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Art after Disaster

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Journal Article
Archives of Asian Art (2019) 69 (1): 55–72.
Published: 01 April 2019
... . “ New Collectivism, Participation and Politics after the East Japan Great Earthquake .” World Art 5 , no. 1 ( 2015 ): 167 – 86 . Morris-Suzuki, Tessa . “ Disaster and Utopia: Looking Back at 3/11 .” Japanese Studies 37 , no. 2 ( 2017 ): 171 – 90 . Mullins, Mark R...
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Journal Article
Archives of Asian Art (2013) 63 (2): 179–187.
Published: 01 October 2013
.... After serving in the Yuyongjian 182 ARCHIVES OF ASIAN ART for a period of time, he received his first official title of as imperial guard for Zhu Qiyu (the future Jingtai em- Jinyizhengqianhu (Battalion Commander of peror) when Zhu Qiyu was still the Prince of Cheng in the Embroidered...
Journal Article
Archives of Asian Art (2007) 57 (1): 121–150.
Published: 01 April 2007
.... That may be part of the reason why Yashiro accepts Like Yashiro, Faure believes that any study of Buddhist Ho¯ gai’s Kannon as Compassionate Mother as a work of art must take into account religious and phenomeno- modern art but rejects it as a Buddhist painting. After...
Journal Article
Archives of Asian Art (2016) 66 (2): 213–238.
Published: 01 October 2016
...): 64. Museum, Ohio State University. 238 ARCHIVES OF ASIAN ART 75. See Kinoshita’s 1960 print Kao (Saigai) / Faces national Biennial), Yomiuri Shinbun (July 2, (Disaster), illustrated in Donald Jenkins, Images of a 1957), reprinted in Takiguchi...
Journal Article
Archives of Asian Art (2007) 57 (1): 1–21.
Published: 01 April 2007
... Thought Propaganda Teams 2 ARCHIVES OF ASIAN ART lenge to the established authority.2 Students took to the haustible source of strength and a spiritual atom bomb streets. of infinite power4 they filed onto the campus. In the From the beginning...
Journal Article
Archives of Asian Art (2011) 61 (1): 37–60.
Published: 01 April 2011
... of the viewer. The rather stylized, almost caricature-like art. In the article Mukai published after his return from depiction of the soldiers may reflect in part the lingering China in August 1938, he explained the intent behind...
Journal Article
Archives of Asian Art (2014) 64 (2): 191–209.
Published: 01 October 2014
..., and Balkrishna Patel—founded the short- his position on adivasi art and his evolving conceptual- lived Group 1890, named simply after the house number ization of indigeneity. This entails a closer examination of J. Pandya in Bhavanagar, Gujarat, the location of their of Swaminathan’s earlier career...
Journal Article
Archives of Asian Art (2013) 63 (1): 103–129.
Published: 01 April 2013
..., but after the outbreak of the Korean War in porary art from the end of the Korean War to the mid- 1950 he soon fled to the South, where he joined the 1960s, the Kukcho˘ n and its juries defined sculpture as South Korean army. After the war came to a provisional discrete stone or metal objects mounted...
Journal Article
Archives of Asian Art (2001) 52 (1): 83–104.
Published: 01 April 2001
... in the Muro-ji section is Genroku 14 Art: Through the Eyes of Duan Wenjie, ed. Dan Zhong (New Delhi: Indira (I701) and a note in the margin of this section is dated Genroku 15 Gandhi National Centre for Arts, Abhinav Publications, 1994), p. 302. (1702), indicating that the note was added after the main...
Journal Article
Archives of Asian Art (2017) 67 (1): 83–109.
Published: 01 April 2017
... attributed to Qian Xuan (ca. 1235–after 1301), Peonies and Butterfly , Yuan dynasty, late 13th century. Hanging scroll, ink and color on silk, 55 × 96.9 cm. Museum of Fine Arts, Boston. Gift of Mrs. Walter Scott Fitz 06.1899. Photograph: © 2017 Museum of Fine Arts, Boston. Figure 6. Traditionally...
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Journal Article
Archives of Asian Art (2018) 68 (1): 67–86.
Published: 01 April 2018
... in the light of textual sources and later depictions of such towers in Han-dynasty art. Early textual references to these structures use a variety of terms, including que , guan 觀, xiangwei 象魏, jique 冀闕, and diehuang 絰皇. 10 The precise distinctions among these terms are often unclear...
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Journal Article
Archives of Asian Art (2017) 67 (2): 209–236.
Published: 01 October 2017
... in the Biennale, however, this represented a hurdle, as in the common view of commentators such as Edmond de Goncourt and Louis Gonse—and, after him, the Italian critic Vittorio Pica—the Japanese did not make a distinction between art and industrial objects. 24 Its supporters thus lobbied for an adjustment...
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Journal Article
Archives of Asian Art (2020) 70 (2): 173–197.
Published: 01 October 2020
... at Ramgarh and the Meguti Temple at Aihole” ; F. Asher, Art of Eastern India , 38–42 ; Williams, Art of Gupta India , 166–68 ; Meister, “Muṇḍeśvarī: Ambiguity and Certainty,” 77; Deva, “Mundeswari Temple, Ramgarh” ; Deva, “Rāmgaḍh, Muṇḍeśvarī Temple” ; Neuss, “Temple of Muṇḍeśvarī,” 543. 2...
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Journal Article
Archives of Asian Art (2010) 60 (1): 43–78.
Published: 01 April 2010
..., Beijing. By author. 44 ARCHIVES OF ASIAN ART images that complemented the contents of the other the early seventh century. At present it is the only one caves completed not long afterward. There is every indi- out of nine caves at Shijing Mountain that is furnished cation that all the early...
Journal Article
Archives of Asian Art (2021) 71 (2): 171–190.
Published: 01 October 2021
... at all after the murals were completed. For more on this debate, see Sharf, “Art in the Dark” ; and Howard, “On ‘Art in the Dark.’” Regardless of the debate over audience, the murals can still be used as evidence for how some imagined and interpreted the Maitreya narrative. First and foremost...
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Journal Article
Archives of Asian Art (2007) 57 (1): 51–94.
Published: 01 April 2007
... Sichuan has also Fig. 1. Map of Sichuan. Drawn by author. 52 ARCHIVES OF ASIAN ART Fig. 2. Map of Southeastern Sichuan. Drawn by author. become known as a great repository of artistic and ar- clusters of rupestral sites dated to the Tang and after cheological treasures from China’s...
Journal Article
Archives of Asian Art (2019) 69 (1): 21–53.
Published: 01 April 2019
... the twelfth and thirteenth centuries. Figure 5. Jin Chushi (Chinese, active late twelfth c.), King Enma , before 1195. One from a set of ten hanging scrolls depicting the Ten Kings of Hell, ink and color on silk, 129.5 × 49.5 cm. The Metropolitan Museum of Art, Rogers Fund, 1930 (30.76.293). Artwork...
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