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Figure 3 Mary Mullen, the street sweeper. Frontispiece, Samuel B. Halliday, Lost and Found; or, Life Among the Poor (1859)

Mary Mullen, the street sweeper. Frontispiece, Samuel B. Halliday, Lost an...

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in Picturing Poverty in the Mid-Nineteenth Century > American Literature
Published: 01 September 2022
Figure 3 Mary Mullen, the street sweeper. Frontispiece, Samuel B. Halliday, Lost and Found; or, Life Among the Poor (1859) More
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Figure 4 Mary Mullen, the street sweeper, c. 1859. Thomas Walther Collection, reproduction courtesy of Sotheby’s

Mary Mullen, the street sweeper, c. 1859. Thomas Walther Collection, reprod...

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in Picturing Poverty in the Mid-Nineteenth Century > American Literature
Published: 01 September 2022
Figure 4 Mary Mullen, the street sweeper, c. 1859. Thomas Walther Collection, reproduction courtesy of Sotheby’s More
Journal Article

Tender Revisions: Harryette Mullen's Trimmings and S * PeRM ** K * T

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Deborah Mix
American Literature (2005) 77 (1): 65–92.
DOI: https://doi.org/10.1215/00029831-77-1-65
Published: 01 March 2005
...Deborah Mix Duke University Press 2005 Deborah Tender Revisions: Harryette Mullen’s Mix Trimmings and S*PeRM**K*T The teasing is tender and trying and thoughtful. —Gertrude Stein, Tender Buttons In a 1999 interview...
View articletitled, Tender Revisions: Harryette <span class="search-highlight">Mullen&#x27;s</span> Trimmings and S * PeRM ** K * T View PDF for article titled, Tender Revisions: Harryette <span class="search-highlight">Mullen&#x27;s</span> Trimmings and S * PeRM ** K * T
Journal Article

Preface: Erasing the Commas: RaceGenderClassSexualityRegion

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Margo Crawford
American Literature (2005) 77 (1): 1–5.
DOI: https://doi.org/10.1215/00029831-77-1-1
Published: 01 March 2005
... the privilege of whiteness. As Deborah Mix explores Harryette Mullen’s revision of Gertrude Stein’s Tender Buttons, she wrestles with the lingering questions raised by ‘‘Melanctha the literal black bridge in Three Lives that sus- tains the two stories about repressed German women. Mix demon- strates...
View articletitled, Preface: Erasing the Commas: RaceGenderClassSexualityRegion View PDF for article titled, Preface: Erasing the Commas: RaceGenderClassSexualityRegion
Journal Article

Lyric Shame: The “Lyric” Subject of Contemporary American Poetry American Hybrid Poetics: Gender, Mass Culture, and Form The Poetics of Waste: Queer Excess in Stein, Ashbery, Schuyler, and Goldsmith

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Rebecca Walsh
American Literature (2016) 88 (3): 648–650.
DOI: https://doi.org/10.1215/00029831-3650319
Published: 01 September 2016
... the pressure contemporary writers feel to write postsubjective poems (254). The five poets in Amy Moorman Robbins’s book—Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine—dip in and out of the lyric subject mode, using hybridity as an inherently political force...
View articletitled, Lyric Shame: The “Lyric” Subject of Contemporary American Poetry American Hybrid Poetics: Gender, Mass Culture, and Form The Poetics of Waste: Queer Excess in Stein, Ashbery, Schuyler, and Goldsmith View PDF for article titled, Lyric Shame: The “Lyric” Subject of Contemporary American Poetry American Hybrid Poetics: Gender, Mass Culture, and Form The Poetics of Waste: Queer Excess in Stein, Ashbery, Schuyler, and Goldsmith
Journal Article

Popular Fronts: Chicago and African-American Cultural Politics, 1935-46;Afro-Modernist Aesthetics and the Poetry of Sterling A. Brown

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Marilyn Mehaffy
American Literature (2001) 73 (4): 875–877.
DOI: https://doi.org/10.1215/00029831-73-4-875
Published: 01 December 2001
...Marilyn Mehaffy By Bill V. Mullen. Urbana: Univ. of Illinois Press. 1999. xi, 242 pp. Cloth, $39.95; paper, $16.95. By Mark A. Sanders. Athens: Univ. of Georgia Press. 1999. xiv, 211 pp. Cloth, $45.00. 2002 Reviews Romantic Dialogues: Anglo-American Continuities, 1776–1862...
View articletitled, Popular Fronts: Chicago and African-American Cultural Politics, 1935-46;Afro-Modernist Aesthetics and the Poetry of Sterling A. Brown View PDF for article titled, Popular Fronts: Chicago and African-American Cultural Politics, 1935-46;Afro-Modernist Aesthetics and the Poetry of Sterling A. Brown
Journal Article

The Man Who Adores the Negro: Race and American Folklore; The Hammers of Creation: Folk Culture in Modern African-American Fiction

