Search Results for motion

...Marsha Orgeron Duke University Press 2003 Marsha Rethinking Authorship: Jack London and the Orgeron Motion Picture Industry 6815 AMERICAN LITERATURE / 75:1 / sheet 95 of 252 In the middle of June 1913, a person in New...

... with the garment industry and high fashion as imagined in Salome of the Tenements (1922); and concludes with early theorizations of aesthetic empathy's role in motion pictures such as Hungry Hearts (1922), the film made of Yezierska's short stories. © 2010 by Duke University Press 2010 Ann From...

... routines epitomized by the fac- tory worker’s repetitive wrenching motion in Modern Times but also, as Rosaline Krauss notes, ‘‘the kind of liberating release of spontaneity that we associate withtheSurrealists’invocationoftheword‘au- Race, Affect, and the Animated Subject 577...

... in the implicated acts of writing and reading. A Slip of the Gun Light in August opens with Lena Grove’s reflections on the strange motions of time as lived by human consciousness. Because Lena...

... these two sensibilities, the transcendent moderns cre- ated texts in which the frenetic and fragmented activity of the screen and the city—its unceasing motion, crowds, parts, and pieces—was not ignored but rather subsumed within a grander design. If this well-­ behaved cinematic art reached its...

... : Stanford Univ. Press . Soja Edward . 1989 . Postmodern Geographies: The Reassertion of Space in Critical Social Theory . London : Verso . Sparrow James T. 2010 . “ A Nation in Motion: Norfolk, the Pentagon, and the Nationalization of the Metropolitan South, 1941-1953 .” In The Myth...

... of fire engine after fire engine produces a sensation of endless blurring or merger, creating in effect a single composite grand engine driven by a kind of abstracted motion that doesn’t seem to depend on or be measured by chronological time. A throwback or trace of cinema’s beginnings, the fire run...

... that the satellite made. The document is a chronology of pictorial data—a kind of early metadata that underscores the complexity of TIROS pictures as pure outputs of vision. 3 TIROS observed Earth through Hollywood motion picture technology with “motion picture cameras” mounted to the satellite. 2 We...

... begun to hurt again” (42). The disintegration of the fixed parameters of Harry’s caricatured act of pain is described in terms of accelerating speed and hurtling motion: he is “sliding down the chute, gaining momentum all the time.” The ontological possibilities of his grotesque laughter are here...

... in which a viewer was confronted with a sequence of distinct images and thus experienced the sensation of motion or the passage of time. In this sense, the newer techniques of observation posited a viewer who is receptive to forms of visual train- ing that highlighted the potential for sequences...

... Studies in Motion, in which several Americanists re ect on various recent turns in American literary scholarship. As I note in my contribution to that volume (Bauer 2016: 81 84), scholars, when describing these turns in the humanities, often invoke Thomas S. Kuhn s famous concept of a paradigm shift...

... that, for better or worse, has shaped the reception of O’Hara’s poems since his death in 1966. One famous photograph renders the O’Hara persona especially well. Taken in January 1960 by Fred McDarrah, it captures a moment of motion, presenting O’Hara caught in mid-stride, stepping through the revolving...

...- ingmotionshenevergottoanythingmorethanalittlebobbing motion. (MA, 419) ‘‘Bobbing’’ or ‘‘bobbl[ing a kind of directionless motion (the mean- ings of which also connote error and mistake), characterizes Martha Hersland’s ‘‘being an identity so slackened and porous that it threat- ens to ow’’ over and ‘‘lose itself’’ completely. Held intact...

...). The Elusive Everyday in the Fiction of Marilynne Robinson . By Laura E. Tanner. New York: Oxford Univ. Press. 2021. viii, 195 pp. Cloth, $80.00; e-book available. Seeking to “reverse [ . . . ] the motion toward sublimity” that many critics read and analyze in the fiction of Marilynne Robinson, this study...

... the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always.15 The idea of writing down “the real thing, the sequence of motion and fact which made the emotion...

... observes, as well, the manner in which each of his authors ‘‘set[s] places in motion’’ at least as much as he fixes boundaries (147). Surveying the Interior displays originality by probing the friction between 202 American Literature individuals who would inscribe and the inscriptions that each...

... writing about an idea for another new project: I am going to work on something else right away, though I don’t know what yet. I have a plan, a series to be called A Child’s Garden of Motion Picture Scripts They will be a burlesque of the sure-fire movies and plays, or say a burlesque...

... Redemption 2 ’s map, visit https://rdr2map.com/ . 2 I use the term kinesthetic , drawing on Brendan Keogh’s ( 2018 ) work on the bodily experience of video games, to refer to the bodily perceptions of motion and action in the exchange between controller and screen. At varying points...

... of Respect among critics of culture, with only an occasional mention of editing, cinematography, and other distinctive formal qualities that make movies more than just novels-in-motion. While their studies do...

... than just novels-in-motion. While their studies do not always take full advantage of the range of evi- dence that film provides, Messenger and Beach offer valuable insights into particular genres...