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Archives of Asian Art (2021) 71 (1): 63–91.
Published: 01 April 2021
... third being as the Grand One, and proposes that its figural metamorphoses were predicated on the amorphousness of the supreme deity of Daoist cosmogony. Distilling the three most important formal aspects of the Grand One—a therianthropic being, a forceful facilitator, and a regal icon—this essay argues...
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