Skip Nav Destination
Close Modal
1-17 of 17 Search Results for
Ming loyalism
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
...Kristen Chiem Abstract From the conquest of the Ming dynasty in 1644 by the Manchurians through the literary inquisitions of the eighteenth century, seemingly innocuous paintings of peony flowers kept alive a discourse of Ming loyalism among Chinese artists and poets. While the peony's appearance...
FIGURES
| View All (14)
Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... embedded within. The inquisitional Qianlong emperor, for example, was ever sensitive about Qing authority and legitimacy, even a century after the fall of the Ming in 1644. The surname of the Ming royal family, Zhu 朱, means “red” in Chinese and the color was sometimes used to symbolize loyalism...
FIGURES
| View All (20)
Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
... of the painter's career. In style and subject matter, Birds and Flowers provides insight into Sesshū's encounter with imperial painting at the Ming academy during this time. This symbolic analysis also offers a fresh approach to deciphering the heretofore mysterious patronage context surrounding the screens...
FIGURES
| View All (16)
Journal Article
Archives of Asian Art (2004) 54 (1): 23–33.
Published: 01 April 2004
... that
century of vitality in painting and calligraphy.' The polit- military officials were, in fact, figures of consequence in
ical system, on the other hand, has been characterized as Ming society, the ways in which powerful military figures
corrupt and paralyzed by bitter factional struggles.3 may have...
Journal Article
Archives of Asian Art (2012) 62 (1): 7–24.
Published: 01 April 2012
... to the discovery of the
nal publication. I am grateful to Jerome Silbergeld, who Huai’an tomb paintings, responses that could be sum-
championed its publication here, and to Stanley Abe, marized as ‘‘Now we see that these early Ming Academy
the editor of Archives, who agreed and enabled it. masters, whom we...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 87–115.
Published: 01 October 2015
... Hall at the Lu Family Tusi 91
reinforced the Lu clan’s new identity as loyal subjects of A Tibetan Buddhist Center
the Ming Empire. The outward gesture of alle giance
was likely neces sary given the somewhat shaky polit ical Already by the early fifteenth century...
Journal Article
Archives of Asian Art (2006) 56 (1): 31–60.
Published: 01 April 2006
...,
neither treated me better before my banishment nor worse after- and flood control.'9 The title suggests that He's compila-
ward. Therefore, although the sage would not praise you for the tion emulated the Ming royalist and Donglin social
former [ordinary treatment], you would deserve his praise...
Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... ( yaobian ) glazes Jun ware Qing-dynasty ceramics Qianlong material culture copper-red glazes porcelain The Tiangong kaiwu 天工開物 (Exploitation of the Works of Nature; 1637), the widely cited late-Ming encyclopedia detailing technology, material culture, and the manufacture of goods, records...
FIGURES
| View All (25)
Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
... something unusual. [The fans] aren't worth talking about.” 104 This attitude toward Song fan paintings came from elite aficionados trying to assert boundaries of taste and social signification; however, their concerns about the aesthetic merits of Song fans did not prevent a few Ming collectors from...
FIGURES
| View All (28)
Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
... (fl. mid-eighteenth c.) advocated visiting stele in situ. But he credited the early-Qing scholar Gu Yanwu (1613–1682) as the first to visit steles in situ. Tseng, “Between Printing and Rubbing,” 279 . 20. All are reproduced in Qin Ming, Penglai suyue . Three are in the collection...
FIGURES
| View All (20)
Journal Article
Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
... Yuan dynasty poems that express ideas there was no issue of undermining ‘‘loyalism’’ to the lost
similar to Fang Hui’s include, for example, ‘‘Panche tu’’ dynasty. These Qing scholars were not yimin 遺民 or
by Yu Ji 虞集 (1272–1348) and ‘‘Xueshan panche tu’’ loyalists of the Ming dynasty...
Journal Article
Archives of Asian Art (2024) 74 (1): 1–36.
Published: 01 April 2024
... an effective tool for communicating the subtle lament in his painting. Figure 26. Spring purification gathering at the Orchid Pavilion (detail), first section (with scene of Wang Xizhi watching geese), late Ming dynaty (1368–1644), ca. 1616, rubbing of a stone engraving based on a painting by Li...
FIGURES
| View All (32)
Journal Article
Archives of Asian Art (2022) 72 (1): 75–95.
Published: 01 April 2022
...), whose seals appear on the scroll, as do a couple belonging to the prominent mid-Ming collector Li Tingxiang 李廷相 (1481–1544). The last documentation to appear on the scroll is an inscription of 1614 by the scholar and official Guo Chang 郭淐 (1563–1622), followed by two seals (see Figure 5 ). The studio...
FIGURES
| View All (18)
Journal Article
Archives of Asian Art (2007) 57 (1): 1–21.
Published: 01 April 2007
..., satire, and historical allegory.
In 1965 Mao’s wife, Jiang Qing, insisted that Wu Han’s Fig.1. Small poster. Caption above: ‘‘Our country has a popu-
play on the loyal Ming-dynasty official Hai Rui (Hai lation of 700 million and the working class is the leadership
Rui Dismissed from Office) be condemned...
Journal Article
Archives of Asian Art (2018) 68 (1): 47–66.
Published: 01 April 2018
..., Daughters, and Lovers: Three Ming Dynasty Women Painters .” In Views from Jade Terrace: Chinese Women Artists, 1300–1912 , edited by Marsha Weidner , 31 – 39 . Indianapolis : Indianapolis Museum of Art , 1988 . Lee, Jawon . “ Collecting ‘National Art’: O Sech'ang's Art Collection in Early...
FIGURES
| View All (14)
Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
...: as an auspicious, and possibly decorative arts. She begins her discussion of Cranes of Good
efficacious, image. Omen by remarking: "A very unusual painting. At first
Huizong's inscription identifies this work with a xiangrui glance one would think it a folk painting of Ming...
Journal Article
Archives of Asian Art (2016) 66 (1): 51–80.
Published: 01 April 2016
... on the seventeenth, stay-
by the second essay titled ‘‘Danwon u’ilbon’’ (One more ing for only three days in the Diamond Mountains owing
record of Danwon). Gang Se-hwang believed that because to his physical limitations. Impressed by the sketches
Kim admired the Chinese Ming dynasty scholar-painter Li brought...
