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Journal Article
Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century; Telling Narratives: Secrets in African American Literature; Black Feminism in Contemporary Drama
Available to Purchase
American Literature (2008) 80 (4): 845–847.
Published: 01 December 2008
...Courtney R. Baker © 2008 by Duke University Press 2008 Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century . By Sara Blair. Princeton, N.J.: Princeton Univ. Press. 2007. xxi, 353 pp. $35.00. Telling Narratives: Secrets in African American Literature...
View articletitled, Harlem Crossroads: Black Writers and the <span class="search-highlight">Photograph</span> in the Twentieth Century; Telling Narratives: Secrets in African American Literature; Black Feminism in Contemporary Drama
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for article titled, Harlem Crossroads: Black Writers and the <span class="search-highlight">Photograph</span> in the Twentieth Century; Telling Narratives: Secrets in African American Literature; Black Feminism in Contemporary Drama
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in Lines in the Dirt (c. 1969): Postwar Literalism and the Failure of Technology
> American Literature
Published: 01 June 2019
Figure 1 This December 1969 Artforum cover photograph is of Michael Heizer’s Isolated Mass/Circumflex (in the series Nine Nevada Depressions ), 1968 (deteriorated); removal of 6 tons of earth, 2,000 by 400 by 30 feet; Massacre Dry Lake, Nevada. © Artforum , December 1969 [cover]
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in Street Scenes: Langston Hughes, Lyric Pop, and Walter Benjamin’s Baudelaire
> American Literature
Published: 01 September 2024
Figure 1 Photograph of the “Ice-Cream Sextet,” original Broadway production of Street Scene , Adelphi Theater, 1947. Courtesy of the Weill-Lenya Research Center, Kurt Weill Foundation for Music, New York
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Alison Bechdel took a digital reference photograph for almost every human p...
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in “I’m Very Happy to Be in the Reality-Based Community”: Alison Bechdel’s Fun Home , Digital Photography, and George W. Bush
> American Literature
Published: 01 March 2017
Figure 2. Alison Bechdel took a digital reference photograph for almost every human pose in Fun Home . This digital photograph provided the reference for the fourth frame of p. 141, as seen in fig. 1 . Reprinted by permission of Alison Bechdel.
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Journal Article
Lynching Photographs; Witnessing Lynching: American Writers Respond
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American Literature (2010) 82 (3): 641–643.
Published: 01 September 2010
...Koritha Mitchell © 2010 by Duke University Press 2010 Lynching Photographs . By Dora Apel and Shawn Michelle Smith. Berkeley and Los Angeles: Univ. of California Press. 2007. 102 pp. Cloth, $50.00; paper, $19.95. Witnessing Lynching: American Writers Respond . Ed. Anne P...
Journal Article
In and Out of Sight: Modernist Writing and the Photographic Unseen What Was Literary Impressionism?
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American Literature (2023) 95 (3): 597–599.
Published: 01 September 2023
...David Tomkins [email protected] In and Out of Sight: Modernist Writing and the Photographic Unseen . By Alix Beeston . Oxford : Oxford Univ. Press . 2018 . xvi, 256 pp. Cloth, $78.00 . What Was Literary Impressionism? By Michael Fried . Cambridge, MA...
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Journal Article
Fugitive Obscura: Runaway Slave Portraiture and Early Photographic Technology
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American Literature (2009) 81 (1): 93–125.
Published: 01 March 2009
... capacity of a variety of prephotographic visual technologies, including portraiture, woodcuts, stereotypes, and the camera obscura. Douglass and Jacobs lived in the midst of a photographic revolution. Douglass repeatedly commented on photographic technology and celebrated its democratic potential. But both...
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As noted in the article’s captions, the upper and lower photographs are of ...
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in Lines in the Dirt (c. 1969): Postwar Literalism and the Failure of Technology
> American Literature
Published: 01 June 2019
Figure 2 As noted in the article’s captions, the upper and lower photographs are of Michael Heizer, Dissipate (in Nine Nevada Depressions ), 1968 (deteriorated); wood in playa surface; 45 by 50 by 1 feet (five liners, each 12 by 1 by 1 feet); Black Rock Desert, Nevada. © Artforum , December
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Page showing the identical photographs of Pickens and Carter reprinted in d...
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in The Arts of Antifascist Black Transnationalism during the Spanish Civil War
> American Literature
Published: 01 December 2023
Figure 3 Page showing the identical photographs of Pickens and Carter reprinted in different newspapers. Chicago History Museum, ICHi-182793
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Published: 01 September 2022
Figure 1 Jacob A. Riis, The Inspector’s Model: Photographing a Rogue (c. 1895). Courtesy of Museum of the City of New York. 90.13.2.2
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Page showing a collage of publicity photographs from Salaria Kea’s ambulanc...
