...Aaron Bady By placing the Tarzan novels and films in the historical context of the development of aviation and aerial bombardment, Bady traces how changing fantasies of flight mediate the Tarzan franchise's changing relationship to white supremacist violence. Edgar Rice Burroughs's original novels...

.... Review: Stanlake, Native American Drama: A Critical Perspective, 463–66. Review: Vizenor, Native Liberty: Natural Reason and Cultural Surviv- ance, 463–66. Bady, Aaron. “Tarzan’s White Flights: Terrorism and Fantasy before and after the Airplane,” 305–29. Barrett, Faith. Review...

..., and the ‘American Jules Verne’” and Aaron Bady’s “Tarzan’s White Flights: Terrorism and Fantasy before and after the Airplane” shows how tech- nological innovation produces new imaginative engagements with the world and, in so doing, generates a political slipperiness as well...

... in 2011 was awarded to Scott Selisker, for “‘Simply by Reacting The Sociology of Race and Invisible Man’s Automata” (September 2011). Hon- orable mentions were awarded to Aaron Bady, for “Tarzan’s White Flights: Ter- rorism and Fantasy before and after the Airplane” ( June 2011); and Nathaniel...

..., and domesticity in this earlier historical period, therefore, Jurca inventively resorts to Edgar Rice Burroughs’s Tarzan of the Apes,aworkthatisnot,on the face of it, about the suburbs, though she argues quite persuasively...

... with the Kid. . . . I was Paul Henried handing Charlotte Vale a whole bunch of camellias. . . . I turned into Gregory Peck and Jennifer Jones hunting each other down in the desert and killing their passion cause it was too hot for them to handle. The desert faded into a jungle and I was Tarzan...

... human or nonhuman animality. Consider, for example, Kipling’s The Jungle Book (1894), The Second Jungle Book (1895), and Just So Stories (1902); Upton Sinclair’s The Jungle (1906) and Edgar Rice Burroughs’s Tarzan of the Apes (1914); Joel Chandler Harris’s Uncle Remus: His Songs and Sayings...

...’’ to ‘‘Tarzan expanded ed. [Philadelphia: Univ. of Pennsylvania Press, 1997], 105). The quintessential moment of this (mis)translation is Chris- topher Columbus’s journal notation in which he writes that he will cap...

.... 16 For discussion of the incommensurability of traditional native concep- tions of land and Euramerican notions of property, see Eric Cheyfitz,The Poetics of Imperialism: Translation and Colonization from “The Tempest” to “Tarzan” (Philadelphia: Univ. of Pennsylvania Press...

...!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture from which it came that it left behind an eternal, inescapable narrative inscribed for better and for worse on the minds and hearts of us all” (Gerald Early...

... are not dictated by schools of critical thought or set-models of exposition but rise organically from the materials. Not only is clarity so afforded, but complexity too, especially (at last!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions...

... but rise organically from the materials. Not only is clarity so afforded, but complexity too, especially (at last!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture from which it came that it left...

... unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture from which it came that it left behind an eternal, inescapable narrative inscribed for better and for worse on the minds and hearts of us all” (Gerald Early, 526...

...!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture from which it came that it left behind an eternal, inescapable narrative inscribed for better and for worse on the minds and hearts of us all” (Gerald Early...

... but rise organically from the materials. Not only is clarity so afforded, but complexity too, especially (at last!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture from which it came that it left...

... are not dictated by schools of critical thought or set-models of exposition but rise organically from the materials. Not only is clarity so afforded, but complexity too, especially (at last!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions...

... or set-models of exposition but rise organically from the materials. Not only is clarity so afforded, but complexity too, especially (at last!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture...

... unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture from which it came that it left behind an eternal, inescapable narrative inscribed for better and for worse on the minds and hearts of us all” (Gerald Early, 526...

... or set-models of exposition but rise organically from the materials. Not only is clarity so afforded, but complexity too, especially (at last!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions and preoccupations of the cul- ture...

... are not dictated by schools of critical thought or set-models of exposition but rise organically from the materials. Not only is clarity so afforded, but complexity too, especially (at last!) in the ideological unpackings: “Tarzan so sublimely captured in mythic terms the racist and naturalist assumptions...