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Keith Byerman
American Literature (2009) 81 (3): 628–630.
DOI: https://doi.org/10.1215/00029831-2009-034
Published: 01 September 2009
...Keith Byerman © 2009 by Duke University Press 2009 The Man Who Adores the Negro: Race and American Folklore . By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture in Modern African...
View articletitled, The Man Who Adores the Negro: Race and American Folklore; The Hammers of Creation: Folk Culture in Modern African-American Fiction View PDF for article titled, The Man Who Adores the Negro: Race and American Folklore; The Hammers of Creation: Folk Culture in Modern African-American Fiction
Journal Article

Brief Mention

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American Literature (2013) 85 (3): 607–614.
DOI: https://doi.org/10.1215/00029831-2334158
Published: 01 September 2013
... John Clare to W. H. Auden. 610  American Literature The Cracks between What We Are and What We Are Supposed to Be. By Harryette Mullen. Tuscaloosa: Univ. of Alabama Press. 2012. xvi, 273 pp. Paper, $39.95. Reflecting on her own poetry and on that of others, Mullen’s multivoiced essays...
View articletitled, Brief Mention View PDF for article titled, Brief Mention
Journal Article

Freedom's Empire: Race and the Rise of the Novel in Atlantic Modernity, 1640–1940; The French Atlantic Triangle: Literature and Culture of the Slave Trade

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Christopher C. Freeburg
American Literature (2009) 81 (3): 613–615.
DOI: https://doi.org/10.1215/00029831-2009-028
Published: 01 September 2009
... it. Colbey Emmerson Reid, York College of Pennsylvania DOI 10.1215/00029831-2009-033 The Man Who Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture...
View articletitled, Freedom's Empire: Race and the Rise of the Novel in Atlantic Modernity, 1640–1940; The French Atlantic Triangle: Literature and Culture of the Slave Trade View PDF for article titled, Freedom's Empire: Race and the Rise of the Novel in Atlantic Modernity, 1640–1940; The French Atlantic Triangle: Literature and Culture of the Slave Trade
Journal Article

Perfecting Friendship: Politics and Affiliation in Early American Literature; Beautiful Enemies: Friendship and Postwar American Poetry

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Betsy Klimasmith
American Literature (2009) 81 (3): 615–617.
DOI: https://doi.org/10.1215/00029831-2009-029
Published: 01 September 2009
... it. Colbey Emmerson Reid, York College of Pennsylvania DOI 10.1215/00029831-2009-033 The Man Who Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture...
View articletitled, Perfecting Friendship: Politics and Affiliation in Early American Literature; Beautiful Enemies: Friendship and Postwar American Poetry View PDF for article titled, Perfecting Friendship: Politics and Affiliation in Early American Literature; Beautiful Enemies: Friendship and Postwar American Poetry
Journal Article

Dark Victorians; Frederick Douglass and the Atlantic World; The Grateful Slave: The Emergence of Race in Eighteenth-Century British and American Culture; The Great War and the Culture of the New Negro

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Edlie Wong
American Literature (2009) 81 (3): 618–621.
DOI: https://doi.org/10.1215/00029831-2009-030
Published: 01 September 2009
... Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture in Modern African-American Fiction. By Eric J. Sundquist. Athens: Univ. of Georgia Press. 2006. xiii...
View articletitled, Dark Victorians; Frederick Douglass and the Atlantic World; The Grateful Slave: The Emergence of Race in Eighteenth-Century British and American Culture; The Great War and the Culture of the New Negro View PDF for article titled, Dark Victorians; Frederick Douglass and the Atlantic World; The Grateful Slave: The Emergence of Race in Eighteenth-Century British and American Culture; The Great War and the Culture of the New Negro
Journal Article

Passive Constitutions, or, 7 1/2 Times Bartleby; Impersonality: Seven Essays

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Franny Nudelman
American Literature (2009) 81 (3): 621–623.
DOI: https://doi.org/10.1215/00029831-2009-031
Published: 01 September 2009
... Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture in Modern African-American Fiction. By Eric J. Sundquist. Athens: Univ. of Georgia Press. 2006. xiii...
View articletitled, Passive Constitutions, or, 7 1/2 Times Bartleby; Impersonality: Seven Essays View PDF for article titled, Passive Constitutions, or, 7 1/2 Times Bartleby; Impersonality: Seven Essays
Journal Article

Melville: The Making of the Poet; Frederick Douglass and Herman Melville: Essays in Relation

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Hugh Egan
American Literature (2009) 81 (3): 623–625.
DOI: https://doi.org/10.1215/00029831-2009-032
Published: 01 September 2009
... it. Colbey Emmerson Reid, York College of Pennsylvania DOI 10.1215/00029831-2009-033 The Man Who Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture...
View articletitled, Melville: The Making of the Poet; Frederick Douglass and Herman Melville: Essays in Relation View PDF for article titled, Melville: The Making of the Poet; Frederick Douglass and Herman Melville: Essays in Relation
Journal Article

Interventions into Modernist Cultures: Poetry from beyond the Empty Screen; Race, Nationalism, and the State in British and American Modernism; Pop Modernism: Noise and the Reinvention of the Everyday

