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neoslave

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Journal Article
American Literature (1 December 2000) 72 (4): 888–889.
Published: 01 December 2000
... insistently historicist study, Asraf Rushdy examines the recent literary genre of the neoslave narrative, urging that ‘‘rather than a facile formalism in which form is considered a product of aesthetic imperatives, we need to...
Journal Article
American Literature (1 December 2000) 72 (4): 889–890.
Published: 01 December 2000
... excavates the origins of neoslave narratives in the controver- sial revisions of U.S. slave historiography produced by developments in this country’s public sphere—in particular, the publication of William Styron’s...
Journal Article
American Literature (1 December 2000) 72 (4): 887–888.
Published: 01 December 2000
... genre of the neoslave narrative, urging that ‘‘rather than a facile formalism in which form is considered a product of aesthetic imperatives, we need to considerhowformisnotextrinsictohistoricalunderstandingbutrather...
Journal Article
American Literature (1 June 2015) 87 (2): 403–405.
Published: 01 June 2015
... Elizabeth Yates’s Newbery Medal title Amos Fortune, Free Man (1950), 404  American Literature which maintains the proslavery agenda. In chapter 5, Connolly classifies and examines three contemporary genres of slavery discourse: neoabolitionist stories, diachronous texts, and neoslave narratives...
Journal Article
American Literature (1 September 2009) 81 (3): 647–655.
Published: 01 September 2009
... Christopher N. Okonkwo. Knoxville: Univ. of Tennessee Press. 2008. xxv, 266 pp. $48.00. Okonkwo’s study shows how the science fiction novels and neoslave narra- tives of Octavia Butler, Tananarive Due, John Edgar Wideman, and Toni Mor- rison culturally and aesthetically reincarnate the Nigerian...
Journal Article
American Literature (1 December 2010) 82 (4): 779–805.
Published: 01 December 2010
... proliferating subgenre of speculative fiction meets neoslave narrative comprises literary as well as mass- market novels,2 including Ishmael Reed’s Flight to Canada (1976), Frank Yerby’s A Darkness at Ingraham’s Crest (1979), David Bradley’s The Chaneysville Incident (1981), Charles Johnson’s The...
Journal Article
American Literature (1 December 2003) 75 (4): 907–919.
Published: 01 December 2003
.... The second part of the study analyzes neoslave narratives as explorations of the collision between African and European cultures. Tseng 2003.11.19 09:33 916 American Literature Collections...
Journal Article
American Literature (1 March 2015) 87 (1): 187–189.
Published: 01 March 2015
Journal Article
American Literature (1 March 2015) 87 (1): 190–192.
Published: 01 March 2015
Journal Article
American Literature (1 March 2015) 87 (1): 192–194.
Published: 01 March 2015
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American Literature (1 March 2015) 87 (1): 194–197.
Published: 01 March 2015
Journal Article
American Literature (1 March 2015) 87 (1): 197–199.
Published: 01 March 2015
Journal Article
American Literature (1 March 2015) 87 (1): 200–202.
Published: 01 March 2015
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American Literature (1 March 2015) 87 (1): 203–205.
Published: 01 March 2015
Journal Article
American Literature (1 March 2015) 87 (1): 205–206.
Published: 01 March 2015
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American Literature (1 March 2015) 87 (1): 207–209.
Published: 01 March 2015
Journal Article
American Literature (1 March 2015) 87 (1): 209–211.
Published: 01 March 2015
Journal Article
American Literature (1 September 2011) 83 (3): 661–663.
Published: 01 September 2011
... Mexico and Florida. In the absence of a slave narrative tra- dition—the product of a Northern, abolitionist public sphere—Adams finds their stories in contemporary neoslave narratives by Canadian, U.S., and Mexican artists who fill in “the gaps left by an absence of historical data” (99...
Journal Article
American Literature (1 September 2011) 83 (3): 664–666.
Published: 01 September 2011
... traces of slaves who fled to Mexico and Florida. In the absence of a slave narrative tra- dition—the product of a Northern, abolitionist public sphere—Adams finds their stories in contemporary neoslave narratives by Canadian, U.S., and Mexican artists who fill in “the gaps left by an...
Journal Article
American Literature (1 September 2011) 83 (3): 666–668.
Published: 01 September 2011
..., abolitionist public sphere—Adams finds their stories in contemporary neoslave narratives by Canadian, U.S., and Mexican artists who fill in “the gaps left by an absence of historical data” (99). By reading works such as Gayl Jones’s Mosquito (1999) and John Sayles’s film Lone Star (1996...