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Buddhist cave

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Journal Article
Archives of Asian Art (2021) 71 (2): 131–170.
Published: 01 October 2021
... Mizuno and Nagahiro, Unko sekkutsu, 7: rubbings VII B and C. The striking ornamental carvings of Caves 9 and 10 present an extensive variety of patterns that would have evoked for viewers the splendors of a Buddhist realm with palatial refinements. This is apparent inside the porch to Cave 10...
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Journal Article
Archives of Asian Art (2018) 68 (2): 215–232.
Published: 01 October 2018
...Sonya S. Lee Abstract Kucha was one of the major political powers and cultural centers along the ancient Silk Road, home to a great number of Buddhist cave temples that have survived from the time of their creation sometime between the third century and the eighth. Although they are not as well...
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Journal Article
Archives of Asian Art (2021) 71 (1): 1–36.
Published: 01 April 2021
... based on an effort to visualize Buddhist soteriology in the early seventh century. Figure 8. Sixteen Meditations, Cave 431, west wall, Mogao Caves, Dunhuang, constructed ca. 525–545, repainted after 642 ce . From Pelliot, Les grottes de Touen-Houang , 5: pl. CCLXXVII. Figure 8. Sixteen...
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Journal Article
Archives of Asian Art (2011) 61 (1): 61–89.
Published: 01 April 2011
..., but it is far more widespread in India’s dred caves and monoliths exist at some forty-five sites, created lengthy and rich tradition of rock-cut monuments, rang- by Buddhists, Hindus, and Jains over a span of a thousand years. ing from ‘‘cave-temples’’ to entire monolithic temples And to those accustomed...
Journal Article
Archives of Asian Art (2018) 68 (1): 87–109.
Published: 01 April 2018
... on the fundamental irrelevance of all media save the mind itself. Such a notion points to the need to develop a specifically Buddhist theory of images, media, and minds. Copyright © 2018 Asia Society 2018 Yuanjuedong repentance Zongmi medium Belting image anthropology Unlike the cave shrines...
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Image
Published: 01 April 2019
Figure 18. Plan of the Bedsa Chaitya, first century bce . Note the channel connecting the interior cell to the cell on the verandah. From James Burgess, Report on the Buddhist Cave Temples and Their Inscriptions (Delhi: Trübner, 1876–79), pl. XI. Figure 18. Plan of the Bedsa Chaitya, first More
Journal Article
Archives of Asian Art (2019) 69 (1): 1–19.
Published: 01 April 2019
...Figure 18. Plan of the Bedsa Chaitya, first century bce . Note the channel connecting the interior cell to the cell on the verandah. From James Burgess, Report on the Buddhist Cave Temples and Their Inscriptions (Delhi: Trübner, 1876–79), pl. XI. Figure 18. Plan of the Bedsa Chaitya, first...
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Journal Article
Archives of Asian Art (2021) 71 (2): 171–190.
Published: 01 October 2021
...像记为中心的考察 [ Common people's Buddhist beliefs in northern China during the fifth and sixth centuries: An investigation centered on inscriptions ]. Beijing : Zhongguo shehui kexue chubanshe , 1998 . Howard, Angela F. “ On ‘Art in the Dark’ and Meditation in Central Asian Buddhist Caves...
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Journal Article
Archives of Asian Art (2008) 58 (1): 135–136.
Published: 01 April 2008
...) and the Problem of a Ming Painting Chinese Art and Archaeology (Mansell). Academy was the first work in the West to investigate In the 1980s Vanderstappen worked toward a the government institutions that had such a profound book on Chinese Buddhist sculpture, travelling to cave- impact on the history of Chinese...
Journal Article
Archives of Asian Art (2014) 64 (1): 33–41.
Published: 01 April 2014
... models may have circulated within the Sata- the western Deccan. In the Buddhist caves at Karle, vahana region, feeding a fashion for Western things Junnar, and Pitalkhora, strategically located along the that is attested in many craft traditions and which trading routes connecting the coast...