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Colbey Emmerson Reid
American Literature (2009) 81 (3): 626–628.
DOI: https://doi.org/10.1215/00029831-2009-033
Published: 01 September 2009
.... By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture in Modern African-American Fiction. By Eric J. Sundquist. Athens: Univ. of Georgia Press. 2006. xiii, 151 pp. Paper, $19.95. The two books under...
View articletitled, Interventions into Modernist Cultures: Poetry from beyond the Empty Screen; Race, Nationalism, and the State in British and American Modernism; Pop Modernism: Noise and the Reinvention of the Everyday View PDF for article titled, Interventions into Modernist Cultures: Poetry from beyond the Empty Screen; Race, Nationalism, and the State in British and American Modernism; Pop Modernism: Noise and the Reinvention of the Everyday
Journal Article

Don't Deny My Name: Words and Music and the Black Intellectual Tradition; Black Heart: The Moral Life of Recent African American Letters

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James R. Giles
American Literature (2009) 81 (3): 630–632.
DOI: https://doi.org/10.1215/00029831-2009-035
Published: 01 September 2009
... it. Colbey Emmerson Reid, York College of Pennsylvania DOI 10.1215/00029831-2009-033 The Man Who Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture...
View articletitled, Don't Deny My Name: Words and Music and the Black Intellectual Tradition; Black Heart: The Moral Life of Recent African American Letters View PDF for article titled, Don't Deny My Name: Words and Music and the Black Intellectual Tradition; Black Heart: The Moral Life of Recent African American Letters
Journal Article

Race, American Literature, and Transnational Modernisms; Nationalism and the Formation of Caribbean Literature; Cuban Currency: The Dollar and “Special Period” Fiction

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Myriam J. A. Chancy
American Literature (2009) 81 (3): 633–635.
DOI: https://doi.org/10.1215/00029831-2009-036
Published: 01 September 2009
.... By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture in Modern African-American Fiction. By Eric J. Sundquist. Athens: Univ. of Georgia Press. 2006. xiii, 151 pp. Paper, $19.95. The two books under...
View articletitled, Race, American Literature, and Transnational Modernisms; Nationalism and the Formation of Caribbean Literature; Cuban Currency: The Dollar and “Special Period” Fiction View PDF for article titled, Race, American Literature, and Transnational Modernisms; Nationalism and the Formation of Caribbean Literature; Cuban Currency: The Dollar and “Special Period” Fiction
Journal Article

Discovering Exile: Yiddish and Jewish American Culture during the Holocaust; Klezmer America: Jewishness, Ethnicity, Modernity

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Allison Schachter
American Literature (2009) 81 (3): 635–637.
DOI: https://doi.org/10.1215/00029831-2009-037
Published: 01 September 2009
... Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture in Modern African-American Fiction. By Eric J. Sundquist. Athens: Univ. of Georgia Press. 2006. xiii...
View articletitled, Discovering Exile: Yiddish and Jewish American Culture during the Holocaust; Klezmer America: Jewishness, Ethnicity, Modernity View PDF for article titled, Discovering Exile: Yiddish and Jewish American Culture during the Holocaust; Klezmer America: Jewishness, Ethnicity, Modernity
Journal Article

The Humanities and the Dynamics of Inclusion since World War II; Multiethnic Literature and Canon Debates

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Gene Andrew Jarrett
American Literature (2009) 81 (3): 637–639.
DOI: https://doi.org/10.1215/00029831-2009-038
Published: 01 September 2009
... it. Colbey Emmerson Reid, York College of Pennsylvania DOI 10.1215/00029831-2009-033 The Man Who Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture...
View articletitled, The Humanities and the Dynamics of Inclusion since World War II; Multiethnic Literature and Canon Debates View PDF for article titled, The Humanities and the Dynamics of Inclusion since World War II; Multiethnic Literature and Canon Debates
Journal Article

The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison

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Jonathan Arac
American Literature (2009) 81 (3): 639–641.
DOI: https://doi.org/10.1215/00029831-2009-039
Published: 01 September 2009
.... By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture in Modern African-American Fiction. By Eric J. Sundquist. Athens: Univ. of Georgia Press. 2006. xiii, 151 pp. Paper, $19.95. The two books under...
View articletitled, The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison View PDF for article titled, The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison
Journal Article

Listening to the Land: Native American Literary Responses to the Landscape; The Common Pot: The Recovery of Native Space in the Northeast

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Virginia Kennedy
American Literature (2009) 81 (3): 641–643.
DOI: https://doi.org/10.1215/00029831-2009-040
Published: 01 September 2009
... it. Colbey Emmerson Reid, York College of Pennsylvania DOI 10.1215/00029831-2009-033 The Man Who Adores the Negro: Race and American Folklore. By Patrick B. Mullen. Urbana: Univ. of Illinois Press. 2008. xii, 210 pp. Cloth, $50.00; paper, $20.00. The Hammers of Creation: Folk Culture...
View articletitled, Listening to the Land: Native American Literary Responses to the Landscape; The Common Pot: The Recovery of Native Space in the Northeast View PDF for article titled, Listening to the Land: Native American Literary Responses to the Landscape; The Common Pot: The Recovery of Native Space in the Northeast