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Figure 3. Katherine Carl (American, 1965–1938), Portrait of the Empress Dowager Cixi, 1903 (completed in China). Oil on canvas with camphor wood frame, 505.8 × 262.9 × 142.2 cm (frame assembled). Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Transfer from the Smithsonian American Art Museum, S2011.16.1-2a-ap.

Katherine Carl (American, 1965–1938), Portrait of the Empress Dowager Cixi...

in Between Concealment and Revelation: Empress Dowager Cixi's Experiments with Representation > Archives of Asian Art
Published: 01 April 2022
Figure 3. Katherine Carl (American, 1965–1938), Portrait of the Empress Dowager Cixi , 1903 (completed in China). Oil on canvas with camphor wood frame, 505.8 × 262.9 × 142.2 cm (frame assembled). Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Transfer from the Smithsonian More
Journal Article

Between Concealment and Revelation: Empress Dowager Cixi's Experiments with Representation

Yi Yi Mon (Rosaline) Kyo
Archives of Asian Art (2022) 72 (1): 97–127.
DOI: https://doi.org/10.1215/00666637-9577718
Published: 01 April 2022
...Figure 3. Katherine Carl (American, 1965–1938), Portrait of the Empress Dowager Cixi , 1903 (completed in China). Oil on canvas with camphor wood frame, 505.8 × 262.9 × 142.2 cm (frame assembled). Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC: Transfer from the Smithsonian...
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Journal Article

Translating Sacred Space in Bijāpur: The Mosques of Karīm al-Dīn and Khwāja Jahān

Katherine E. Kasdorf
Archives of Asian Art (2009) 59 (1): 57–80.
DOI: https://doi.org/10.1353/aaa.0.0009
Published: 01 April 2009
..., 1986), pp. 58–75; George 11. See Cousens, Bı¯ja¯ pur, p. 43. For the traditions Michell and Mark Zebrowski, Architecture and Art of the associated with Pı¯r Ma‘barı¯ K’handa¯’it, see Eaton, Sufis of Deccan Sultanates, vol. 1.7 of The New Cambridge His- Bijapur, pp. 27–31; Carl Ernst...
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Journal Article

Interpreting the Eye ( ‘ain ): Poetry and Painting in the Shrine of Aḥmad Shāh al-Walī al-Bahmanī (r. 1422–1436)

Vivek Gupta
Archives of Asian Art (2017) 67 (2): 189–208.
DOI: https://doi.org/10.1215/00666637-4229701
Published: 01 October 2017
..., 1300–1600 . New Delhi : Oxford University Press , 2014 . Ernst, Carl W. “ Sufism and the Aesthetics of Penmanship in Sirāj al-Shīrāzī's ‘Tuḥfat al-Muḥibbīn’ (1454) .” Journal of the American Oriental Society 129 , no. 3 ( 2009 ): 431 – 42 . Firishta, Muḥammad Qāsim . History...
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Journal Article

Reuse and Iconoclasm in the Medieval Deccan: A City Gate and a Sufi Shrine at Daulatabad

Mohit Manohar
Archives of Asian Art (2024) 74 (2): 197–231.
DOI: https://doi.org/10.1215/00666637-11483450
Published: 01 October 2024
... on accounts written well after the events they purport to describe. 102 Carl Ernst has cautioned that such accounts should be viewed as “belonging to the late evolution of mixed political and religious hagiographies, rather than as evidence for the self-image of Sufis.” 103 Yet as Shahid Amin has...
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