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Chen Shizeng

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Published: 01 October 2021
Figure 5. Chen Shizeng, Sugar-glazed Hawthorn Skewer with an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 5. Chen Shizeng, Sugar-glazed Hawthorn Skewer with an Inscription More
Image
Published: 01 October 2021
Figure 1. Chen Shizeng (Chinese, 1876–1923), Rickshaw Puller with an Inscription by Cheng Kang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 1. Chen Shizeng (Chinese, 1876–1923), Rickshaw Puller More
Image
Published: 01 October 2021
Figure 2. Chen Shizeng, Camel Driver with an Inscription by Zheng Wuchang and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 2. Chen Shizeng, Camel Driver More
Image
Published: 01 October 2021
Figure 3. Chen Shizeng, Bridal Chair Filler with an Inscription by Cheng Kang and an Inscription by He Binsheng , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 3. Chen Shizeng, Bridal Chair Filler More
Image
Published: 01 October 2021
Figure 4. Chen Shizeng, Tea Drinker with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 4. Chen Shizeng, Tea Drinker with an Inscription More
Image
Published: 01 October 2021
Figure 6. Chen Shizeng, Beijing-style Mover with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 6. Chen Shizeng, Beijing-style Mover More
Image
Published: 01 October 2021
Figure 7. Chen Shizeng, Buying Chrysanthemum with an Inscription by He Binsheng and an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 7. Chen Shizeng, Buying Chrysanthemum More
Image
Published: 01 October 2021
Figure 8. Chen Shizeng, Ice Cart with an Inscription by He Binsheng and an Inscription by Jin Cheng , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 8. Chen Shizeng, Ice Cart with an Inscription by He More
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Published: 01 October 2021
Figure 9. Chen Shizeng, Wall with Ears with Chen's Own Inscription and an Inscription by Tong Danian , from the album Beijing Fengsu ,ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 9. Chen Shizeng, Wall with Ears with Chen's Own More
Image
Published: 01 October 2021
Figure 10. Chen Shizeng, Night Soil Collector , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 17.3 cm. The National Art Museum of China, Beijing. Figure 10. Chen Shizeng, Night Soil Collector, from the album Beijing Fengsu, ca. 1915. Ink and color on paper, 28.6 More
Image
Published: 01 October 2021
Figure 12. Li Yishi (Chinese, 1886–1942), Portrait of Chen Shizeng , 1920. Oil on canvas, 130 × 70 cm. Central Academy of Fine Arts Art Museum, Beijing. Figure 12. Li Yishi (Chinese, 1886–1942), Portrait of Chen Shizeng, 1920. Oil on canvas, 130 × 70 cm. Central Academy of Fine Arts Art More
Image
Published: 01 October 2021
Figure 14. Chen Shizeng, Wood Haulers , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 17.3 cm. The National Art Museum of China, Beijing. Figure 14. Chen Shizeng, Wood Haulers, from the album Beijing Fengsu, ca. 1915. Ink and color on paper, 28.6 × 17.3 cm More
Image
Published: 01 October 2021
Figure 15. Chen Shizeng, Ragpicker , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 17.3 cm. The National Art Museum of China, Beijing. Figure 15. Chen Shizeng, Ragpicker, from the album Beijing Fengsu, ca. 1915. Ink and color on paper, 28.6 × 17.3 cm. The National More
Image
Published: 01 October 2021
Figure 16. Chen Shizeng, Ceremonial Drummer , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 17.3 cm. The National Art Museum of China, Beijing. Figure 16. Chen Shizeng, Ceremonial Drummer, from the album Beijing Fengsu, ca. 1915. Ink and color on paper, 28.6 × 17.3 More
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Published: 01 October 2021
Figure 17. Chen Shizeng, Fortune-teller , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 17.3 cm. The National Art Museum of China, Beijing. Figure 17. Chen Shizeng, Fortune-teller, from the album Beijing Fengsu, ca. 1915. Ink and color on paper, 28.6 × 17.3 cm More
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Published: 01 October 2021
Figure 19. Chen Shizeng, Climbing over the Wall, from Album of Figures , 1909. Ink and color on silk, 26.7 × 17.5 cm. The National Art Museum of China, Beijing. Figure 19. Chen Shizeng, Climbing over the Wall, from Album of Figures, 1909. Ink and color on silk, 26.7 × 17.5 cm. The National More
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Published: 01 October 2021
Figure 20 a-d. Chen Shizeng, Manhua Vignette from the Pacific News , 4 May 1912 (A, top left); 3 May 1912 (B, top right); 6 May 1912 (C, bottom left); 3 May 1912 (D, bottom right). Harvard-Yenching Library, Harvard College Library, Harvard University. Figure 20 a-d. Chen Shizeng, Manhua More
Journal Article
Archives of Asian Art (2021) 71 (2): 191–218.
Published: 01 October 2021
...Figure 5. Chen Shizeng, Sugar-glazed Hawthorn Skewer with an Inscription by Chen Xiazhang , from the album Beijing Fengsu , ca. 1915. Ink and color on paper, 28.6 × 34.6 cm. The National Art Museum of China, Beijing. Figure 5. Chen Shizeng, Sugar-glazed Hawthorn Skewer with an Inscription...
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Journal Article
Archives of Asian Art (2020) 70 (1): 51–83.
Published: 01 April 2020
... Changshi and his preeminent pupil Chen Shizeng 陳師曾(Hengque 衡恪 or Hengke; 1876–1923), was lashing out at the popularity of and commerce in this mode: in his inscription on a painting entitled Crow (a Bada subject in Shitao-style brushwork, ca. 1920) he criticized those who “today horse around painting...
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Journal Article
Archives of Asian Art (2019) 69 (2): 121–154.
Published: 01 October 2019
... a mass-produced shape with observations of everyday life, operating as a functional album of ethnographic observations of native customs, professions, and crafts, similar to earlier examples produced by Chen Shizeng 陳師曾 (1876–1923) or Su Renshan 蘇仁山 (1813–1849). 71 As an implied journey through...
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