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Avalokiteśvara

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Published: 01 October 2017
Figure 7. Eleven-headed Avalokiteśvara with retinue figures (lower left) and other forms of the Bodhisattva above, west side of north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author. Figure 7. Eleven-headed Avalokiteśvara with retinue figures (lower left More
Image
Published: 01 October 2017
Figure 20. Avalokiteśvara, northern end of west wall in Akaniṣṭha Shrine (3.16), first half of seventeenth century. Photograph: author. Figure 20. Avalokiteśvara, northern end of west wall in Akaniṣṭha Shrine (3.16), first half of seventeenth century. Photograph: author. More
Image
Published: 01 October 2017
Figure 43. Nilakaṇṭha (“Blue-throated One”) Avalokiteśvara above eleven-headed Avalokiteśvara's right shoulder (detail of Figure 7 ). Photograph: author. Figure 43. Nilakaṇṭha (“Blue-throated One”) Avalokiteśvara above eleven-headed Avalokiteśvara's right shoulder (detail of Figure 7 More
Image
Published: 01 October 2017
Figure 44. Harihariharivāhana Avalokiteśvara above eleven-headed Avalokiteśvara's left shoulder (detail of Figure 7 ). Photograph: author. Figure 44. Harihariharivāhana Avalokiteśvara above eleven-headed Avalokiteśvara's left shoulder (detail of Figure 7). Photograph: author. More
Image
Published: 01 October 2017
Figure 46. Cintāmaṇi Avalokiteśvara between Sukhāvatī Lokeśvara (3.19) and Avalokiteśvara Protecting from the Eight Perils (3.20), east side of north wall of Akaniṣṭha Shrine, first half of seventeenth century. Photograph: author. Figure 46. Cintāmaṇi Avalokiteśvara between Sukhāvatī Lokeśvara More
Image
Published: 01 October 2017
Figure 52. Aṣtabhayatrāna Avalokiteśvara, Protecting from the Eight Perils, east side of north wall of Akaniṣṭha Shrine (3.20), first half of seventeenth century. Photograph: author. Figure 52. Aṣtabhayatrāna Avalokiteśvara, Protecting from the Eight Perils, east side of north wall of More
Journal Article
Archives of Asian Art (1 April 2016) 66 (1): 81–105.
Published: 01 April 2016
...Michelle C. Wang Abstract The Thousand-armed Mañjuśrī is an enigmatic form of the bodhisattva that appeared primarily in the Mogao cave shrines in northwestern China. There, the deity was nearly always paired with the Thousand-armed Avalokiteśvara on opposite walls or on opposite sides of a doorway...
Image
Published: 01 October 2017
Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara, north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author. Figure 35. Gnarled trunk of pine tree in Chinese painting style, above eleven-headed Avalokiteśvara More
Image
Published: 01 October 2017
Figure 51. Sukhāvatī Lokeśvara with Green Tārā (3.19) and other forms of Avalokiteśvara above him, east of center on north wall of Akaniṣṭha Shrine, first half of seventeenth century. Photograph: author. Figure 51. Sukhāvatī Lokeśvara with Green Tārā (3.19) and other forms of Avalokiteśvara More
Journal Article
Archives of Asian Art (1 October 2017) 67 (2): 143–187.
Published: 01 October 2017
...Figure 7. Eleven-headed Avalokiteśvara with retinue figures (lower left) and other forms of the Bodhisattva above, west side of north wall of Akaniṣṭha Shrine (3.17), first half of seventeenth century. Photograph: author. Figure 7. Eleven-headed Avalokiteśvara with retinue figures (lower left...
Journal Article
Archives of Asian Art (1 April 2005) 55 (1): 1–15.
Published: 01 April 2005
... would identify or suggest their specific context. The Amitabha Triad in the MOA Museum of Art in Atami, Japan (Fig. 1), for example, pres- ents Amitabha Buddha in the center, the bodhisattava Mahasthamaprapta on his left, and the bodhisattva Avalokitesvara on his right. Avalokitesvara holds a...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 181–236.
Published: 01 October 2015
... Avalokitesvara, 2013. Ink, pencil, acrylic, and pastel on paper, 232.7 × 124.8 cm. Metropolitan Museum of Art, 2013.627. Gift of...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 87–115.
Published: 01 October 2015
... walls) (Fig. 8);49 and a white the hall. Paintings of de­i­ties cover the aisle walls. These thou­sand-armed Avalokiteśvara and a red thousand­ - in­clude the four-armed (Sibi daheitian armed Mañjuśrī50 (flanking the rear door) (Fig. 9). Al­ and Gur mgon forms of...
Journal Article
Archives of Asian Art (1 April 2018) 68 (1): 87–109.
Published: 01 April 2018
... are closest to the buddhas on the northwest wall; opposite him are Samantabhadra and his elephant; and in the fourth position on the southeast wall (numbering from Samantabhadra outward) is Avalokiteśvara (Guanshiyin pusa 觀世音菩薩), referred to in the Sutra as Discerning Sound Bodhisattva (Bianyin pusa...
Journal Article
Archives of Asian Art (1 April 2001) 52 (1): 63–82.
Published: 01 April 2001
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 57–86.
Published: 01 October 2015
... of Avalokiteśvara in wor­ship in the court­yard of the Kwā Bāha, Patan, Kathmandu, Nepal. Right: Mahtavatī panel with traces of ver­milion pow­der on the top center.­ A palm-leaf man­u­script of the Pañcarakṣā sūtra, date: Govindapāla’s six­teenth year (ca. 1181 CE). Donor: Hīrakā. National...
Journal Article
Archives of Asian Art (1 October 2015) 65 (1-2): 139–179.
Published: 01 October 2015