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Journal Article
American Literature (2002) 74 (3): 485–516.
Published: 01 September 2002
...Rebecca Beasley Duke University Press 2002 Rebecca Ezra Pound’s Whistler Beasley On 20 February 1905, Walter Raleigh, Professor of English Literature at the University of Oxford, addressed the Interna- tional Society of Sculptors, Painters, and Gravers who had...
Journal Article
American Literature (2008) 80 (2): 407–409.
Published: 01 June 2008
.... With readings of Washington Irving’s Astoria and George Ruxton’s Life in the Far West, he recounts the play for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing...
Journal Article
American Literature (2008) 80 (2): 409–411.
Published: 01 June 2008
.... With readings of Washington Irving’s Astoria and George Ruxton’s Life in the Far West, he recounts the play for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing...
Journal Article
American Literature (2008) 80 (2): 411–414.
Published: 01 June 2008
.... With readings of Washington Irving’s Astoria and George Ruxton’s Life in the Far West, he recounts the play for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing...
Journal Article
American Literature (2008) 80 (2): 414–416.
Published: 01 June 2008
.... With readings of Washington Irving’s Astoria and George Ruxton’s Life in the Far West, he recounts the play for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing...
Journal Article
American Literature (2008) 80 (2): 416–419.
Published: 01 June 2008
.... With readings of Washington Irving’s Astoria and George Ruxton’s Life in the Far West, he recounts the play for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing...
Journal Article
American Literature (2008) 80 (2): 419–422.
Published: 01 June 2008
... for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing in the nineteenth century; and D. H. Lawrence, P. G. Wodehouse, Aldous Huxley, Christopher Isherwood, 428...
Journal Article
American Literature (2008) 80 (2): 422–424.
Published: 01 June 2008
... for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing in the nineteenth century; and D. H. Lawrence, P. G. Wodehouse, Aldous Huxley, Christopher Isherwood, 428...
Journal Article
American Literature (2008) 80 (2): 425–426.
Published: 01 June 2008
.... With readings of Washington Irving’s Astoria and George Ruxton’s Life in the Far West, he recounts the play for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing...
Journal Article
American Literature (2008) 80 (2): 427–430.
Published: 01 June 2008
.... With readings of Washington Irving’s Astoria and George Ruxton’s Life in the Far West, he recounts the play for the Oregon territories, noting the divided loyalties of both writers. Giles’s genealogy continues through Arthur Hugh Clough, Oscar Wilde, James McNeill Whistler, and George Gissing...
Journal Article
American Literature (2010) 82 (1): 181–183.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 183–186.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 186–188.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 188–190.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 190–192.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 192–195.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 196–198.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 198–200.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 200–202.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...
Journal Article
American Literature (2010) 82 (1): 202–204.
Published: 01 March 2010
... and James McNeill Whistler’s canvases; it expresses “romantic and lyric emotions” in a “mood [that] is more intimate and personal, more reflective” than the art of the daytime world it seeks to “repress” (26). One might assume that a consideration of the New York night must inevitably include...