Search Results for natty

... University Press 2009 Jeffrey The Logic of Left Alone: The Pioneers and Insko the Conditions of U.S. Privacy Disgusted with the “wasty ways” of society, under suspicion of crime and armed with a rifle, Natty Bumppo stands at the entrance of his hut late in James...

... American continent into a cohesive narrative of evolving perceptions of environment and humankind’s role in shaping it. Cooper scholars can see the antecedents of Natty Bumppo’s dilemmas in the writings...

... by Natty Bumppo and empowered by the Jacksonian presidency, could embody Christian precept and republican virtue. Edgar Allan Poe and His Nineteenth-Century American Counterparts . By John Cullen Gruesser. New York: Bloomsbury Academic. 2019. vii, 233 pp. Cloth, $100.00; e-book, $90.00...

... expansion and settlement. Natty Bumppo stands as a “silent . . . uneasy spectator” to the slaughter of migrating pigeons: “So prodigious was the number Susan Fenimore Cooper’s Fealty to Place  481 of the birds, that the scattering fire of the guns, with the hurling...

... Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun, and whereas ‘‘in Mary Rowlandson’s narrative it is the Bible whose circulation in- augurates and stabilizes the wilderness’s...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

... Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun, and whereas ‘‘in Mary Rowlandson’s narrative it is the Bible whose circulation in- augurates and stabilizes the wilderness’s...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

... Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun, and whereas ‘‘in Mary Rowlandson’s narrative it is the Bible whose circulation in- augurates and stabilizes the wilderness’s...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

... Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun, and whereas ‘‘in Mary Rowlandson’s narrative it is the Bible whose circulation in- augurates and stabilizes the wilderness’s...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...

...- tains a trace of disorientation that faintly resists the master narrative. Mazel continues with a long, solid reading of James Fenimore Cooper’s TheLastof the Mohicans, which he approaches through a quick glance at Audubon in a section titled ‘‘Shooting as Writing Natty Bumpo speaks with his gun...