...Hong Sunpyo Copyright © Asia Society 2013 O Sech’ang’s Compilation of Ku˘ nyo˘ kso˘ hwa sa (History of Korean painting and calligraphy) and the Publication of Ku˘ nyo˘ kso˘ hwa ching (Biographical...

...Kumja Paik Kim Abstract The eighteenth-century Korean painter Kim Hong-do 金弘道 (1745–ca. 1806) still dazzles today's viewers with his paintings of genre scenes and Daoist immortals, just as he astonished his contemporaries with his talent and versatility. Although he had numerous patrons, none had...

... blossoms, represent the virtues of an upright (Confucian) scholar. Because orchids are also thought to be particularly elegant, Song Siyŏl may have considered them a more fitting subject matter for a female painter. 42 Copyright © 2018 Asia Society 2018 Sin Saimdang Korean painting female...

...- combined it with the traditional Chinese painting sub- Tteenth and nineteenth centuries was a worldwide jects of antiques and symbolic flowers and fruits. phenomenon, fueled by the industrialization, commer- Second, Korean chaekgeori, as its name implies, in- cialization, and urbanization of the West...

... jerome silbergeld Princeton University haekgeori is a genre of Korean painting with a long Palace in Gubbio, completed in 1482 and now in the Cgenealogical record. Popular in the eighteenth and Metropolitan Museum: a breathtaking masterpiece...

...”­ Jerome Silbergeld Prince­ton University haekgeori is a genre of Korean painting with a long Gubbio, completed in 1482 and now in the Metropolitan Cgenealogical record.­ Popular­ in the eighteenth­ and Museum: a breathtaking masterpiece of intarsia...

... to paintings. In Joseon hwaron jipseong (A strong communal spirit, in contrast to contemporary Collection of Essays on Joseon-period Painting Theories), Goryeo, which was aristocratic and individualistic. He one of his few studies of Korean painting, Ko dealt professed that art of the Goryeo period—which he...

... have been discovered whose murals show a direct link in con- tents, period, or painting techniques to the tomb murals of the PyOngyang and Anak regions. Relatively early mural tombs ofJi'an and Huanren regions include the Gakjdchong (Tomb of the Korean Wrestling Scene, A4Ltig...

.... Saifuku-ji in Tsuruga, Fukui Prefecture, Japan, complex in theYokokawa area on Mt. Hiei.38 The same four owns a fine Korean painting depicting Kannon and Jizo divinities, centered around a golden Amida at Toclai-ji, are standing side by side beneath a small canopy (Fig. i o). The mentioned in Tudai-ji...

... on juxtapositions or combinations that implied on his as suggested in the ways that Korean audiences insisted part a critical interest in the gap between the intended on classifying artworks according to medium categories meaning or use of an object and its actual embodiment. such as painting or sculpture...

..., or waejang, mountings. (The theme itself was not fies the numerous extant colorful screen paintings of the new, having entered Korean art during the Goryeo dy- late Joseon period as ‘‘minhwa or folk painting. The nasty [918–1392 Some of the extant screens of this term minhwa, as defined and understood...

... An painting and Hwagi lies in the role Prince Anpyeong Gyeon (act. ca. 1440–ca. 1470) for his patron, Prince himself played. He acted as patron of the court painter Anpyeong (1418–1453): ‘‘Such a retardataire art, whether and commissioned Dream Journey to the Peach Blossom Korean or Chinese, is difficult...

...Sung Lim Kim Copyright © Asia Society 2005 Chong-hui (1786-1856) and Sehando: The Evolution of a Late Choson Korean Masterpiece SUNG LIM KIM ASIAN ART MUSEUM OF SAN FRANCISCO im Chong-11Th (1786-1856) (Fig. 1) is best which Kim painted...

... assertion has been seconded by evoking a direct psychological response. This painting was Kyu-won Kim and, to the best of my knowledge, has so far once identified as Korean,'4 but some scholars have con- not been refuted.i3 If correct, it explains the appearance tested that attribution.'s Unlike...

... the modern Koreans Kim Hongdo is probably the best- word as the artist’s sobriquet (K: ho; C: hao). For this known premodern painter. He has long been loved and reason, the original title of the painting, Tanwo˘ n-do admired as a great artist whose work embodies an Picture of Sandalwood Garden can...

... Stephen Little, Florence and Harry Sloan Curator of Chinese Art and Department Head, Chinese and Korean Art Hollis Goodall, Curator, Japanese Art Robert T. Singer, Curator and Department Head, Japanese Art Young-Il Ahn (Korean, b. 1934), Water S-397 , Korea, 1997. Oil on canvas, 111.8...

... and Analysis of Wall Paint- of the 29th Annual International Symposium on the Con- ing Fragments of Goguryeo in the National Museum of servation and Restoration of Cultural Property, National Korea Bangmulgwan bojon gwahak, vol. 14, 2013 (in Research Institute for Cultural Properties, Tokyo, January Korean...

... that the Korean peninsula played in the forma- torically significant, temple of Ho¯ ryu¯ ji in Nara. As he tion of early Japanese Buddhist images, well before worked on this project, new material was unearthed in Korean art history became a burgeoning field in the an ongoing series of excavations at Kibi Pond...

... , 2007 . McBride, Richard D. , II. “ Koryŏ Buddhist Paintings and the Cult of Amitābha: Visions of a Hwaŏm-Inspired Pure Land .” Journal of Korean Religions 6 , no. 1 ( 2015 ): 93 – 130 . Mitsuoka Tadanari 満岡忠成 . Himeji han'yō Tōzanyaki 姫路藩窯東山焼. Tokyo : Hikari Bijutsu Kōgei , 1975...