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Journal Article

More Than Mere Diversion: Painting and Tihuashi in the Life of Luo Qilan

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De-Nin D. Lee
Archives of Asian Art (2017) 67 (1): 61–82.
DOI: https://doi.org/10.1215/00666637-3788645
Published: 01 April 2017
...De-Nin D. Lee Abstract Whereas texts on painting by Chinese literati have had a profound impact on art history, women's writings are almost unknown. This article examines poems by the Qing-dynasty poet-painter Luo Qilan (b. 1755), using her as a case study to argue for a literatae tradition...
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View articletitled, More Than Mere Diversion: Painting and Tihuashi in the Life of <span class="search-highlight">Luo</span> <span class="search-highlight">Qilan</span> View PDF for article titled, More Than Mere Diversion: Painting and Tihuashi in the Life of <span class="search-highlight">Luo</span> <span class="search-highlight">Qilan</span>
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Figure 1. Luo Qilan (China, b. 1755), Herbaceous Peony, 1795. Inscription by Wang Wenzhi (1730–1802). Hanging scroll, ink and colors on paper, 85.7 × 39 cm. Photograph: © The Palace Museum, Beijing; all rights reserved.

Luo Qilan (China, b. 1755), Herbaceous Peony , 1795. Inscription by Wang W...

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in More Than Mere Diversion: Painting and Tihuashi in the Life of Luo Qilan > Archives of Asian Art
Published: 01 April 2017
Figure 1. Luo Qilan (China, b. 1755), Herbaceous Peony , 1795. Inscription by Wang Wenzhi (1730–1802). Hanging scroll, ink and colors on paper, 85.7 × 39 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. More
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Figure 2. Luo Qilan (China, b. 1755), Orchids after Yun Shouping, n.d. Fan, colors on paper, 20.3 × 50.5 cm. Cheng Xun Tang Collection.

Luo Qilan (China, b. 1755), Orchids after Yun Shouping , n.d. Fan, colors ...

Available to Purchase
in More Than Mere Diversion: Painting and Tihuashi in the Life of Luo Qilan > Archives of Asian Art
Published: 01 April 2017
Figure 2. Luo Qilan (China, b. 1755), Orchids after Yun Shouping , n.d. Fan, colors on paper, 20.3 × 50.5 cm. Cheng Xun Tang Collection. More
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Figure 3. Luo Qilan (China, b. 1755), Irises and China Asters from Album of Flowers and Plants, n.d. Inscription by Wang Wenzhi (1730–1802). One of eight album leaves, ink and colors on paper, 29 × 27 cm. Photograph: © The Palace Museum, Beijing; all rights reserved.

Luo Qilan (China, b. 1755), Irises and China Asters from Album of Flower...

Available to Purchase
in More Than Mere Diversion: Painting and Tihuashi in the Life of Luo Qilan > Archives of Asian Art
Published: 01 April 2017
Figure 3. Luo Qilan (China, b. 1755), Irises and China Asters from Album of Flowers and Plants , n.d. Inscription by Wang Wenzhi (1730–1802). One of eight album leaves, ink and colors on paper, 29 × 27 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. More
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Figure 7. Detail of Ding Yicheng (China, d. after 1811), [Luo Qilan] Viewing Mount Ping in Springtime (Pingshan chunwang tu), before 1795. Handscroll, ink and colors on paper, 39.6 × 135.7 cm. Photograph: © The Palace Museum, Beijing; all rights reserved.

Detail of Ding Yicheng (China, d. after 1811), [Luo Qilan] Viewing Mount P...

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in More Than Mere Diversion: Painting and Tihuashi in the Life of Luo Qilan > Archives of Asian Art
Published: 01 April 2017
Figure 7. Detail of Ding Yicheng (China, d. after 1811), [Luo Qilan] Viewing Mount Ping in Springtime (Pingshan chunwang tu) , before 1795. Handscroll, ink and colors on paper, 39.6 × 135.7 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. More
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Figure 12. Detail of Master Cui (China, n.d.), A Group Portrait of Luo Qilan, Qian Lin, and Cao Ciqing, ca. late 18th century. [Mounted after You Zhao and Wang Gong, Yuan Mei and His Female Students.] Handscroll, ink and color on silk, 41 × 302.5 cm. Private collection. Photograph: © Christie’s Images, Bridgeman Images.

Detail of Master Cui (China, n.d.), A Group Portrait of Luo Qilan, Qian Li...

Available to Purchase
in More Than Mere Diversion: Painting and Tihuashi in the Life of Luo Qilan > Archives of Asian Art
Published: 01 April 2017
Figure 12. Detail of Master Cui (China, n.d.), A Group Portrait of Luo Qilan, Qian Lin, and Cao Ciqing , ca. late 18th century. [Mounted after You Zhao and Wang Gong, Yuan Mei and His Female Students .] Handscroll, ink and color on silk, 41 × 302.5 cm. Private collection. Photograph: © More
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Figure 8. Colophons by Wang Wenzhi (1730–1802), including his transcription of Luo Qilan’s “Viewing Mount Ping in Springtime,” a poem of his own, and a record of the visit and Ding Yicheng’s portrait of Luo, for the handscroll illustrated in Figure 7. Photograph: © The Palace Museum, Beijing; all rights reserved.

Colophons by Wang Wenzhi (1730–1802), including his transcription of Luo Qi...

Available to Purchase
in More Than Mere Diversion: Painting and Tihuashi in the Life of Luo Qilan > Archives of Asian Art
Published: 01 April 2017
Figure 8. Colophons by Wang Wenzhi (1730–1802), including his transcription of Luo Qilan’s “Viewing Mount Ping in Springtime,” a poem of his own, and a record of the visit and Ding Yicheng’s portrait of Luo, for the handscroll illustrated in Figure 7 . Photograph: © The Palace Museum, Beijing More