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Korean painting

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Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 155–163.
Published: 01 October 2013
...Hong Sunpyo Copyright © Asia Society 2013 O Sech’ang’s Compilation of Ku˘ nyo˘ kso˘ hwa sa (History of Korean painting and calligraphy) and the Publication of Ku˘ nyo˘ kso˘ hwa ching (Biographical...
Journal Article
Archives of Asian Art (1 April 2011) 61 (1): 107–126.
Published: 01 April 2011
... painting and Hwagi lies in the role Prince Anpyeong Gyeon (act. ca. 1440–ca. 1470) for his patron, Prince himself played. He acted as patron of the court painter Anpyeong (1418–1453): ‘‘Such a retardataire art, whether and commissioned Dream Journey to the Peach Blossom Korean or Chinese, is difficult to...
Journal Article
Archives of Asian Art (1 April 2010) 60 (1): 79–87.
Published: 01 April 2010
... individualistic. He one of his few studies of Korean painting, Ko dealt professed that art of the Goryeo period—which he primarily with early Joseon works. Perhaps he showed described as hedonistic as well as painterly—was pro- only slight interest in painting because important exam- duced at a time when the...
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 31–60.
Published: 01 April 2006
...Sung Lim Kim Copyright © Asia Society 2005 Chong-hui (1786-1856) and Sehando: The Evolution of a Late Choson Korean Masterpiece SUNG LIM KIM ASIAN ART MUSEUM OF SAN FRANCISCO im Chong-11Th (1786-1856) (Fig. 1) is best which Kim painted in...
Image
Published: 01 April 2018
Figure 5. Song Siyŏl, “Colophon for Saimdang's Painting of Orchids,” in his collected works Songja taejŏn , ch. 146, 6b–7a. Photograph: courtesy of the Kyujanggak Institute of Korean Studies. Figure 5. Song Siyŏl, “Colophon for Saimdang's Painting of Orchids,” in his collected works Songja More
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 47–66.
Published: 01 April 2018
...Figure 5. Song Siyŏl, “Colophon for Saimdang's Painting of Orchids,” in his collected works Songja taejŏn , ch. 146, 6b–7a. Photograph: courtesy of the Kyujanggak Institute of Korean Studies. Figure 5. Song Siyŏl, “Colophon for Saimdang's Painting of Orchids,” in his collected works Songja...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 165–178.
Published: 01 October 2013
... Korean). [yeontae@korea.kr] 2006, ed. Kazuya Yamaguchi, Yoko Taniguchi, and Tomoko Uno (London: Archetype Publications, 2007), 137–38. Cheon Juhyun is Associate Conservator of Painting and 5. Kagawa Mokushiki ed.,Saiiki ko¯ ko...
Journal Article
Archives of Asian Art (1 April 2017) 67 (1): 1–24.
Published: 01 April 2017
... chosen and how they were depicted, to ensure that they could maximize their effect in celebrating the military excellence of the Minamoto warriors. Moreover, they tried to shape how Korean viewers understood the paintings by adding explanations that emphasized this theme. 16 While the military...
Journal Article
Archives of Asian Art (1 April 2019) 69 (1): 73–101.
Published: 01 April 2019
... widely read manual on paintings, Guo Ruoxu 郭若虛 (active 1070–1075) discusses the finely wrought paintings of various subjects on Korean and Japanese folding fans that appeared on the market in the Northern Song (960–1127). 36 By the Southern Song period, specialty shops selling domestically produced...
Journal Article
Archives of Asian Art (1 October 2016) 66 (2): 153–185.
Published: 01 October 2016
...Jessica Lee Patterson Abstract Reverse glass paintings, a form of Chinese export art, were extensively traded in the nineteenth century. Several examples are on display in prominent Thai Buddhist monasteries in Bangkok. King Nangklao of Siam, Rama III, encouraged Sino-Siamese trade that brought...
Journal Article
Archives of Asian Art (1 April 2008) 58 (1): 113–133.
Published: 01 April 2008
..., Academy of Korean Studies, Seongnam, Gyeonggi Province, Korea. cused from work that year, but was employed in 1713 when King Sukjong’s portrait was painted. Moral pre- cepts also barred Sim Sa-jeong (1707–1769) from serv- other contexts, such as...
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 51–80.
Published: 01 April 2016
...Kumja Paik Kim Abstract The eighteenth-century Korean painter Kim Hong-do 金弘道 (1745–ca. 1806) still dazzles today's viewers with his paintings of genre scenes and Daoist immortals, just as he astonished his contemporaries with his talent and versatility. Although he had numerous patrons, none had...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 3–32.
Published: 01 April 2014
...- combined it with the traditional Chinese painting sub- Tteenth and nineteenth centuries was a worldwide jects of antiques and symbolic flowers and fruits. phenomenon, fueled by the industrialization, commer- Second, Korean chaekgeori, as its name implies, in- cialization, and urbanization of the West...
Journal Article
Archives of Asian Art (1 April 2014) 64 (1): 1–2.
Published: 01 April 2014
... jerome silbergeld Princeton University haekgeori is a genre of Korean painting with a long Palace in Gubbio, completed in 1482 and now in the Cgenealogical record. Popular in the eighteenth and Metropolitan Museum: a breathtaking masterpiece of...
Journal Article
Archives of Asian Art (1 April 2013) 63 (1): 103–129.
Published: 01 April 2013
... juxtapositions or combinations that implied on his as suggested in the ways that Korean audiences insisted part a critical interest in the gap between the intended on classifying artworks according to medium categories meaning or use of an object and its actual embodiment. such as painting or sculpture. That...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 237–242.
Published: 01 October 2015
...”­ Jerome Silbergeld Prince­ton University haekgeori is a genre of Korean painting with a long Gubbio, completed in 1482 and now in the Metropolitan Cgenealogical record.­ Popular­ in the eighteenth­ and Museum: a breathtaking masterpiece of intarsia...
Journal Article
Archives of Asian Art (1 April 2006) 56 (1): 81–104.
Published: 01 April 2006
... by region. THE PYoNGYANG(TrA) AND ANAK( ) REGIONS DURING THE FOURTH Fig. i. Plane figure of the understructure. Anak Tomb 3. AND FIFTH CENTURIES Among early Kogury6 tomb murals Anak Tomb 3 ber a fighting scene was painted. On the wall west...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 1–15.
Published: 01 April 2005
... identified as Korean,'4 but some scholars have con- not been refuted.i3 If correct, it explains the appearance tested that attribution.'s Unlike typical Koryo Buddhist of Ksitigarbha in this Ho-am Welcoming Descent painting paintings, the picture contains little decorative detail (see F. 3): his...
Journal Article
Archives of Asian Art (1 April 2012) 62 (1): 47–67.
Published: 01 April 2012
... the modern Koreans Kim Hongdo is probably the best- word as the artist’s sobriquet (K: ho; C: hao). For this known premodern painter. He has long been loved and reason, the original title of the painting, Tanwo˘ n-do admired as a great artist whose work embodies an Picture of Sandalwood...
Journal Article
Archives of Asian Art (1 October 2013) 63 (2): 211–213.
Published: 01 October 2013
... less his- key role that the Korean peninsula played in the forma- torically significant, temple of Ho¯ ryu¯ ji in Nara. As he tion of early Japanese Buddhist images, well before worked on this project, new material was unearthed in Korean art history became a burgeoning field in the an ongoing series...