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in Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan
> Archives of Asian Art
Published: 01 April 2019
Figure 6. Layout of the central configuration of deities at the Daigoji Enma Hall as recorded in the Painting Inscriptions of the Enma Hall , Daigoji, Kyoto. Top : Facsimile of the original. Bottom : Printed version based on the original. From Abe, “Daigoji Enmadō shiryō sandai,” 214 and 221
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Journal Article
Archives of Asian Art (2019) 69 (1): 21–53.
Published: 01 April 2019
...Figure 6. Layout of the central configuration of deities at the Daigoji Enma Hall as recorded in the Painting Inscriptions of the Enma Hall , Daigoji, Kyoto. Top : Facsimile of the original. Bottom : Printed version based on the original. From Abe, “Daigoji Enmadō shiryō sandai,” 214 and 221...
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Journal Article
Archives of Asian Art (2004) 54 (1): 99–100.
Published: 01 April 2004
...-Story Pagoda make snap judgements.
at Daigoji, Kyoto. In 1984 she was appointed head of the
art section of the Tokyo National Research Institute of Her methods could nonetheless produce great results, as
Cultural Properties (Tokyo Kokuritsu Bunkazai at the Boston Museum...
Journal Article
Archives of Asian Art (2023) 73 (1): 25–54.
Published: 01 April 2023
... elite. Screens gifted in this context were not infrequently decorated with paintings of pines and cranes, among other auspicious motifs. At the New Year of 1426, for example, the monk Mansai 満済 (1378–1435), abbot of Daigōji, reported in his diary that the Ashikaga shogunate was presented with “a pair...
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