Search Results for Chinese women painters

...De-Nin D. Lee Abstract Whereas texts on painting by Chinese literati have had a profound impact on art history, women's writings are almost unknown. This article examines poems by the Qing-dynasty poet-painter Luo Qilan (b. 1755), using her as a case study to argue for a literatae tradition...

... . Sin Saimdang, kŭnyŏrŭl ŭihan pyŏnmyŏng [ Sin Saimdang and her justification ]. Seoul : Tasan kihoek , 2016 . Laing, Ellen Johnston . “ Wives, Daughters, and Lovers: Three Ming Dynasty Women Painters .” In Views from Jade Terrace: Chinese Women Artists, 1300–1912 , edited by Marsha Weidner...

... of Figure 8. Figure 8. Anonymous painter; formerly attributed to Su Hanchen (Chinese, active 1120s–1160s), Sweetmeat Vendor and a Child , fourteenth century. Hanging scroll, ink, color, and gold on silk, 101.4 × 66.3 cm. Photograph: © Museum of Fine Arts, Boston, Bequest of Charles Bain Hoyt...

... Education Foundation, Kampo Museum in Shiga. Photograph: Courtesy of the Kampo Museum. By the eighteenth century such Qing imagery was brought to Japan both in paintings and printed media, inspiring the production of images of women with a circular window by literati artists, as well as painters...

... 39 and (2) from early to mid-Qing, circa 1717— Because of the sweep of Professor Cahill's argument, I have found it useful to summarize and synthesize much Cahill " a turning point in Chinese painting" after which painters...

... by Prince Anpyeong, son of King Sejong Wen Fong and Sherman Lee commented on the famous (r. 1418–1450), in which about 86 percent of the works handscroll Dream Journey to the Peach Blossom Land were Chinese. The connection between An Gyeon’s (Fig. 1), done in 1447 by the Joseon court painter...

... to a unidirectional, forward-moving narrative.3 It is a story of ever-increasing mastery of pictorial tech- For Cahill, in the absence of "any pattern of continuity," niques that allowed Chinese painters to create on two- the concept of post-historical art provides a compelling dimensional surfaces effects...

... the scene. The topos of blind beggars or music performers walking closely in a row is commonly seen in early modern Chinese genre painting, 8 which, together with the classroom scene, throws light on how the painters of the 1737 Qingming painting designed the narrative units by integrating details from...

... Arts College: Art Education and Modern Women Artists in the 1920s and 1930s .” Modern Chinese Literature and Culture 19 , no. 1 (Spring 2007 ): 192 – 235 . Zhou, Jin 周今 . “ Meishu jie: Zhongguo xin huajia ” 美術界:中國新畫家 [Art world: China's new painters]. Xingqi wenyi 星期文藝 9 ( 1931 ): 3...

... landscapes represent Vulture Peak, the sacred abode of Śākyamuni Buddha. Cave 209 shows how Lady Vaidehī—the protagonist of the Meditation Sutra—emerges as the first female viewer of landscape in Chinese art. Departing from the Meditation Sutra, painters at Dunhuang resituate Lady Vaidehī, the formerly...

..., the early Chinese literature on painting, like the dark shading techniques.The portrayal of the animals in the Western, offers anecdotes in which pictures by the most "Deer in an Autumn Forest" pictures (which are probably accomplished painters do exactly that, whether the eye...

..., because it is art, is universally comprehensible.” 44 Universal comprehensibility should not, however, be taken for granted as a default feature of Chinese art or Chen's paintings. It was the result of Chen's choice of a subject never before depicted by literati amateur painters, and the innovative...

..., and bearers. In Beijing the guidance of the king himself.17 Previous rulers did the Korean literati on tributary missions made lasting not have any direct interaction with court painters, personal connections with Chinese literati, were ex- whose studios were outside the palace. But now, with posed...

... Serpent (Cambridge: in Ishii korekushon kenkyu¯ (Ishii Cambridge University Press, 1987), 78, 103. Collection studies) 2 (Tsukuba: Faculty of Art & Design, 50. For more about Japanese painters of images of University of Tsukuba, 2013), 28–39 (Japanese); 71–86 women in this period...

.... Daewang Jeongreung gaejang euigwe), is dated to 1600; These records were written exclusively in Chinese char- the latest euigwe documents the wedding of the crown acters, but combined both literary Chinese and the prince who became Emperor Sunjong (Hwangtaeja garye unique Korean writing system called...

... aspects of Chinese traditional art, such as the Ming dynasty painter Dong Qichang (1555–1636) and his Southern and Northern Schools theory...

... at the Orchid Pavilion hosted by the legendary Chinese calligrapher Wang Xizhi (ca. 303–ca. 361). Painted by Yu Suk (1827–1873), a court painter and one...

..., esp. 11–16. in the Shadows: Women in the History of Chinese and 88. For Zhao Yan’s biography, see Kong Qi 孔齊 Japanese Painting, ed. Marsha Smith Weidner (Honolulu: (active ca. 1360), Zhizheng zhi ji (Record of University of Hawai‘i Press, 1990), 55...

... attributed to the eighteenth- to it to later. Each animal painting was the product of century court painter Guiseppe Castiglione (Chinese one concentrated performance with the brush, making name Lang Shining 1688–1766), but nonetheless the draft pictures even more significant to the final praised...

... prefer traditional attributions of all such watercolors to Filipino painters as markers of national identity. These Philippine and Chinese paintings are avidly acquired at overseas auctions to be repatriated to their perceived country of origin, the Philippines ( Figure 1 ). In view of this unprecedented...