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Guocui xuebao
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in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 11. “Sericulture” (right) ; “Silk weaving” (left) . From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 12. List of the illustrations in the section “Art Picture.” From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 12. List of the illustrations in the section “Art Picture.” From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 13. “Blue-and-white porcelain dish.” From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 14. “Carved model of pavilions in ivory.” From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 15. “Round dish of painted enamel.” From Guocui xuebao 4, no. 2 (1908): n.p. SOAS Library.
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 16. “Contents,” Guocui xuebao 5, no. 6 (1909): n.p. SOAS Library. In addition to “Calligraphy” and “Epigraphy,” there is also a separate group called “ Meishupin (art object).”
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Journal Article
Archives of Asian Art (2018) 68 (2): 191–214.
Published: 01 October 2018
...Figure 11. “Sericulture” (right) ; “Silk weaving” (left) . From Guocui xuebao 4, no. 1 (1908): n.p. SOAS Library. ...
FIGURES
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 9. Section from the Admonitions Scroll illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 16 and 17, SOAS Library; ( lower left ) Bushell, Chinese Art , 2: fig. 125. The Bodleian Library, University of Oxford; ( lower right ) Guocui xuebao
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 9. Section from the Admonitions Scroll illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 16 and 17, SOAS Library; ( lower left ) Bushell, Chinese Art , 2: fig. 125. The Bodleian Library, University of Oxford; ( lower right ) Guocui xuebao
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 9. Section from the Admonitions Scroll illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 16 and 17, SOAS Library; ( lower left ) Bushell, Chinese Art , 2: fig. 125. The Bodleian Library, University of Oxford; ( lower right ) Guocui xuebao
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui
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Image
in Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century
> Archives of Asian Art
Published: 01 October 2018
Figure 10. Section from Landscape , attributed to Zhao Mengfu, illustrated in: ( top ) Herbert Giles, Introduction to Chinese Pictorial Art (1905), between 50 and 51. SOAS Library; ( middle ) Bushell, Chinese Art , 2: fig. 127. The Bodleian Library, University of Oxford; ( bottom ) Guocui
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Journal Article
Archives of Asian Art (2015) 65 (1-2): 1–24.
Published: 01 October 2015
... photog ness” and view it as also an alter native to revo lutionary
raphy enthusiast and the major leader of the short-lived historiography. See Tze-ki Hon, Revolution as Restoration:
Feiying 飛鷹 (1936–1937) photog ra phy journal, intro duced Guocui Xuebao...