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in The Arts of Antifascist Black Transnationalism during the Spanish Civil War
> American Literature
Published: 01 December 2023
Figure 5 Page showing a collage of publicity photographs from Salaria Kea’s ambulance tour. Chicago History Museum, ICHi-182794
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Journal Article
Picturing Poverty in the Mid-Nineteenth Century
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American Literature (2022) 94 (3): 439–472.
Published: 01 September 2022
...Figure 1 Jacob A. Riis, The Inspector’s Model: Photographing a Rogue (c. 1895). Courtesy of Museum of the City of New York. 90.13.2.2 ...
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Journal Article
Cripping the Archive: Analyzing Archival Disorder in the Yamashita Family Archives and Karen Tei Yamashita’s Letters to Memory
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American Literature (2023) 95 (4): 755–782.
Published: 01 December 2023
... experience of incarceration out of chronological order, encouraging new connections across a massive collection of materials: letters, photographs, federal surveillance documents, paintings, sermons, and other ephemera surrounding World War II Japanese American incarceration. Their respective acts...
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Journal Article
Touching a Button
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American Literature (2016) 88 (1): 31–65.
Published: 01 March 2016
...Lindsay Reckson This essay tracks the gesture of touching a button across a series of early twentieth-century photographic and literary texts, mapping the uneven shock and pleasure of electrified contact as it emerges under the body politic of Jim Crow. Examining William Vander Weyde's images...
Journal Article
The Visual Art of Invisible Man : Ellison's Portrait of Blackness
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American Literature (2009) 81 (4): 775–803.
Published: 01 December 2009
... invested in visual constructs. Ellison's work with visual media ranged from an apprenticeship with Richmond Barthé to his life-long work as a photographer. Tracing the development of his aesthetic back to his friendship with Richard Wright and Romare Bearden, Hill argues that Ellison's metaphor...
Journal Article
Domesticity beyond Sentiment: Edith Wharton, Decoration, and Divorce
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American Literature (2011) 83 (3): 479–507.
Published: 01 September 2011
... of privacy within the private sphere. The Decoration of Houses offers another example of domestic space reimagined to resist rather than embrace familial ties. Fraiman links the book's fifty-six photographs of immaculate, museum-like rooms to a fantasy of home purged of literal and emotional mess—purged...
Journal Article
The Scenes of Seeing: Frances Benjamin Johnston and Visualizations of the “Indian” in Black, White, and Native Educational Contexts
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American Literature (2011) 83 (3): 509–545.
Published: 01 September 2011
...Tova Cooper Cooper's essay shows how the photographs taken by Frances Benjamin Johnston at educational institutions such as the Carlisle Indian Industrial School and Hampton Institute, as well as in the Washington, D.C., public schools, show the influence of social Darwinism on progressive...
View articletitled, The Scenes of Seeing: Frances Benjamin Johnston and Visualizations of the “Indian” in Black, White, and Native Educational Contexts
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Journal Article
Imagining New York City: Literature, Urbanism, and the Visual Arts, 1890–1940 The Language of Vision: Photography and Southern Literature in the 1930s and After
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American Literature (2019) 91 (1): 209–212.
Published: 01 March 2019
... Christoph Lindner, New York seems too exceptional and cosmopolitan to see itself as marginal or “regional.” Both base their studies in visual arts, though Joseph Millichap, unlike Lindner (and despite his book’s title), does not reproduce photographs. Both derive discourses from dialectics—Lindner pairs...
View articletitled, Imagining New York City: Literature, Urbanism, and the Visual Arts, 1890–1940 The Language of Vision: Photography and Southern Literature in the 1930s and After
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for article titled, Imagining New York City: Literature, Urbanism, and the Visual Arts, 1890–1940 The Language of Vision: Photography and Southern Literature in the 1930s and After
Journal Article
Protest and Affirmation: Composite Texts in the Crisis
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American Literature (2004) 76 (1): 89–116.
Published: 01 March 2004
... as the monthly publication of the NAACP,
with W. E. B. DuBois as editor—featured dynamic conjunctions of
written and visual texts. Individual pages are composite texts that mix
copy and headlines with photographs, drawings, maps, and graphs, a
format that enhanced the coverage of its two most prominent...
Journal Article
“I’m Very Happy to Be in the Reality-Based Community”: Alison Bechdel’s Fun Home , Digital Photography, and George W. Bush
Available to Purchase
American Literature (2017) 89 (1): 121–154.
Published: 01 March 2017
...Figure 2. Alison Bechdel took a digital reference photograph for almost every human pose in Fun Home . This digital photograph provided the reference for the fourth frame of p. 141, as seen in fig. 1 . Reprinted by permission of Alison Bechdel. ...
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