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Hua Yan
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Image
Published: 01 October 2023
Figure 14. Book of Sudhana from the Garland Sutra (Hua-yan Ching Pu-hsien Hsing-yuan Pin), late sixteenth century. Woodblock prints on paper, 40.8 × 11.11 × 1.59 cm. Minneapolis Institute of Art, Gift of Ruth and Bruce Dayton, 98.71. Artwork in the public domain. Photograph: Minneapolis
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Image
Published: 01 April 2017
Figure 7. Hua Yan (1682–1756), Red and White Herbaceous Peonies , 1731. Hanging scroll, ink and color on silk, 94 × 97.3 cm. National Art Museum of China, Beijing. Image from Zhongguo huihua quanji 中国绘画全集 (Beijing: Wenwu chubanshe, 2001), vol. 28, pl. 67.
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Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
...Figure 7. Hua Yan (1682–1756), Red and White Herbaceous Peonies , 1731. Hanging scroll, ink and color on silk, 94 × 97.3 cm. National Art Museum of China, Beijing. Image from Zhongguo huihua quanji 中国绘画全集 (Beijing: Wenwu chubanshe, 2001), vol. 28, pl. 67. ...
FIGURES
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Journal Article
Archives of Asian Art (2014) 64 (1): 75–92.
Published: 01 April 2014
...Yan Geng Copyright © Asia Society 2014 A New Earthly Paradise: Appropriation and Politics in Li Keran’s
Representation of Beihai Park
yan geng
University of Connecticut...
Journal Article
Archives of Asian Art (2023) 73 (2): 201–232.
Published: 01 October 2023
...Figure 14. Book of Sudhana from the Garland Sutra (Hua-yan Ching Pu-hsien Hsing-yuan Pin), late sixteenth century. Woodblock prints on paper, 40.8 × 11.11 × 1.59 cm. Minneapolis Institute of Art, Gift of Ruth and Bruce Dayton, 98.71. Artwork in the public domain. Photograph: Minneapolis...
FIGURES
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Journal Article
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
... between the rocks is roughly forty meters, as is the width of the passage leading to the palace. 34 Figure 2. Map of the archaeological sites of the Qin palaces. From Hua and Yang, Jiangnüshi , 1:3. Figure 2. Map of the archaeological sites of the Qin palaces. From Hua and Yang, Jiangnüshi...
FIGURES
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Journal Article
Archives of Asian Art (2016) 66 (1): 107–151.
Published: 01 April 2016
...Hui-Chi Lo Abstract Through a close reading of the śūramgama Sutra ( Lengyanjing ) and an iconographic study of the images, the author concludes that many of the current labels in Wu Bin's Hua lengyan ershiwu yuantong foxiang ce (Album of the twenty-five dharma-gates of perfect wisdom...
Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
... as canoni-
the West has progressed to a point where something is needed cal monuments in general and scholarly accounts of Chi-
beyond the familiar rhapsodies on the beauty and mystery of ch'i yan. nese art, there is, in fact, no consensus among scholars as
At the same time there certainly...
Journal Article
Archives of Asian Art (2016) 66 (2): 239–269.
Published: 01 October 2016
... of
wooden structures. Therefore, such technical knowledge
was part of a painter’s professional skills. Su Shi once
described Yan Su’s 燕肅 (961–1040) brushwork as ‘‘one...
Journal Article
Archives of Asian Art (2016) 66 (1): 25–49.
Published: 01 April 2016
... section. Besides the seals, Liang’s name is
Fig. 12. Red Cliff, woodblock print from Zhang Yan, ed. Shiyu not mentioned anywhere in the colophons, which is
tupu (preface 1563). Reprint in Fu Xihua, ed. Zhongguo gudian understandable since the focus of the colophons is the
wenxue banhua xuanji (Shanghai...
Journal Article
Archives of Asian Art (2007) 57 (1): 95–120.
