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Chinese imperial workshops

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Journal Article
Archives of Asian Art (2019) 69 (1): 73–101.
Published: 01 April 2019
..., and eventually made into finished articles such as jewelry, embroidered cloth, bridles, and other finery for imperial use. 53 Of the thirty-two workshops of the Wensiyuan, one was charged with producing painted fans and screens, 54 and of the hundreds of painters employed here, we know the name...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 139–179.
Published: 01 October 2015
... Chinese Buddhism divine kingship Imperial Apparitions: Manchu Buddhism and the Cult of Mañjuśrī Wen-shing Chou Hunter College Abstract This essay­...
Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... France during the Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, which featured a Chinese pavilion designed by the architect Liu Jipiao 劉即漂 (1900–1992) in a strongly exoticizing bent that epitomized imperial chinoiserie, including arched entrances derived from imperial...
Journal Article
Archives of Asian Art (2014) 64 (1): 43–57.
Published: 01 April 2014
...Sarah Laursen; Donna Strahan Copyright © Asia Society 2014 Art and Technology in a Chinese Gold Cicada Plaque sarah laursen Middlebury College donna...
Journal Article
Archives of Asian Art (2018) 68 (2): 133–156.
Published: 01 October 2018
... specific ware type or stylized surface, and thereby reduce its magical qualities, late-imperial Chinese textual accounts demonstrate that ineffable transformation was an acceptable state of being to makers and patrons of Jingdezhen porcelain, including artisans in workshops, local Jingdezhen residents, and...
Journal Article
Archives of Asian Art (2020) 70 (1): 85–117.
Published: 01 April 2020
... (1254–1322), tackles the issue of how to govern and take good care of imperial subjects. 27 While employing the traditional Chinese schemata of painting horses fully, 28 One Hundred Horses particularly recalls the blue-and-green horse paintings by Zhao Mengfu, in that they all depict an idealized...
Journal Article
Archives of Asian Art (2018) 68 (2): 157–190.
Published: 01 October 2018
... forever”) carved out of the upper surface of the jade. 35 It is tempting to believe that these jades and the bronze zhan basin were made at imperial workshops and later gifted to Liu Yan. Figure 15. Shield-shaped pendant (front and back), tomb of Liu Yan, Shouchun, Shou county, Anhui province...
Journal Article
Archives of Asian Art (2017) 67 (1): 1–24.
Published: 01 April 2017
... Heike paintings, as well as the tale itself, were targeted to and received by elite women, not just men. I will investigate an interesting case of appreciation of Heike picture scrolls in 1632 by Tōfukumon'in, a daughter of the second Tokugawa shogun Hidetada and the imperial consort of Emperor Go...
Journal Article
Archives of Asian Art (2014) 64 (1): 1–2.
Published: 01 April 2014
... of a small side room itself, but its family history reveals a widespread range that serves as bird cage. of cultural transmission stretching from Renaissance As Europe extended its reach through imperial Europe through far eastern Asia at the end of the dynastic conquest, in German-speaking...
Journal Article
Archives of Asian Art (2015) 65 (1-2): 237–242.
Published: 01 October 2015
... this scroll’s “poetic ideas” origi- of Chinese Painting,” 17–33; Robert Harrist, “Response nated with Du Fu, who lived through an imperial col- to Professor Cahill’s ‘Some Thoughts on the History and lapse nearly as severe as that of Sima Huai’s and Mi Post-­History of Chinese Painting,’ ” 35–37...
Journal Article
Archives of Asian Art (2001) 52 (1): 121–127.
Published: 01 April 2001
... (1971-1972), pp. 67-76. Bush, Susan. Some Parallels between Chinese and Korean Ornamental Addis, John M. More on the Problem of the "Imperial Kilns," vol. 22 Motifs of the Late Fifth and Early Sixth Centuries A.D., vol. 37...
Journal Article
Archives of Asian Art (2011) 61 (1): 107–126.
Published: 01 April 2011
... California, Los Angeles n their book Streams and Mountains without End: A politician and scholar Sin Sukju (1417–1475). Hwagi, INorthern Sung Handscroll and Its Significance in the or Record on Painting, describes a painting collec- History of Early Chinese Painting, published in 1967, tion owned by...
Journal Article
Archives of Asian Art (2021) 71 (1): 123–129.
Published: 01 April 2021
... Hongli Prince Bao Qingming shanghe Shen Yuan yuanben Zhang Zeduan Works Cited Chen Yunru . “ Revisiting the Meaning behind Qingming shanghe tu : Reflections on Poetry, Politics, and Art under Emperor Huizong ”( in Chinese ) Taida Journal of Art History , no. 34 ( March 2013...
Journal Article
Archives of Asian Art (2014) 64 (1): 3–32.
Published: 01 April 2014
... appear as backdrops for Chinese imperial portraits and other figure paintings in palatial settings. The closest foreign prototype of Korean chaekgeori...
Journal Article
Archives of Asian Art (2003) 53 (1): 71–104.
Published: 01 April 2003
... impressing his seal bearing the legend Yushu ("Imperial works that traditional Chinese connoisseurs and modern Writing") over his calligraphy.26 art historians think of as "Huizong." The bird is seen in profile view and the branch on which...
Journal Article
Archives of Asian Art (2001) 52 (1): 105–120.
Published: 01 April 2001
... ART Dr.Vidya Dehejia, Deputy Director Fig. 55 Fig. 53. / Imperial workshop, with face by Giuseppe Castiglione (Lang Shining, 1688-1766). The Qianlong Emperor as an Embodiment of the Bodhisattva Manjushri...
Journal Article
Archives of Asian Art (2006) 56 (1): 11–30.
Published: 01 April 2006
... images from the Northern Dynasties is that we several images sponsored by the same patron. It is my hope know so little about them. Contemporary historical sources that this sort of particularizing case study will avoid some provide biographies for many of the imperial and aristo- of the problems...
Journal Article
Archives of Asian Art (2008) 58 (1): 1–42.
Published: 01 April 2008
... built envi- empire retained and expressed regional identity in their ronment during the eleventh and early twelfth centuries. monumental timber buildings, even while ruled by a That the group of ritual buildings in Shangdang was stable imperial power. Furthermore, these four build- visually...
Journal Article
Archives of Asian Art (2018) 68 (1): 87–109.
Published: 01 April 2018
.... Earlier versions of this paper were presented at the 2014 International Conference on Dazu Studies; Sichuan University; the 2015 annual conference of the Association for Asian Studies; the “Cave Visions and Deep Media” workshop at the Getty Research Institute in 2016; and the “Image as Ritual, Ritual as...
Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
... under cherry blossoms, and so on. A rooster stands on the drum's body, referencing the drum placed by the legendary Chinese emperor Yao at the entrance of the imperial precinct so his subjects could alert him to their grievances but which nonetheless was always silent—metonymically representing good...