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Journal Article
Archives of Asian Art (2009) 59 (1): 33–56.
Published: 01 April 2009
... of the lı¯wa¯ n (covered prayer area) are noticeably more ornate than their counterparts in the surrounding aisles, Fig. 15. Congregational Mosque, Bayana Ukha Mandir thereby emphasizing this ritually important part of the Interior, prayer area...
Journal Article
Archives of Asian Art (2014) 64 (2): 119–163.
Published: 01 October 2014
... 129 130 ARCHIVES OF ASIAN ART Fig. 12. Wooden cores of standing figures originally part of the Ho¯ ryu¯ ji tableaux. From Ho¯ ryu¯ ji no shiho¯ : Sho¯ wa shizaicho¯ , ed. Ho¯ ryu¯ ji Sho¯ wa Shizaicho¯ Henshu¯ Iinkai, 19 vols. (Sho¯ gakkan, 1996), 3:151. Kasyapa alone arrived...
Journal Article
Archives of Asian Art (2013) 63 (1): 103–129.
Published: 01 April 2013
.... of tradition and the nationalization of women), Sahoe wa 31. Park Seobo, ‘‘Hwadan u˘ i sae o˘ lguldu˘ l—Yi Su˘ ng- yo˘ ksa 80 (December 2008): 233–46; on the valorization t’aekgun’’ (New faces in the art world—Mr. Lee Seung- of Yi Sun-shin, see Ch’oe Yo˘ n-sik, ‘‘Pak Cho˘ ng-hu˘ iu˘ i taek), Kukdo...
Journal Article
Archives of Asian Art (2010) 60 (1): 79–87.
Published: 01 April 2010
.... 8. Kim Young-ae, ‘‘Ko Yu-seop ui saeng ae wa Notes hakmun segye n. 5, p. 13. 9. Kato Tetsuhiro, ‘‘Kindai nihonni okeru bigaku 1. Jindan hakbo was published by Korean scholars...
Journal Article
Archives of Asian Art (2014) 64 (1): 3–32.
Published: 01 April 2014
... Fig. 20. Chaekgeori, detail of Fig. 19. of a Late Choso˘ n Korean Masterpiece’’ in Archives of sumer culture of the West during the eighteenth and nine- Asian Art (2006) and numerous catalogue entries in teenth centuries, see the following publications among The Art of Korea: Highlights...
Journal Article
Archives of Asian Art (2012) 62 (1): 47–67.
Published: 01 April 2012
... and Choso˘ n wangjo u˘ i munin kyehoe wa kyehoedo 高麗 및 朝 published them with his own writings. His subjects include 文人 Literary Gathering Painitngs of antiques, books, artworks, buildings, and gardens; So˘ Koryo˘ and Choso˘n Komunhwa, vol. 20 (1982), pp. 3–13. Yugu, ‘‘Iunji (Thoughts...
Journal Article
Archives of Asian Art (2010) 60 (1): 95–159.
Published: 01 April 2010
... cm. Asian Art Museum of San Francisco, 2009.25. Acquisition made possible by the Zarthosti Anjuman of Northern California, Rati Forbes, Betty N. Alberts, and members of the board of the Society for Asian Art in honor of Past President Nazneen Splied...
Journal Article
Archives of Asian Art (2013) 63 (2): 155–163.
Published: 01 October 2013
... 28. Hong Sunpyo, ‘‘Choso˘ n hugi hoehwa u˘ i ch’angjak t’aedo wa p’yohyo˘ n pangbo˘ mlon’’ (Painting attitude and 22. Ibid.: 槪從 expression methodology of late-Choso˘ n painting), in 可徵...
Journal Article
Archives of Asian Art (2011) 61 (1): 127–162.
Published: 01 April 2011
..., 2009.25. Acquisition made possible by the Zarthosti Anjuman of Northern California, Rati Forbes, Betty N. Alberts...
Journal Article
Archives of Asian Art (2009) 59 (1): 105–133.
Published: 01 April 2009
... ‘ entourage,‘ flying heavenly beings and heavenly musicians pich o˘n and chuakch o˘n, respectively). The rectangular niche on the obverse contains a seated Amita¯bha Buddha with eight attendants (Fig. 1).9 These attendants comprise, on each side of Amita¯bha, one Fig.1. Kyeyu Amita¯ bha Triad Stele...
