... It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison.ByJ. Brooks Bouson. Albany: State Univ. of New York Press. 2000. x, 277 pp. $21.95. In the last decade, Toni Morrison’s Beloved hasservedasanemblematictext...

... American Autobiography, 1965–2002 . By Walker Madeline Ruth . Iowa City : Univ. of Iowa Press , 2011 . 201 pp. Cloth , $35.00 ; e-book , $19.25 . The Ethics of Community: Nancy, Derrida, Morrison, and Menendez . By Luszczynska Ana M. . New York : Continuum , 2011 . ix , 167 pp...

... Douglass, Harriet Jacobs, Zora Neale Hurston, Richard Wright, and Toni Morrison who clearly challenged hegemonic systems of race and gender, the spiritual narratives explored by Douglass-Chin and Moody are not necessarily best served by situating them in relation to the politics of the color line...

.... Urbana: Univ. of Illinois Press. 2001. xiv, 166 pp. $35.00. Subversive Voices: Eroticizing the Other in William Faulkner and Toni Morrison. By Evelyn Jaffe Schreiber. Knoxville: Univ. of Tennessee Press. 2001. xiii, 183 pp...

... the public arena. Stephen Knadler, Spelman College 6815 AMERICAN LITERATURE / 75:1 / sheet 207 of 252 The Artist as Outsider in the Novels of Toni Morrison and Virginia Woolf. By Lisa Williams. Westport...

... / 75:4 / sheet 207 of 255 Peter Kvidera, John Carroll University In Defiance of the Law: From Ann Hutchinson to Toni Morrison. By Marisa Anne Pagnattaro. New York: Peter Lang. 2001. xii, 229 pp. Paper, $24.95...

...Michael Nowlin © 2009 by Duke University Press 2009 The Laughter of the Oppressed: Ethical and Theological Resistance in Wiesel, Morrison, and Endo . By Jacqueline Bussie. New York: T and T Clark. 2007. viii, 212 pp. Cloth, $110.00; paper, $24.95. Race, Theft, and Ethics: Property Matters in...

...Marjorie Pryse In Jazz , Morrison explores the transferential relation between book and reader, invoking Kleinian object relations, Gates's Talking Book, and her characters' search for lost mothers to drive the reader into his or her own psychoanalytic search for origins. Joe, Violet, and Dorcas...

...Holly Flint Duke University Press 2006 Holly Toni Morrison’s Paradise: Flint Black Cultural Citizenship in the American Empire In 1980 historian William Appleman Williams warned that the only way to create viable American identities...

... ), Philip Roth in Indignation ( 2008 ), Chang-rae Lee in The Surrendered ( 2010 ), and Toni Morrison in Home ( 2012 ). In considering the literary afterlife of the Korean War, I begin with an analysis of the biopolitical logic of defense that arose after World War II during a time of American global...

... audible traces of black maternity in Frederick Douglass’s 1845 Narrative , Frances E. W. Harper’s Iola Leroy (1892), Ralph Ellison’s Invisible Man (1952), and Toni Morrison’s Song of Solomon (1977), the essay unearths the sonic frameworks through which black male subjectivity and ideologies of black...

...Spencer Morrison Morrison’s essay calls for closer scholarly attention to Faulknerian geography in its historical specificity by demonstrating the effects of post-WWII urban crisis on Faulkner’s Cold War writing. To this end, the article reads Faulkner’s Requiem for a Nun (1951) as not only a...

... situating key literary figures—most prominently Charles Chesnutt—within this tradition. Chesnutt and others (Langston Hughes, Claude McKay, and Toni Morrison among them) adapt and revise multiple mythic traditions—ancient and modern, “African” and “American,” “black” and “white”—to counter an exceptionalist...

...Susan Edmunds Abstract This essay argues that Essence magazine provides a crucial intertext for understanding Toni Morrison’s engagement in Tar Baby with the political debates that surrounded the “Black Is Beautiful” slogan in the black power era and her use of the Tar Baby story to dramatize and...

... of disgust, anger, fear, and pain (20). This provocative argument is slightly buried under the close readings of each text. Bouson’s coverage of Morrison criticism is exemplary, but it is this...

... LITERATURE / 75:1 / sheet 207 of 252 The Artist as Outsider in the Novels of Toni Morrison and Virginia Woolf. By Lisa Williams. Westport, Conn.: Greenwood. 2000. xii, 194 pp. $59.95. In cross-cultural and...

... and reactions) shape different people’s encounters with the same experience or shape different readers’ encounters with the same text. Over the course of the book’s five main chapters, she offers close readings of works by Toni Morrison, Helena María Viramontes, Manuel Muñoz, Junot Díaz, and Audre...

... from Stein through this ‘‘quartet’’ to the recent work of Michael Palmer and Adrienne Rich—or, for that matter, from Hemingway’s In Our Time through Heller’s Catch 22 to Toni Morrison’s Sula or Jazz. Travisano is right in claim...

...Christopher Douglas Duke University Press 2006 Christopher What The Bluest Eye Knows about Them: Douglas Culture, Race, Identity Forays into family history are Toni Morrison’s stan- dard strategy for establishing character motivation in TheBluestEye. But midway...

... LITERATURE / 75:1 / sheet 197 of 252 of the injustice of Southern power structures threatens the identity of the whites who benefit from it, occasioning reactionary responses (56). In her analysis of Morrison’s texts, Schreiber establishes a...