Skip to Main Content

Japan's Venice: The Japanese Pavilion at the Venice Biennale and the “Pseudo-Objectivity” of the International

Archives of Asian Art (2017) 67 (2): 209–236.
Currently there are no citedby results. Try again later.
There are no results on this page. Please select one of the available pages below.
Close Modal
This Feature Is Available To Subscribers Only

Sign In or Create an Account

Close Modal
Close Modal