Published: 01 April 2007
...-
it blows, becomes clouds when it ascends, becomes
ful clouds were reported. Grand Secretaries Xia Yan
rain when it descends, becomes shengqi enliven-
(1482–1548) and Gu Dingchen (1473–1540), and other...
Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
... of Chinese painting such as dilapidated houses and street corners. See Qian, “Huayin hui di yanghua.” 50. See Xu, Zhongguo meishu shetuan manlu , 31–32 . See also Yan, “Chen Shizeng yu Beijing daxue huafa yanjiuhui,” 246–57 . 51. Chen, “Zhongguo hua shi jinbu de,” 2 . 52. Andrews...
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Journal Article
Archives of Asian Art (2007) 57 (1): 51–94.
Published: 01 April 2007
... devotee named Yan needs of individual devotees. In other words, the doc-
Xun in the late eleventh century (1083–1096), the selec- trinal ecumenism apparent at Buddhist sites and at those
tion of images at this site was intended to promote Bud- manifesting the Unity of the Three Teachings is absent...
Journal Article
Archives of Asian Art (2020) 70 (2): 199–224.
Published: 01 October 2020
... Yan also noted this imitation of zoomorphic masks in his “Beichao zangju xiaozitu de xingshi yu yiyi,” 46–47 . 11. Dien, Six Dynasties Civilization , 93–94 . 12. For meanings of these images, see Hayashi Minao, “Jūkan hoshu no jyakkan o megutte,” 11–24 ; Nagahiro Toshio...
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Journal Article
Archives of Asian Art (2020) 70 (1): 23–49.
Published: 01 April 2020
... transcription, taking up the task of debate and interpretation. Those scholars included Lu Wenchao 盧文弨 (1717–1796), Weng Fanggang, Zhang Xun 張塤 (fl. late eighteenth c.), Zheng Jitang 鄭際唐 (fl. late eighteenth c.), Bi Yuan 畢沅 (1730–1797), Yan Zhangming 嚴長明 (1731–1789), and Huang Yi himself. 38 Their colophons...
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Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
... of Prince Anpyeong & Early Joseon Antiquarianism 113
Formerly with Zhu Derun (1294–1365) of Suzhou, Prince Anpyeong’s Collection and Early Joseon
East of Yan [Beijing], I used to view screen Antiquarianism
paintings.
Landscapes of Tekkan [the Japanese priest-painter] The common...
Journal Article
Archives of Asian Art (2001) 52 (1): 44–62.
Published: 01 April 2001
...,
and accompanied by an attendant on foot is a mounted fig- painting (shidaifu hua) theory, articulated most thorough-
ure, who must represent the travelling official for whom ly by Li Gonglin's friend and admirer Su Shi (1037-1101).
this painting was made (Fig. 3). Minuscule but located in A similar idea...
Journal Article
Archives of Asian Art (2006) 56 (1): 81–104.
Published: 01 April 2006
... chamber, on the west wall, is a portrait of the owner
from Former Yan (AIM) to Kogury6 about 336 CE of the tomb, and on the south wall a portrait of his wife
according to the Chronicle of the Sixteen Kingdoms(f7:121 (Figs. 4, 5). On the interior of the east side chamber, a mill
written in ink...
Journal Article
Archives of Asian Art (2005) 55 (1): 39–52.
Published: 01 April 2005
... "tradition" but did imitate. Words once spoken form the models for people to
not follow up on that line of reasoning—"we lack mate- imitate—for example, the five teachings. . . . [i.e., the five
rials for the investigation of wenren hua [scholar-painting] virtues—father's justice, mother's love, elder...
Journal Article
Archives of Asian Art (2001) 52 (1): 121–127.
Published: 01 April 2001
... of the Erlitou Period: A Xia
Adornment of Eizon's Iconic Body, vol. 50 (1997-1998), pp. 42-61. Royal Tradition, vol. 48 (1695), pp. 64-92.
Brock, Karen L. The Case of the Missing Scroll: A History and Ch' iu, A. K' ai-ming. The Chieh Tzu Yuan Hua Chuan, vol. 5 (,951), pp.
Reconstruction...
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