Journal Article
Archives of Asian Art (2006) 56 (1): 11–30.
Published: 01 April 2006
... about general site in a number of different aspects of patronage. First she patterns of Buddhist patronage and belief; but their very appears as the lay leader of the Buddhist charitable society comprehensiveness means that the individual patron is still that sponsored the construction of the cave...
Journal Article
Archives of Asian Art (2016) 66 (1): 81–105.
Published: 01 April 2016
... for understanding the gaps between the deity's textual description and its visual representation. Copyright © Asia Society 2016 Thousand-armed Mañjuśrī Thousand-armed Avalokiteśvara Mañjuśrī Avalokiteśvara Mt. Wutai Dunhuang Mogao caves mural painting Buddhist painting Buddhist art esoteric...
Journal Article
Archives of Asian Art (2007) 57 (1): 51–94.
Published: 01 April 2007
... is the large Sutra Repository Cave (no. limbed guardian figures flank the exterior of the cave 136) at Bei Shan.36 We do not know the specific social entrance (Figs. 5, 13). These four deities are not readily dynamics of these consortial works. Their sponsors identifiable in Buddhist scriptures associated...
Journal Article
Archives of Asian Art (2001) 52 (1): 121–127.
Published: 01 April 2001
...; Buddhist Cave Painting Signed Yen Hui, vol. 26 (1972-1973), pp. 67-70; A Letter Sculpture of the Northern Qi Dynasty: Shaping a New Style, and Fan Painting by Ch'iu Ying, vol. 28 (1974-1975), PP- Formulating New Iconographies, vol. 49 (1996), pp. 6-25. '08-113...
Journal Article
Archives of Asian Art (2005) 55 (1): 1–15.
Published: 01 April 2005
... vol. 23, no.s (May 1992), pp. 52-60, discusses in detail how the mura1 i 3. Kyu-won Kim," Kory Buddhist Painting," pp. 3 12-1 3 in Dunhuang Cave 172, illustrating the Meditation Surtra, conveys the 14. lt was first identified as a Korean work by Marjorie Williams...
Image
Published: 01 April 2019
Figure 28. Nāga sculpture below Ajanta Cave 16, Aurangabad District, India, fifth century ce . Photograph: John C. Huntington, courtesy of the Huntington Photographic Archive of Buddhist and Asian Art, 1970. Figure 28. Nāga sculpture below Ajanta Cave 16, Aurangabad District, India, fifth More
Journal Article
Archives of Asian Art (2006) 56 (1): 61–80.
Published: 01 April 2006
... & Baddharmadi figures within the cave primarily in conjunction with its 17 16 15 14 13 12 11 10 9 emptiness, in an effort to affiliate Kanjingsi with the Chan 9.13,addhamitra Buddhist sect. This study seeks to present Kanjingsi as an 18 10...
Journal Article
Archives of Asian Art (2010) 60 (1): 43–78.
Published: 01 April 2010
... with Buddhist patronage over time, the basic purpose of the project relics, a set of nineteen inscribed texts, and other iconic Fig. 2. Plan of the nine-cave chambers on Shijing Mountain, Fig. 1. Map of Fangshan and vicinity. By author. Fangshan...
Journal Article
Archives of Asian Art (2012) 62 (1): 25–46.
Published: 01 April 2012
... named at the Qianlong certainly strengthened˙ the connection to the heart of the Forbidden City. The inscription on the Su¯ tra of Perfect Enlightenment and emphasized the Na¯ ra¯ yana’s Cave version has aroused the most discus- Buddhist references in the poem. But the other two ver- ˙ sion...
Journal Article
Archives of Asian Art (2009) 59 (1): 1–5.
Published: 01 April 2009
... Asokan Capital and the Gupta Attitude towards Buddhist Cave Sites in Maharastra the Past Artibus Asiae, vol. 33, no. 3 (1973), pp. 225– 13. Gandha¯ran reuse has been analyzed most recently 40. by Kurt Behrendt, ‘‘Reuse of Images in Gandhara...