable to a unidirectional, forward-moving narrative.3 It is a story of ever-increasing mastery of pictorial tech- For Cahill, in the absence of "any pattern of continuity," niques that allowed Chinese painters to create on two- the concept of post-historical art provides a compelling dimensional...
Journal Article
Archives of Asian Art (1 April 2009) 59 (1): 81–103.
Published: 01 April 2009
..., compartmentalized compositions of eighteenth century painters were apparently expected to sometimes unrelated parts. This tolerance deserves to foreground reuse, sometimes by exaggerating discon- be the subject of focused study. tinuities among pictorial components. In this article I shall...
Journal Article
Archives of Asian Art (1 October 2014) 64 (2): 165–190.
Published: 01 October 2014
... illustrator for the Xingsu huabao, he developed an ability to represent local Tianjin customs through a ‘‘reality effect’’ developed in pictorial formulas by newspaper...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 1–25.
Published: 01 April 2013
... exorcism charted a distinctive path thus marked at both the physical and symbolic levels.3 as a pictorial motif in the burial space. Representations However, in tombs where there are many images that of semi-anthropomorphic exorcists such as Fangxiang refer to preburial rites—some by direct description...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 43–78.
Published: 01 April 2010
... described Leiyin as a devotional ground for this master and launching some small-scale projects. One very reason, nothing in its history as suggested by the possible explanation for this downturn is that the funds cave’s scriptural or pictorial contents confirms that any from Xiao Yu or the Sui empress...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 27–58.
Published: 01 April 2013
... pictorial elements that were widely associated with pre- Mughal painting, that did not derive from the Islamicate world, and that were typically associated with Hindu...