... the Heian period (794– Yakushi statues, is an Edo-period production.3 1185), a specific iconography became prevalent: a seated Adachi argues that the Yakushi’s original mandorla Yakushi on whose mandorla surface were an additional (like the present Edo-period production) was adorned seven (or six) smaller...

... was supported Heian-period sculpture held at the Tokyo National Mu- by various grants, including the John D. Rockefeller III seum in 1971.2 Throughout his career he continued to Fund. In 1966 he met and married his lifelong partner pursue related topics, such as ‘‘The Ninna-ji Amida Triad Toshiko Miyabayashi...

...: and sculpture of the Heian period (794-1185), the Muro- Ekadagamukha Avalokitegvara Bodhisattva), Monju Bosatsu ji kondo serves as an outstanding example of an environ- (S: Mafij urri Bo dhisattva) , Shaka Nyorai (S: Sakyamuni ment from which to gain a better understanding of religious Buddha), Yakushi...

... its own with its North Atlantic analogue: “unlike the situation with Western modern art, the makers of Japanese ‘papier collé’ did not have to grapple with hierarchical structures and overturn them (i.e., deconstructionism). In that regard, the Heian-era practices of collage are decidedly distinct...

... of the YOSHIAKI SHIMIZU Obituary: John M. Rosenfield (1924–2013) 213 Heian Period: 794–1185, accompanied an exhibition of Listing Rosenfield’s numerous kudos (for example, the same title mounted at the Asia Society in New York the Japanese government’s Order of the Rising Sun 1988; and at the Fogg Art...

... specialists, and especially with two sen- authenticity on the basis of photographs alone; she even ior colleagues at the Research Institute of Cultural refused to inspect works under glass. In the fall of 1978, Properties, Akiyama Terukazu, an authority on Heian sec- undertaking a study of the giant...

... main thematic groups, these objects. An illustrated publication and online cata- each in its own gallery. In each of these galleries—one logue are available; see: httppulitzerarts.org. devoted to Japanese Buddhist sculpture of the late-Heian The workshop was organized by Phillip Bloom, a (794...

...24. Attributed to Jōchō (Japanese, d. 1057), Head of a Bodhisattva , Japan, Heian period (794–1185), ca. 1053. Japanese cypress wood with traces of lacquer polychromy, 22.7 × 10 cm. Harvard Art Museums/Arthur M. Sackler Museum, 2016.310. Partial and promised gift of Walter C. Sedgwick in honor...

... main thematic groups, these objects. An illustrated publication and online cata- each in its own gallery. In each of these galleries—one logue are available; see: httppulitzerarts.org. devoted to Japanese Buddhist sculpture of the late-Heian The workshop was organized by Phillip Bloom, a (794...

... 22. Head of Buddha, Japan, Heian period, 1000–1050. Wood, lacquer, gilt, and crystal, 55.9 Â 31.8 Â 27.9 cm. Los Angeles...

... servant­ (Fig. 5). The mother’s­ raised robe sug­gests a youth­ful, ener­ ­getic gait that slightly un­der­cuts her el­e­gance—a skill­fully rendered­ de­tail that seems to have nothing­ to do with Ippen. Late Heian and me­di­e­val Japa­­nese handscrolls often­ in­cluded such quo­tid­ian...

.... of Asian and Ancient Art 1. Artist unknown. Female Shinto Deity. Japan. Heian period (794–1185). 12th c...

...- graphical locations: Asuka, Nara, Heian, Kamakura, Muromachi, Momoyama, and Edo, all of which refer to cities or parts of cities where government was located...

... Qing China . Cambridge : Cambridge University Press , 2001 . Heldt, Gustav . “ Between Followers and Friends: Male Homosocial Desire in Heian Court Poetry .” U.S.-Japan Women's Journal , no. 33 ( 2007 ): 3 – 32 . Hoshino Suzu 星野鈴 . “ Taiga shiron: futatsu no shijo-zu kara ” 大雅試論—二つの仕...

... of Robert L. Poster, Class of 1962, and Amy Poster, in honor of Wen C. Fong, Class of 1951 and Graduate School Class of 1958, and Constance T. Fong. Photography by Bruce M. White. 180 PRINCETON UNIVERSITY ART MUSEUM 34. Male Shinto Deity. Japan. Heian period. 11th–12th c. Wood...

... and Hidden Poems in an from Kashmir and Some Related Icons, vol. 27 (1973-1974), PP. Illustrated Heian Sutra: Ashide and Uta-e in the Heike Nogyo, vol. 33-45; Sequel to "A Brahmanical Triad from Kashmir vol. 29 31 (1977-1978), pp. 52-78. (1975-1976), pp...

... Heian—Kamakura period, 12th-13th century). Japan. Wood with polychrome and original plaques; h: 35.9 cm approx. 00.1 1. Female deity...

... Fig. 7 / Seated Yakushi Nyorai. Japan. Heian period, 10th-1 ilh century. Gilt wood; h. 58.5 cm. Denver Art Museum, 2002.121. Gift in memory of John G. Powers...