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Landscape

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Journal Article
Archives of Asian Art (2021) 71 (1): 1–36.
Published: 01 April 2021
...Anne N. Feng Abstract This paper reconsiders how and why the representation of landscape became an increasingly central component of Pure Land art in the Tang dynasty. Focusing on the seventh-century Cave 209, I examine the first set of mountain panels at Dunhuang, arguing that those polychrome...
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 1–24.
Published: 01 October 2015
...Mia Yinxing Liu Abstract This paper examines Lang Jingshan's landscape photography in its historical and political contexts. Tracing Lang's oeuvre from Shanghai to Chongqing to Taiwan, it also studies how the pictures were commissioned, made, and perceived. I argue that Lang's photographic art...
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Published: 01 April 2021
Figure 13. Panel 3: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209, south wall around altar spaces, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy. Figure 13. Panel 3: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209 More
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Published: 01 April 2021
Figure 14. Panel 4: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209, north wall around altar spaces, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy. Figure 14. Panel 4: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209 More
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Published: 01 April 2017
Figure 14. Detail of Huang Yuanjie (China, mid-17th c.), Landscape in the Manner of Huang Gongwang , 1651. Handscroll, ink on paper, 25.1 × 37.2 cm. Photograph: © The Palace Museum, Beijing; all rights reserved. Figure 14. Detail of Huang Yuanjie (China, mid-17th c.), Landscape in the Manner More
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Published: 01 October 2017
15. Sun Junze (Chinese, active 14th c.), Landscape with Buildings , China, Yuan dynasty (1279–1368), early fourteenth century. Hanging scroll; ink and color on silk, 185.2 × 112.4 cm. University of California, Berkeley Art Museum and Pacific Film Archive, 2016.4. Gift of Sarah Cahill, in memory More
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Published: 01 October 2017
22. Nahan (Chinese, Luohan) Standing in a Landscape Viewing an Ink-Painted Scroll Depicting a Seated Bodhisattva While Assisted by an Elderly Male Attendant , Korea, Chosōn dynasty (1392–1910), eighteenth–early nineteenth century. Section of a hanging scroll mounted on a panel and framed; ink More
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Published: 01 October 2017
49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More
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Published: 01 October 2017
49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More
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Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
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Published: 01 October 2017
56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More
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Published: 01 April 2018
Figure 18. The “Tōji” Landscape Screen, eleventh century. Six-panel folding screen, ink and pigment on silk, each panel 146.4 × 42.7  cm. Tōji (a.k.a. Kyōōgokokuji) and the Kyoto National Museum. Photograph: © Kyoto National Museum. Note the rectangular cartouche in the upper left corner More
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Published: 01 April 2018
Figure 8. Yang P'aengson (1480–1545), Landscape , first half of sixteenth century. Hanging scroll, ink on paper, image 88.2 × 46.5  cm. The National Museum of Korea, Seoul. Photograph: courtesy of the National Museum of Korea. Figure 8. Yang P'aengson (1480–1545), Landscape, first half More
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Published: 01 October 2019
Figures 10a–c. Dong Qichang (Chinese, 1555–1636), Landscape after Juran and Calligraphy (details), sixteenth–seventeenth century. Handscroll; ink on satin, 24.2 × 226.3 cm. Museum of Fine Arts, Boston. Gift of the Wan-go H. C. Weng Collection and the Weng family, in memory of Virginia Dzung More
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Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
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Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
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Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More
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Published: 01 October 2018
Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall. Okuhara Seikō More
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Published: 01 October 2018
Vase with a Scholar in a Landscape , China, Ming dynasty (1368–1644), Chongzhen period (1628–44), seventeenth century. Porcelain with cobalt blue under clear glaze (Jingdezhen ware), 44.5 × 12.5 cm). Yale University Art Gallery, 2017.72.1. Leonard C. Hanna, Jr., Class of 1913, Fund. Vase More
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Published: 01 October 2017
42. Coffer with Animals and Landscapes , Japan, Momoyama period (1573–1615), late sixteenth–early seventeenth century. Lacquered wood with gold and silver hiramaki-e and mother-of-pearl inlay, 63.5 × 125 × 54.5 cm. The Metropolitan Museum of Art, 2016.508. Purchase, John and Pauline Gandel Gift More