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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 1. Louis Kahn (1901–1974), Dhaka National Assembly. Photograph: Susannah Cramer-Greenbaum, 2006.
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 8. Louis Kahn Architecture office, working on the model of the Assembly complex. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1967.
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 11. Louis Kahn Architecture Office, drawing of the Ayub Nagar Gate. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1967.
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 12. Dhaka construction site. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1967.
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 13. Telegram terminating contract, 27 March 1971. Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1971.
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Journal Article
Archives of Asian Art (2023) 73 (1): 55–77.
Published: 01 April 2023
...Figure 1. Louis Kahn (1901–1974), Dhaka National Assembly. Photograph: Susannah Cramer-Greenbaum, 2006. ...
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in How Much Agency Does Architecture Have?: How Bangladeshis Reclaimed the National Assembly in Dhaka
> Archives of Asian Art
Published: 01 April 2023
Figure 14. National Assembly building after Liberation War, showing damage from crashed plane. Photograph: Louis I. Kahn Collection, University of Pennsylvania and Pennsylvania Historical and Museum Commission, 1972.
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Journal Article
Archives of Asian Art (2010) 60 (1): 95–159.
Published: 01 April 2010
... and Kathleen Bissinger; Hok Pui
and Sally Yu Leung; Fred M. and Nancy Livingston Levin—The Shenson Foundation; Rhoda and Richard Mesker; Anne and Tim
Kahn; Betty and Bruce Alberts; Dr. Stephen A. and Merrill Randol Sherwin; Robert L. Speer and John Wong; and museum purchase...
Journal Article
Archives of Asian Art (2018) 68 (2): 111–132.
Published: 01 October 2018
... and improvised visual-cultural production was the antithesis of modernist masterworks by Le Corbusier and Louis Kahn, who had important commissions in India during the 1960s and whose ideas were influential in architectural practice and the art world. Paan Shop cites the makers of advertisements and billboards...
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Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
...- entry by John Finlay. Special thanks to John Finlay for
sonal communication, 30 June 2011). See James C. Y. this detail.
Watt, ‘‘Antiquarianism and Naturalism in Wen C. Fong 31. Cf., for example, Harold L. Kahn, Monarchy in
and James C. Y. Watt, Possessing the Past, pp. 239–40...
Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... History 38 , no. 2 ( 2015 ): 286 – 303 . Jones, Christine A. “ The Hidden Life of Porcelainiers in Eighteenth-Century France .” Eighteenth-Century Fiction 23 , no. 2 ( 2010–11 ): 381 – 408 . Kahn, Harold L. “ A Matter of Taste: The Monumental and Exotic in the Qianlong Reign...
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