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Published: 01 March 2019
Figure 9 Jack in the Warner Brothers archive More
Journal Article
American Literature (2000) 72 (3): 627–628.
Published: 01 September 2000
...Mary Warner By Paul C. Gutjahr. Stanford, Calif.: Stanford Univ. Press. 1999. xv, 256 pp. $39.50. 2000 Book Reviews 6141 AL 72:3 / sheet 169 of 237 Institutional Individualism: Conversion, Exile, and Nostalgia in Puritan...
Journal Article
American Literature (2001) 73 (1): 1–46.
Published: 01 March 2001
...Michael Warner; Natasha Hurley; Luis Iglesias; Sonia Di Loreto; Jeffrey Scraba; Sandra Young Duke University Press 2001 Michael Warner A Soliloquy ‘‘Lately Spoken at the with African Theatre Race and the Natasha Hurley, Public Sphere in New York...
Journal Article
American Literature (2019) 91 (1): 151–182.
Published: 01 March 2019
...Figure 9 Jack in the Warner Brothers archive ...
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Journal Article
American Literature (2003) 75 (4): 783–811.
Published: 01 December 2003
... Gogh, praised by critics, pirated by printers, and read by hundreds of thousands all over the United States and Europe, Susan Warner’s The Wide, Wide World (1850) was a best-seller of the ‘‘seepy-weepy’’ variety, classified...
Journal Article
American Literature (2002) 74 (2): 251–285.
Published: 01 June 2002
...Jana L. Argersinger Duke University Press 2002 Jana L. Family Embraces: The Unholy Kiss and Argersinger Authorial Relations in The Wide, Wide World In the originally unpublished final chapter of Susan Warner’s The Wide, Wide World, Ellen and her new husband...
Journal Article
American Literature (2017) 89 (4): 669–695.
Published: 01 December 2017
... of Reconstruction, and why it is important today to consider the novel’s role in its development. Copyright © 2017 by Duke University Press 2017 Mark Twain Henry Adams political novel US Civil War partisanship In The Gilded Age (1873), a novel written by Mark Twain with Charles Dudley Warner, 1...
Journal Article
American Literature (2008) 80 (2): 203–231.
Published: 01 June 2008
... Within Franklin studies in recent years, Douglas Anderson, Mitchell Breitwieser, Myra Jehlen, Ormond Seavey, and especially Michael Warner have in varying ways framed Franklin’s written deployment of selfhood—and perhaps his self-experience—as fluid, various, adaptive, and performative.12...
Journal Article
American Literature (2008) 80 (2): 233–263.
Published: 01 June 2008
... novels: Reading the Romance: Women, Patriarchy, and Popular Culture (1984). By denying biological processes, Radway replicates a relationship to print culture that Michael Warner identifies with Benjamin Franklin.4 Readers who “remake” the romance to serve their interests achieve self...
Journal Article
American Literature (2013) 85 (2): 247–272.
Published: 01 June 2013
... . Veney Bethany . 1889 . The Narrative of Bethany Veney, a Slave Woman . Worcester, MA . N.p. Wagner Bryan . 2009 . Disturbing the Peace: Black Culture and the Police Power after Slavery . Cambridge : Harvard Univ. Press . Warner Michael . 2002 . Publics and Counterpublics...
Image
Published: 01 March 2022
Vikander as Lara Croft in Tomb Raider (Warner Brothers Pictures, 2018). Screenshots taken and arranged by author More
Journal Article
American Literature (2001) 73 (1): 85–119.
Published: 01 March 2001
... and points of inconsistency—might offer us an angle into a politics that exceeds mere gesture or stance. Now, to ground a politics in the question of persona is to incur a number of interpretive risks. Pertinent here in particular is Michael Warner’s cautionary point about the ‘‘obsessive’’ return...
Journal Article
American Literature (2013) 85 (1): 61–91.
Published: 01 March 2013
... . Edited by Broderick John C. . Princeton, NJ : Princeton Univ. Press . Warner Michael . 1992a . The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America . Cambridge : Harvard Univ. Press . ———. 1992b . “ Thoreau's Bottom .” Raritan 11...
Journal Article
American Literature (2017) 89 (4): 697–726.
Published: 01 December 2017
... There is nothing more public than privacy. —Lauren Berlant and Michael Warner, “Sex in Public” (1998) I never feel so private as when I know you are here. —Herman Melville, “Bartleby, the Scrivener” (1853) For Herman Melville’s contemporary reviewers, reading Pierre ([1852] 1999 )—his melodramatic...
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Journal Article
American Literature (2015) 87 (1): 107–136.
Published: 01 March 2015
... .” In Touching Feeling: Affect, Pedagogy, Performativity , 123 – 52 . Durham, NC : Duke Univ. Press . Warner Michael . 1999 . The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life . Cambridge : Harvard Univ. Press . Warner Michael Berlant Lauren . 1998 . “ Sex...
Journal Article
American Literature (2022) 94 (1): 73–102.
Published: 01 March 2022
... Vikander as Lara Croft in Tomb Raider (Warner Brothers Pictures, 2018). Screenshots taken and arranged by author ...
FIGURES | View All (7)
Journal Article
American Literature (2014) 86 (3): 463–492.
Published: 01 September 2014
... : Belknap Press of Harvard Univ. Press . Warner Michael . 2012 . “ Was Antebellum America Secular? ” The Immanent Frame (blog) , blogs.ssrc.org/tif/2012/10/02/was-antebellum-america-secular/> . Warner Michael VanAntwerpen Jonathan Calhoun Craig , eds. 2010 . Varieties...
Journal Article
American Literature (2014) 86 (4): 645–654.
Published: 01 December 2014
... . Chicago: Univ. of Chicago Press . ———. 2010 . “ A Secular Age: Dawn or Twilight? ” In Varieties of Secularism in a Secular Age , edited by Warner Michael VanAntwerpen Jonathan Calhoun Craig , 265 – 81 . Cambridge : Harvard Univ. Press . Douglas Ann . (1977) 1998...
Journal Article
American Literature (2015) 87 (4): 681–708.
Published: 01 December 2015
... . Berkeley and Los Angeles : Univ. of California Press . Berlant Lauren Warner Michael . 1998 . “Sex in Public.” Critical Inquiry 24 , no. 2 : 547 – 66 . Bingham Emily . 2003 . Mordecai: An Early American Family . New York : Hill and Wang . Bloch Ernst . (1964...
Journal Article
American Literature (2008) 80 (3): 501–526.
Published: 01 September 2008
... this nationalist pride, to question the ways in which this painting, in submerging black identity into the sea, perhaps bolsters the fiction of British abolitionist identity as white. As Marina Warner emphasizes, “[T]he sea has played a central role in the making of British identity...