Journal Article
Archives of Asian Art (2008) 58 (1): 137–185.
Published: 01 April 2008
.... H R NTTT FCHICAGO OF INSTITUTE ART THE 2. Chaekkori Screens. Korea. Choso˘ n dynasty. 19th c. Ink and color on paper mounted on silk brocade with wooden frame; 162.5 Â 415.2 cm. Acc. no. 2006.3. Wirt D. Walker Fund...
Journal Article
Archives of Asian Art (2019) 69 (2): 217–242.
Published: 01 October 2019
.... 8. Murata, “Kaidan shoko,” 10–11 . 9. Ibid., 11–12. 10. An, “ Samguk yusa wa Pulgyo chongp'a,” 129 . 11. I. Ch'ae, “Chajang ŭi kyeyul,” 32–35 . 12. Chang, “Han'guk sŏkcho kyedan,” 105–14 . 13. Murata, “Kaidan shoko,” 13–14 . 14. In an interesting...
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Journal Article
Archives of Asian Art (2019) 69 (1): 55–72.
Published: 01 April 2019
... dialect; the character “ wa” stands for unity and togetherness and can also designate “ Taiwa ( yamato ),” the ancient name of Japan, which was extended to mean “pure” or “original” Japan in general. Its official logo is“WAWA” written with rope, literally meaning kizuna . According to the project's...
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Journal Article
Archives of Asian Art (2012) 62 (1): 105–153.
Published: 01 April 2012
.... INDIANAPOLIS MUSEUM OF ART 127 Indianapolis Museum of Art Indianapolis, Indiana Dr. John Teramoto, Curator of Japanese Art 25. Tanaka Ryo¯ hei Snow is Coming No. 3 No. 3. Japan. Sho¯ wa period (1926–1989). 1985. Etching and aquatint on paper; image: 27.3 Â 46.0 cm...
Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
... of California, Los Angeles n their book Streams and Mountains without End: A politician and scholar Sin Sukju (1417–1475). Hwagi, INorthern Sung Handscroll and Its Significance in the or Record on Painting, describes a painting collec- History of Early Chinese Painting, published in 1967, tion owned...
Journal Article
Archives of Asian Art (2014) 64 (2): 215–286.
Published: 01 October 2014
... five-channel video installation, 15 minutes. Asian Art Museum of San Francisco, 2013.20. Acquisition made possible by The Robert H. N. Ho Family Foundation. 7. Double page from a manuscript with illustrations of tales of the last ten lives of the Buddha-to-be; left: A scene from the story...
Journal Article
Archives of Asian Art (2018) 68 (1): 1–32.
Published: 01 April 2018
... , no. 4 ( 1971 ): 3 – 10 . Paburo Pikaso: 1951 . Tokyo : Yomiuri shinbunsha , 1951 . Panofsky, Erwin . Tomb Sculpture: Four Lectures on Its Changing Aspects from Ancient Egypt to Bernini . New York : Harry N. Abrams , 1992 [1964]. Perloff, Marjorie . The Futurist Moment: Avant...
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Journal Article
Archives of Asian Art (2006) 56 (1): 81–104.
Published: 01 April 2006
... Buddha. . . ." the owner of the tomb was probably a Pure Land( )44 Buddhist devotee. But he seems to have been familiar with traditional Chinese funeral customs as well, because the last part of the inscription contains allusions to Confucianism, such as "Confucius( chose the day, `N...
Journal Article
Archives of Asian Art (2013) 63 (2): 133–154.
Published: 01 October 2013
... as a formalized complicated inscription may be translated as, ‘‘Jejjata, a ˙ space for communal rituals and as a roomy shelter for lover of stories told by his traveling companion Wa¯ghe, weary pilgrims...
Journal Article
Archives of Asian Art (2010) 60 (1): 19–42.
Published: 01 April 2010
.... Shiro¯ states that Cho¯ wa shinno¯ gyo¯ ki, quoted in the Fortunately, the honzon was saved, and it is currently Omuro so¯ sho¯ ki, also mentions the icon’s close ties to enshrined at the Reimeiden of Ninnaji. Ku¯ kai, claiming that the Shingon patriarch made the This replacement...