Figure 12. Attributed to Yang Sheng, Landscape (detail), seventeenth century. Handscroll; ink and colors on silk, 30.3 × 184.2 cm. The Collection of National Palace Museum. More

Figure 13. Dong Qichang, Boneless Landscape after Yang Sheng , 1615. Hanging scroll; ink and colors on silk, 76.8 × 34.3 cm. Nelson-Atkins Museum of Art, Kansas City, Missouri, Purchase: William Rockhill Nelson Trust, 58-46. Photograph: © The Nelson Gallery Foundation, Gabe Hopkins. More

Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More

Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More

Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui More

Okuhara Seikō (Japanese, 1837–1913), Autumn Landscape , Japan, Meiji period (1868–1912), 1911. Hanging scroll; ink and colors on paper; image 126.37 × 51.12 cm, mount 198.76 × 72.39 cm. Los Angeles County Museum of Art, M.2016.299. Gift of Stephen Addiss in honor of Hollis Goodall. More

Vase with a Scholar in a Landscape , China, Ming dynasty (1368–1644), Chongzhen period (1628–44), seventeenth century. Porcelain with cobalt blue under clear glaze (Jingdezhen ware), 44.5 × 12.5 cm). Yale University Art Gallery, 2017.72.1. Leonard C. Hanna, Jr., Class of 1913, Fund. More

Figures 10a–c. Dong Qichang (Chinese, 1555–1636), Landscape after Juran and Calligraphy (details), sixteenth–seventeenth century. Handscroll; ink on satin, 24.2 × 226.3 cm. Museum of Fine Arts, Boston. Gift of the Wan-go H. C. Weng Collection and the Weng family, in memory of Virginia Dzung More

15. Sun Junze (Chinese, active 14th c.), Landscape with Buildings , China, Yuan dynasty (1279–1368), early fourteenth century. Hanging scroll; ink and color on silk, 185.2 × 112.4 cm. University of California, Berkeley Art Museum and Pacific Film Archive, 2016.4. Gift of Sarah Cahill, in memory More

22. Nahan (Chinese, Luohan) Standing in a Landscape Viewing an Ink-Painted Scroll Depicting a Seated Bodhisattva While Assisted by an Elderly Male Attendant , Korea, Chosōn dynasty (1392–1910), eighteenth–early nineteenth century. Section of a hanging scroll mounted on a panel and framed; ink More

49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More

49. Irie Shikai (1862–1940?), Volcanic Landscape , Taishō period (1912–1926), 1916. Pair of six-panel folding screens; ink, color, gold, and gofun on silk, image 171.13 × 373.38 × 1.91 cm, outer frame 174.94 × 377.19 × 1.91 cm. Minneapolis Institute of Art, 2016.88.1–2. The Mary Griggs Burke More

56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More

56. Hashimoto Gahō (Japanese, 1835–1908), Landscape , Japan, Meiji period (1868–1912), ca. 1903. Ink and gold on paper mounted as a pair of two-fold screens, each (open) 172 × 186 cm. Philadelphia Museum of Art, 2016–194–12a, 2016–194–12b. Purchases with the Hollis Fund for East Asian Art More

Figure 8. Yang P'aengson (1480–1545), Landscape , first half of sixteenth century. Hanging scroll, ink on paper, image 88.2 × 46.5  cm. The National Museum of Korea, Seoul. Photograph: courtesy of the National Museum of Korea. More

Figure 18. The “Tōji” Landscape Screen, eleventh century. Six-panel folding screen, ink and pigment on silk, each panel 146.4 × 42.7  cm. Tōji (a.k.a. Kyōōgokokuji) and the Kyoto National Museum. Photograph: © Kyoto National Museum. Note the rectangular cartouche in the upper left corner More

Figure 13. Panel 3: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209, south wall around altar spaces, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy. More

Figure 14. Panel 4: Lady Vaidehī Meeting the Buddha in Landscape, Ajātaśatru Narrative, Cave 209, north wall around altar spaces, Mogao Caves, Dunhuang, mid-seventh century. Dunhuang Academy. More